[TR24][OF] Tony Scott And The Indonesian All Stars (Allstars) - Djanger Bali (Remastered) - 1967/2015 (Post-Bop, Ethnic Jazz)
Tony Scott And The Indonesian All Stars - Djanger Bali Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Издание: Remastered
Год издания/переиздания диска: 1967/2015
Жанр: Post-Bop, Ethnic Jazz
Издатель (лейбл): MPS Records
Продолжительность: 36:42
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. Djanger Bali (6:01)
02. Mahlke from “Katz und Maus” (6:03)
03. Gambang Suling (7:09)
04. Ilir, Ilir (3:58)
05. Burungkaka Tua (5:18)
06. Summertime (8:13)
Musicians:
Tony Scott - clarinet
Marjono - tenor saxophone, flute, vocals
Jack Lesmana - guitar
Bubi Chen - piano, Zither
Yopi Chen - bass
Benny Mustafa - drums
Rec.: SABA Tonstudio, Villingen, Black Forest, Germany, October 27 & 28, 1967.
Несколько слов на английском
Лог проверки качества
Наличие водяных знаков: Нет
Издание: Remastered
Год издания/переиздания диска: 1967/2015
Жанр: Post-Bop, Ethnic Jazz
Издатель (лейбл): MPS Records
Продолжительность: 36:42
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. Djanger Bali (6:01)
02. Mahlke from “Katz und Maus” (6:03)
03. Gambang Suling (7:09)
04. Ilir, Ilir (3:58)
05. Burungkaka Tua (5:18)
06. Summertime (8:13)
Musicians:
Tony Scott - clarinet
Marjono - tenor saxophone, flute, vocals
Jack Lesmana - guitar
Bubi Chen - piano, Zither
Yopi Chen - bass
Benny Mustafa - drums
Rec.: SABA Tonstudio, Villingen, Black Forest, Germany, October 27 & 28, 1967.
This is an important album. Back then this album was far ahead of time. It recorded the awesomeness of our jazz fathers, the inspiring figures who helped to shape our jazz scene today. This recording also stands as a living historical evidence not only for Indonesian jazz journey, but also in global jazz scene. For more than 4 decades it was really difficult to find and very expensive, but now you can have it in remastered in 88.2 kHz…
Indonesia and jazz? Not so far-fetched! Improvisation is a part of traditional gamelan, and modal playing goes back 1000 years; jazz began seriously delving into modes with Miles Davis in the 1950’s. Clarinet icon Tony Scott proselytized jazz during his six-year sojourn in Asia, and in so doing brought Asian music masters, including players on this album, into the jazz world. Down Beat called pianist Bubi Chen “The Art Tatum of Asia”, and saxophonist Marjono, whose influences include John Coltrane, is an authority on traditional Balinese and Javanese music. Djanger Bali is a Balinese sitting dance with a gamelan- style melody and the pentatonic Bali-Javanese pelog scale for improvisation. Mahlke rollicks with a guitar-clarinet duo – this group can smoke on straight-ahead jazz changes. Javanese for xylophone and flute, Gambang Suling keeps to the feel of this piece from central Java. Marjono sings the lyrics on the Javanese children’s ghost song Ilir Ilir. There’s a taste of Caribbean, swing, and gamelan in the play. Burungkaka Tua is taken at ballad pace with beautiful solos by Bubi on piano and Marjono on flute. Sumertime is all about heated solos and the juxtaposition of the pelog and Dorian scales. A classy early exploration of world music combining the best of both worlds.
Indonesia and jazz? Not so far-fetched! Improvisation is a part of traditional gamelan, and modal playing goes back 1000 years; jazz began seriously delving into modes with Miles Davis in the 1950’s. Clarinet icon Tony Scott proselytized jazz during his six-year sojourn in Asia, and in so doing brought Asian music masters, including players on this album, into the jazz world. Down Beat called pianist Bubi Chen “The Art Tatum of Asia”, and saxophonist Marjono, whose influences include John Coltrane, is an authority on traditional Balinese and Javanese music. Djanger Bali is a Balinese sitting dance with a gamelan- style melody and the pentatonic Bali-Javanese pelog scale for improvisation. Mahlke rollicks with a guitar-clarinet duo – this group can smoke on straight-ahead jazz changes. Javanese for xylophone and flute, Gambang Suling keeps to the feel of this piece from central Java. Marjono sings the lyrics on the Javanese children’s ghost song Ilir Ilir. There’s a taste of Caribbean, swing, and gamelan in the play. Burungkaka Tua is taken at ballad pace with beautiful solos by Bubi on piano and Marjono on flute. Sumertime is all about heated solos and the juxtaposition of the pelog and Dorian scales. A classy early exploration of world music combining the best of both worlds.
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/88,2
Формат: PCM
Количество каналов: 2.0
Тип рипа: tracks
Разрядность: 24/88,2
Формат: PCM
Количество каналов: 2.0
foobar2000 1.3.9 / Dynamic Range Meter 1.1.1 log date: 2018-04-30 01:52:22 -------------------------------------------------------------------------------- Analyzed: Tony Scott And The Indonesian All Stars / Djanger Bali -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR9 -1.87 dB -13.30 dB 6:01 01-Djanger Bali DR11 -3.34 dB -17.36 dB 6:03 02-Mahlke from “Katz und Maus” DR10 -1.87 dB -14.60 dB 7:09 03-Gambang Suling DR10 -5.41 dB -18.78 dB 3:58 04-Ilir, Ilir DR9 -3.96 dB -16.93 dB 5:18 05-Burungkaka Tua DR10 -0.37 dB -13.54 dB 8:13 06-Summertime -------------------------------------------------------------------------------- Number of tracks: 6 Official DR value: DR10 Samplerate: 88200 Hz Channels: 2 Bits per sample: 24 Bitrate: 2880 kbps Codec: FLAC ================================================================================
Источник: highresaudio.com
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777