(Sound Art, Abstract, Experimental, Ambient) VA - Optofonica ( Richard Chartier , Kaffe Matthews, Mira Calix, Scanner, Ulf Langheinrich, Bas Van Koolwijk, Telcosystems, Rayxxxx ), [line 041] DVDRip - 2009, FLAC (tracks), lossless

Нет, т.к. рип с DVD

AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
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-=== DO NOT EDIT THIS FILE! ===-
Path: ...\[line_041] Various - Optofonica FLAC
01 -=- 01 - Evelina Domnitch + Dmitry Gelfand + Richard Chartier - Sonolevitation.flac -=- ERROR
02 -=- 02 - Telcosystems - Scapetime.flac -=- CDDA (100%)
03 -=- 03 - Ryan Jeffery + Scanner - Waterfall.flac -=- CDDA (100%)
04 -=- 04 - Ryoichi Kurokawa - Vento Ignis.flac -=- MPEG (95%)
05 -=- 05 - Kanta Horio - Em#3.flac -=- CDDA (100%)
06 -=- 06 - Jason Graham + Kim Cascone + TeZ - Raindrops #7.flac -=- CDDA (76%)
07 -=- 07 - Skoltz_Kolgen - Ether.flac -=- CDDA (85%)
08 -=- 08 - Kaffe Matthews - Mount Magnet.flac -=- MPEG (95%)
09 -=- 09 - Marcel Wierckx - Black Noise White Silence.flac -=- CDDA (100%)
10 -=- 10 - Martijn Van Boven - A Thousand Scapes.flac -=- MPEG (95%)
11 -=- 11 - Otolab - Animula.flac -=- MPEG (95%)
12 -=- 12 - Rayxxxx - Pulse.flac -=- CDDA (100%)
13 -=- 13 - Lia + @c - Study #40.flac -=- CDDA (76%)
14 -=- 14 - Bas Van Koolwijk - Fdbckav 3d.flac -=- CDDA (100%)
15 -=- 15 - Frank Bretschneider - Rhythm Exp..flac -=- MPEG (95%)
16 -=- 16 - Domenico Sciajno - Sgf.flac -=- MPEG (95%)
17 -=- 17 - Pe Lang  + Zimoun - Untitled Sound Objects.flac -=- CDDA (100%)
18 -=- 18 - Ulf Langheinrich - It Would Have Been Fantastic.flac -=- MPEG (95%)
19 -=- 19 - Quayola + Mira Calix + Autobam - Strata #2.flac -=- MPEG (95%)
20 -=- 20 - Skif++ - Skif++.flac -=- CDDA (100%)
21 -=- 21 - David Muth + Hiaz - Counterclockwise.flac -=- MPEG (100%)
22 -=- 22 - Kurt Hentschlager - Xscape.flac -=- CDDA (43%)
23 -=- 23 - Natalie Bewernitz + Marek Goldowski - Life At The Witch Trails.flac -=- CDDA (99%)
Summary 55,41% CDDA
92879684

Instead of creating mere objects of aesthetic seduction, a new form of art is surfacing that invites audiences to transcend the limits of habitual perception. It seeks to shift the observer’s attention from the physical objects that stimulate perception to the act of perception itself.
“Concurrent with the cognitive space of apprehended sounds, a separate view can be opened onto the physical life of waves.”
(R. Ganchrow, Hear and There: Notes on the Materiality of Sound)
The immersive environments presented here by 42 artists from 13 different countries incite a unique multi-sensory awareness of both physical and mental (imagined) space. Some works directly examine the slipping contours of kinetic phenomena, involving magnetism (Kanta Horio), fluid dynamics (Skoltz Kolgen), or acoustic levitation (Domnitch/Gelfand/Chartier). Others have invented an impossible phantom spatiality, stemming, for example, from brain wave interference (Ulf Langheinrich) or stereoscopically rendered interferential video signals (Bas van Koolwijk). All the pieces entail a search for hidden, transitory spaces that crosswire the perceptual spectrum. After being presented worldwide (Sonic Acts, Elektra, Sonar, Nemo…) in the form of Surround Cinema as well as in the Optofonica Capsule (a tactile audio installation), this body of work, spanning 3 years, has been painstakingly archived, preserving as much as possible the intricacies of each composition.