[TR24][OF] Kat Edmonson - Old Fashioned Gal - 2018 (Vocal Jazz)

foobar2000 1.3.12 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта:  2018-04-29 23:06:16
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Анализ:   Kat Edmonson / Old Fashioned Gal
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DR         Пики         RMS           Продолжительность трека
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DR11      -0.02 дБ   -13.52 дБ      3:27 01-Sparkle and Shine
DR9       -0.02 дБ   -11.09 дБ      2:52 02-I'd Be a Fool
DR11      -0.02 дБ   -15.60 дБ      4:26 03-A Voice
DR9       -0.02 дБ   -10.95 дБ      3:09 04-If
DR10      -0.02 дБ   -11.92 дБ      3:01 05-Canoe
DR11      -0.02 дБ   -13.98 дБ      3:01 06-Old Fashioned Gal
DR11      -0.02 дБ   -13.81 дБ      4:45 07-Please Consider Me
DR9       -0.02 дБ   -10.94 дБ      3:12 08-How's About It Baby
DR12      -2.85 дБ   -18.22 дБ      2:32 09-Goodbye Bruce
DR11      -0.02 дБ   -14.36 дБ      3:33 10-With You
DR10      -0.02 дБ   -12.26 дБ      3:09 11-Not My Time
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Количество треков: 11
Реальные значения DR: DR10
Частота:   44100 Гц
Каналов:   2
Разрядность:   24
Битрейт:   1457 кбит/с
Кодек:   FLAC
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Kat Edmonson’s Old Fashioned Gal sounds like an alternate soundtrack to an Audrey Hepburn film, 11 self-penned songs of gentle romance and vulnerability in a decades-old style sparkling with modern sensibilities.
And then there’s her voice. Part bashful debutante, part starry-eyed fiancee, part world-wise seductress, it possesses a singular expressiveness that puts her at the curious intersection of Karen Dalton, Blossom Dearie and Eartha Kitt.
Coming off a successful album with producer Mitchell Froom – The Big Picture from 2014 – Edmonson takes charge here with songs she wrote in the winter of 2016 while battling a bad cold and watching 1930s movies. She then framed her tunes like the screenplay of a musical and they became her fourth disc.
Edmonson’s compositions are top notch, filtering the Great American Songbook through a very feminine perspective influenced by more recent singer-songwriters like Carole King or Joni Mitchell.
Highlights include the title track, in which she offers traditional alternatives to pop-up ads, dating sites and other entrapments of contemporary relations. “Please Consider Me” is more self-promotion but with Parisian locations, while “Goodbye Bruce” is a minimalist but deeply felt farewell to her mentor, “such a lovely guy.” “Canoe” recounts how a couple’s date on a lake affects its insect population.
“What freedom it would bring/If I could sing,” she declares on “A Voice,” lyrically musing about her personal and artistic qualms. With her voice front and center whether accompanied by an orchestra or just a piano, Edmonson’s doubts seem quelled by the strength and confidence of her performances, each a highly-enjoyable chapter of self-healing. (Pablo Gorondi, Associated Press)