(Swing) [CD] The Bassface Swing Trio - Tribute to Cole Porter - 2008, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 20. December 2012, 2:10
The Bassface Swing Trio / Tribute to Cole Porter
Used drive  : PLEXTOR CD-R   PREMIUM2   Adapter: 4  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
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Quality                         : High
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TOC of the extracted CD
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        2  |  5:41.70 |  4:06.71 |     25645    |    44165
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Track  8
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All tracks accurately ripped
No errors occurred
End of status report
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REM GENRE Jazz
REM DATE 2008
REM DISCID 5C092608
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "The Bassface Swing Trio"
TITLE "Tribute to Cole Porter"
FILE "01 - Dream Dancing.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Dream Dancing"
    PERFORMER "The Bassface Swing Trio"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Easy to Love"
    PERFORMER "The Bassface Swing Trio"
    INDEX 00 05:41:50
FILE "02 - Easy to Love.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Night and Day"
    PERFORMER "The Bassface Swing Trio"
    INDEX 00 04:06:51
FILE "03 - Night and Day.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Love for Sale"
    PERFORMER "The Bassface Swing Trio"
    INDEX 00 05:35:09
FILE "04 - Love for Sale.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "It's De-Lovely"
    PERFORMER "The Bassface Swing Trio"
    INDEX 00 04:57:06
FILE "05 - It's De-Lovely.wav" WAVE
    INDEX 01 00:00:00
FILE "06 - You'd Be So Nice to Come Home To.wav" WAVE
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    TITLE "You'd Be So Nice to Come Home To"
    PERFORMER "The Bassface Swing Trio"
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Ev'ry Time We Say Goodbye"
    PERFORMER "The Bassface Swing Trio"
    INDEX 00 04:10:15
FILE "07 - Ev'ry Time We Say Goodbye.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "I Love Paris"
    PERFORMER "The Bassface Swing Trio"
    INDEX 00 05:48:30
FILE "08 - I Love Paris.wav" WAVE
    INDEX 01 00:00:00

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A great small jazz band, a legendary American composer and marvellous sound - it was a year ago that this mixture created one of the most remarkable sound recordings, the Direct-to-disc-Cut of the Bassface Swing Trio and their tribute to Gershwin. Could things become any better than this? Hard to imagine, but true. Proof enough of this: The Bassface Swing Trio again, this time featuring singer Barbara Bürkle, a fine selection of jazz tunes presented as a Tribute to Cole Porter.
This is nothing less than musical satisfaction in the extreme: the bass-face swing trio consisting of three extraordinary jazz musicians - Thilo Wagner (piano), Jean-Philippe Wadle (upright bass) and Florian Hermann (drums) breathe new life into traditional swing music. They uncover the nature of Swing as humorous, honest and down-to-earth dance music from the Roaring Twenties. It has lost nothing of its old charms.
The sound is remarkably open and transparent; Thilo Wagner's piano lines come fresh and lively as a mountain brook. Dynamic performance and abundant humour is what Bassface Trio is all about. While many a jazz singer is still trying, Bassface Trio's Barbara Bürkle is just there - right in between your speakers, three-dimensional, strong and sensitive. This young woman's huge talent is that kind of mathematics which turns quartets into trios!
The Stockfisch sound engineers mixed the sound of seven microphones in an analog mixer to a stereo sum using exclusively the analog gear of the Stockfisch studios: e.g. the sonosax mixing desk, the DRAWMER S3, the Avalon-EQs and the Elysia alpha compressor. The musicians played two sets of four pieces - live, there were no edits or digital tricks involved.