(Swing, Big Band) [CD] Duke Ellington - Swing 1930 to 1938 - 1989, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 27. January 2017, 18:35
Duke Ellington / Swing 1930 to 1938
Used drive  : TSSTcorpCDDVDW SE-208AB   Adapter: 2  ID: 0
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==== Log checksum 03D675071EF6A68B9CD2CC9752679BC602328027F016A238CFE37FEDF990E733 ====

REM GENRE Jazz
REM DATE 1989
REM DISCID E90D2F12
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Duke Ellington"
TITLE "Swing 1930 to 1938"
FILE "01 - Rockin' in Rhythm.wav" WAVE
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    PERFORMER "Duke Ellington"
    INDEX 01 00:00:00
FILE "02 - It Don't Mean a Thing.wav" WAVE
  TRACK 02 AUDIO
    TITLE "It Don't Mean a Thing"
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    INDEX 01 00:00:00
FILE "03 - Baby You Ain't There.wav" WAVE
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    TITLE "Baby You Ain't There"
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    INDEX 01 00:00:00
FILE "04 - Bugle Call Rag.wav" WAVE
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FILE "05 - Blue Harlem.wav" WAVE
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FILE "06 - Jazz Cocktail.wav" WAVE
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FILE "07 - Lightnin'.wav" WAVE
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FILE "08 - Slippery Horn.wav" WAVE
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FILE "09 - Drop Me Off at Harlem.wav" WAVE
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FILE "11 - Jive Stomp.wav" WAVE
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FILE "12 - Dear Old Southland.wav" WAVE
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FILE "13 - Saddest Tale.wav" WAVE
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FILE "14 - Truckin'.wav" WAVE
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FILE "15 - Clarinet Lament.wav" WAVE
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FILE "16 - Echoes of Harlem.wav" WAVE
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FILE "17 - In a Jam.wav" WAVE
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FILE "18 - Stepping into Swing Society.wav" WAVE
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Featuring Robert Parker's excellent transfers from original mint-condition 78s, Swing 1930-1938 covers a somewhat overlooked period in Ellington's career. Lodged between his maiden hits from the Cotton Club period and the pinnacle recordings made during the early '40s, Ellington's many fine, depression-era sides include classics like "Sophisticated Lady," "Caravan," and "Prelude to a Kiss." And while this disc does not feature any of those gems (sorry for the buildup), it does contain one of Ellington's biggest hits in Ivie Anderson's singing debut "It Don't Mean a Thing (If It Ain't Got That Swing)," as well minor classics like "Rockin' in Rhythm," "Drop Me Off at Harlem," and "Stepping Into Swing Society." And in addition to the usual surfeit of quality solos by band regulars Johnny Hodges, Joe Nanton, and Harry Carney, there are fine showcases of clarinetist Barney Bigard on "Clarinet Lament" and trumpeter Cootie Williams on "Echoes of Harlem" (the first "Cootie's Concerto"), and another top Ivie Anderson vocal on "Truckin'" (which features a fine tenor solo by none other than Ben Webster). (Webster's 1935 stint with Ellington was brief, but he would return for a longer run in the early '40s, scoring triumphs like his legendary solo on "Cotton Tail.") And even if there were no hits or star turns here, the band swings with such a high level of sophistication it wouldn't matter. Lucky for fans there are plenty of high-profile moments on this disc, not to mention the usual wealth of masterful Ellington arrangements. A must for Ellington fans and certainly not a bad starting point for newcomers.