(Vocal Jazz) [CD] Madeleine Peyroux - The Blue Room [limited edition] - 2013, FLAC (tracks+.cue), lossless
![(Vocal Jazz) [CD] Madeleine Peyroux - The Blue Room [limited edition] - 2013, FLAC (tracks+.cue), lossless](/upload/000/u2/b0/de/vocal-jazz-cd-madeleine-peyroux-the-blue-room-limited-edi.jpg "(Vocal Jazz) [CD] Madeleine Peyroux - The Blue Room [limited edition] - 2013, FLAC (tracks+.cue), lossless")
Madeleine Peyroux / The Blue Room [limited edition]
Жанр: Vocal Jazz
Носитель: CD
Страна-производитель диска: Germany
Год издания: 2013
Издатель (лейбл): Decca / Emarcy
Номер по каталогу: 0602537242702
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:47:37
Источник (релизер): Собственный рип
Наличие сканов в содержимом раздачи: да (*.png, 400 dpi)
Треклист:
DVD из этого издания: Madeleine Peyroux - The Blue Room [limited edition] [bonus DVD]
Носитель: CD
Страна-производитель диска: Germany
Год издания: 2013
Издатель (лейбл): Decca / Emarcy
Номер по каталогу: 0602537242702
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:47:37
Источник (релизер): Собственный рип
Наличие сканов в содержимом раздачи: да (*.png, 400 dpi)
Треклист:
01. Take These Chains From My Heart (3:13)
02. Bye Bye Love (3:28)
03. Canging All Those Changes (3:10)
04. Born To Lose (4:28)
05. Guilty (3:51)
06. Bird On A Wire (5:37)
07. I Can't Stop Loving You (4:18)
08. Gentle On My Mind (6:42)
09. You Don't Know Me (4:02)
10. Desperadoes Under The Eaves (extended version) (5:26)
11. I Love You 'So Much It Hurts (bonus track) (3:22)
02. Bye Bye Love (3:28)
03. Canging All Those Changes (3:10)
04. Born To Lose (4:28)
05. Guilty (3:51)
06. Bird On A Wire (5:37)
07. I Can't Stop Loving You (4:18)
08. Gentle On My Mind (6:42)
09. You Don't Know Me (4:02)
10. Desperadoes Under The Eaves (extended version) (5:26)
11. I Love You 'So Much It Hurts (bonus track) (3:22)
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
Отчёт EAC об извлечении, выполненном 16. мая 2014, 10:27
Madeleine Peyroux / The Blue Room [limited edition]
Дисковод: PIONEER DVD-RW DVR-218L Adapter: 0 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Обработка зазоров : Добавлено к предыдущему треку
Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 128 kBit/s
Качество : Высокий
Добавление ID3-тега : Нет
Утилита сжатия : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Дополнительные параметры : -V -7 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
---------------------------------------------------------------------
1 | 0:00.00 | 3:12.44 | 0 | 14443
2 | 3:12.44 | 3:28.22 | 14444 | 30065
3 | 6:40.66 | 3:10.36 | 30066 | 44351
4 | 9:51.27 | 4:27.39 | 44352 | 64415
5 | 14:18.66 | 3:50.67 | 64416 | 81732
6 | 18:09.58 | 5:36.72 | 81733 | 107004
7 | 23:46.55 | 4:18.34 | 107005 | 126388
8 | 28:05.14 | 6:41.73 | 126389 | 156536
9 | 34:47.12 | 4:01.56 | 156537 | 174667
10 | 38:48.68 | 5:26.11 | 174668 | 199128
11 | 44:15.04 | 3:21.39 | 199129 | 214242
Трек 1
Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\01 Take These Chains From My Heart.wav
Длина предзазора 0:00:02.00
Пиковый уровень 100.0 %
Скорость извлечения 1.0 X
Качество трека 100.0 %
CRC теста 2C91EC6E
CRC копии 2C91EC6E
Точное извлечение (достоверность 21) [F6495F8E] (AR v2)
Копирование... OK
Трек 2
Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\02 Bye Bye Love.wav
Длина предзазора 0:00:01.50
Пиковый уровень 100.0 %
Скорость извлечения 1.1 X
Качество трека 100.0 %
CRC теста 6BDE035C
CRC копии 6BDE035C
Точное извлечение (достоверность 21) [FC16AEAE] (AR v2)
Копирование... OK
Трек 3
Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\03 Canging All Those Changes.wav
Длина предзазора 0:00:01.30
Пиковый уровень 100.0 %
Скорость извлечения 1.2 X
Качество трека 100.0 %
CRC теста 7067B397
CRC копии 7067B397
Точное извлечение (достоверность 22) [60D1FFE2] (AR v2)
Копирование... OK
Трек 4
Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\04 Born To Lose.wav
Длина предзазора 0:00:01.20
Пиковый уровень 100.0 %
Скорость извлечения 1.4 X
Качество трека 100.0 %
CRC теста 8BA6567E
CRC копии 8BA6567E
Точное извлечение (достоверность 21) [1C73828E] (AR v2)
Копирование... OK
Трек 5
Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\05 Guilty.wav
Длина предзазора 0:00:01.40
Пиковый уровень 100.0 %
Скорость извлечения 1.5 X
Качество трека 100.0 %
CRC теста AB673623
CRC копии AB673623
Точное извлечение (достоверность 21) [A0F32A14] (AR v2)
Копирование... OK
Трек 6
Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\06 Bird On A Wire.wav
Пиковый уровень 100.0 %
Скорость извлечения 1.5 X
Качество трека 99.9 %
CRC теста B784D080
CRC копии B784D080
Точное извлечение (достоверность 21) [0FD9CF9C] (AR v2)
Копирование... OK
Трек 7
Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\07 I Can't Stop Loving You.wav
Длина предзазора 0:00:00.50
Пиковый уровень 100.0 %
Скорость извлечения 1.7 X
Качество трека 100.0 %
CRC теста B7EAD888
CRC копии B7EAD888
Точное извлечение (достоверность 21) [0341B373] (AR v2)
Копирование... OK
Трек 8
Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\08 Gentle On My Mind.wav
Длина предзазора 0:00:01.09
Пиковый уровень 99.3 %
Скорость извлечения 1.9 X
Качество трека 100.0 %
CRC теста 4F2DA8A4
CRC копии 4F2DA8A4
Точное извлечение (достоверность 21) [C8468AC1] (AR v2)
Копирование... OK
Трек 9
Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\09 You Don't Know Me.wav
Длина предзазора 0:00:01.39
Пиковый уровень 100.0 %
Скорость извлечения 1.9 X
Качество трека 100.0 %
CRC теста ED11C68B
CRC копии ED11C68B
Точное извлечение (достоверность 21) [75B0D939] (AR v2)
Копирование... OK
Трек 10
Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\10 Desperadoes Under The Eaves (extended version).wav
Длина предзазора 0:00:02.10
Пиковый уровень 100.0 %
Скорость извлечения 2.0 X
Качество трека 100.0 %
CRC теста 9C5C697F
CRC копии 9C5C697F
Точное извлечение (достоверность 21) [0D480EB2] (AR v2)
Копирование... OK
Трек 11
Имя файла E:\_VIDEO\_seriaЛЫ_\!!!muz\Madeleine Peyroux - The Blue Room [limited edition] (2013)\11 I Love You 'So Much It Hurts (bonus track).wav
Длина предзазора 0:00:06.11
Пиковый уровень 100.0 %
Скорость извлечения 1.7 X
Качество трека 99.9 %
CRC теста 9AFAF0FE
CRC копии 9AFAF0FE
Точное извлечение (достоверность 21) [C5563800] (AR v2)
Копирование... OK
Все треки извлечены точно
Ошибок не произошло
Конец отчёта
==== Контрольная сумма отчёта C9D61D10B441AB198CE9EB42AF78918468950955380151C568F4B9F302327181 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2013
REM DISCID 940B280B
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Madeleine Peyroux"
TITLE "The Blue Room - Limited Edtion"
FILE "01 Take These Chains From My Heart.wav" WAVE
TRACK 01 AUDIO
TITLE "Take These Chains From My Heart"
PERFORMER "Madeleine Peyroux"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Bye Bye Love"
PERFORMER "Madeleine Peyroux"
INDEX 00 03:10:69
FILE "02 Bye Bye Love.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Canging All Those Changes"
PERFORMER "Madeleine Peyroux"
INDEX 00 03:26:67
FILE "03 Canging All Those Changes.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Born To Lose"
PERFORMER "Madeleine Peyroux"
INDEX 00 03:09:16
FILE "04 Born To Lose.wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Guilty"
PERFORMER "Madeleine Peyroux"
INDEX 00 04:25:74
FILE "05 Guilty.wav" WAVE
INDEX 01 00:00:00
FILE "06 Bird On A Wire.wav" WAVE
TRACK 06 AUDIO
TITLE "Bird On A Wire"
PERFORMER "Madeleine Peyroux"
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "I Can't Stop Loving You"
PERFORMER "Madeleine Peyroux"
INDEX 00 05:36:22
FILE "07 I Can't Stop Loving You.wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Gentle On My Mind"
PERFORMER "Madeleine Peyroux"
INDEX 00 04:17:25
FILE "08 Gentle On My Mind.wav" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "You Don't Know Me"
PERFORMER "Madeleine Peyroux"
INDEX 00 06:40:34
FILE "09 You Don't Know Me.wav" WAVE
INDEX 01 00:00:00
TRACK 10 AUDIO
TITLE "Desperadoes Under The Eaves (extended version)"
PERFORMER "Madeleine Peyroux"
INDEX 00 03:59:46
FILE "10 Desperadoes Under The Eaves (extended version).wav" WAVE
INDEX 01 00:00:00
TRACK 11 AUDIO
TITLE "I Love You 'So Much It Hurts (bonus track)"
PERFORMER "Madeleine Peyroux"
INDEX 00 05:20:00
FILE "11 I Love You 'So Much It Hurts (bonus track).wav" WAVE
INDEX 01 00:00:00
Лог проверки качества
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DON'T MODIFY THIS FILE
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Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Об исполнителе (группе)
Об альбоме (сборнике)
Review by Thom Jurek [-]
On The Blue Room, her second Decca recording, Madeleine Peyroux and producer Larry Klein re-examine the influence of Ray Charles' revolutionary 1962 date, Modern Sounds in Country and Western Music. They don't try to re-create the album, but remake some of its songs and include others by composers whose work would benefit from the genre-blurring treatment Charles pioneered. Bassist David Pilch, drummer Jay Bellerose, guitarist Dean Parks, and pianist/organist Larry Goldings are the perfect collaborators. Most these ten tracks feature string arrangements by Vince Mendoza. Five tunes here are reinterpretations of Charles' from MSICAWM. "Take These Chains" commences as a sultry jazz tune, and in Peyroux's vocal, there is no supplication -- only a demand. Parks' pedal steel moves between sounding like itself and a clarinet. Goldings' alternating B-3 and Rhodes piano offer wonderful color contrast and make it swing. Her take on "Bye Bye Love" feels as if it's being narrated to a confidante, and juxtaposes early Western swing with a bluesy stroll. A rock guitar introduces "I Can't Stop Loving You," but Peyroux's phrasing has more country-blues in it than we've heard from her before. The use of a trumpet in "Born to Lose" and "You Don't Know Me," with Mendoza's dreamy strings, allow for Peyroux to deliver her most stylized jazz performances on the set. Buddy Holly's "Changing All the Changes" contains the same happy bump as the original, but there isn't any ache in Peyroux's vocal; it's all declaration. The simmering, busted blues in Randy Newman's "Guilty" reveals he could have written the tune for Little Willie John or Patsy Cline. Both singer and producer prove that John Hartford's "Gentle on My Mind" can be as much a jazz-pop tune as a country song. The shuffling train motion in Glen Campbell's iconic version has been traded for a less hurried pace. Peyroux employs her Billie Holiday-influenced phrasing to excellent effect. Mendoza's restrained strings color the tune from a simple, directly conveyed love song to an intimate reverie offered over time and distance; Goldings' shimmering piano and Parks' ringing guitar make it nearly elastic. Warren Zevon's "Desperadoes Under the Eaves" illustrates better than any selection here that Charles' approach to country to transcend genre and tell universal stories was indeed genius. Peyroux, her band, and Mendoza's strings offer a nearly cinematic legend of old Hollywood envisioned through the eyes of one of its most seasoned and heartbroken denizens. The singer leans out of the arrangements and into the depths of her heart, conveying loss and loneliness to the listener directly. The Blue Room is a brave experiment, but one that pays off handsomely. For anyone who hasn't spent time with Charles' classic country recordings, it doesn't matter, because what's here stands confidently on its own; for those who have, that experience will provide an additional reward. [A CD/DVD version featuring a documentary and two videos was also released.]
On The Blue Room, her second Decca recording, Madeleine Peyroux and producer Larry Klein re-examine the influence of Ray Charles' revolutionary 1962 date, Modern Sounds in Country and Western Music. They don't try to re-create the album, but remake some of its songs and include others by composers whose work would benefit from the genre-blurring treatment Charles pioneered. Bassist David Pilch, drummer Jay Bellerose, guitarist Dean Parks, and pianist/organist Larry Goldings are the perfect collaborators. Most these ten tracks feature string arrangements by Vince Mendoza. Five tunes here are reinterpretations of Charles' from MSICAWM. "Take These Chains" commences as a sultry jazz tune, and in Peyroux's vocal, there is no supplication -- only a demand. Parks' pedal steel moves between sounding like itself and a clarinet. Goldings' alternating B-3 and Rhodes piano offer wonderful color contrast and make it swing. Her take on "Bye Bye Love" feels as if it's being narrated to a confidante, and juxtaposes early Western swing with a bluesy stroll. A rock guitar introduces "I Can't Stop Loving You," but Peyroux's phrasing has more country-blues in it than we've heard from her before. The use of a trumpet in "Born to Lose" and "You Don't Know Me," with Mendoza's dreamy strings, allow for Peyroux to deliver her most stylized jazz performances on the set. Buddy Holly's "Changing All the Changes" contains the same happy bump as the original, but there isn't any ache in Peyroux's vocal; it's all declaration. The simmering, busted blues in Randy Newman's "Guilty" reveals he could have written the tune for Little Willie John or Patsy Cline. Both singer and producer prove that John Hartford's "Gentle on My Mind" can be as much a jazz-pop tune as a country song. The shuffling train motion in Glen Campbell's iconic version has been traded for a less hurried pace. Peyroux employs her Billie Holiday-influenced phrasing to excellent effect. Mendoza's restrained strings color the tune from a simple, directly conveyed love song to an intimate reverie offered over time and distance; Goldings' shimmering piano and Parks' ringing guitar make it nearly elastic. Warren Zevon's "Desperadoes Under the Eaves" illustrates better than any selection here that Charles' approach to country to transcend genre and tell universal stories was indeed genius. Peyroux, her band, and Mendoza's strings offer a nearly cinematic legend of old Hollywood envisioned through the eyes of one of its most seasoned and heartbroken denizens. The singer leans out of the arrangements and into the depths of her heart, conveying loss and loneliness to the listener directly. The Blue Room is a brave experiment, but one that pays off handsomely. For anyone who hasn't spent time with Charles' classic country recordings, it doesn't matter, because what's here stands confidently on its own; for those who have, that experience will provide an additional reward. [A CD/DVD version featuring a documentary and two videos was also released.]
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777