(Soul Jazz) [LP][24/96] Junior Mance - The Junior Mance Touch - 1973 (Original US pressing), FLAC (tracks)
![(Soul Jazz) [LP][24/96] Junior Mance - The Junior Mance Touch - 1973 (Original US pressing), FLAC (tracks)](/upload/000/u2/6c/94/96-junior-mance-the-junior-mance-touch.jpg "(Soul Jazz) [LP][24/96] Junior Mance - The Junior Mance Touch - 1973 (Original US pressing), FLAC (tracks)")
Junior Mance - The Junior Mance Touch
Жанр: Soul Jazz
Год выпуска: 1973
Лейбл: Polydor – PD 5051 (Original pressing)
Страна-производитель: USA
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 32/96
Формат раздачи: 24/96
Продолжительность: 44:37
Треклист:
Side One:
A1 Zabuda (05:15)
A2 Let's Stay Together (05:40)
A3 Tin Tin Deo (07:10)
A4 Midnight Special (05:24)
Side Two:
B1 I Can See Clearly Now (07:07)
B2 Where I Come From (07:38)
B3 Something (06:06)
Personnel:
– Junior Mance - piano
– Martin Rivera - bass
– Bruno Carr - drums
– Bill Fischer - strings arranged & conducted
Recorded and mixed at Regent Sound Studios
Originally released January 01, 1973 by Polydor Records (US), LP-PD 5051
Джуниор Мэнс (наст. Julian Clifford Mance, Jr., род. 10.10.1928) - американский джазовый пианист, композитор. В 1947 году присоединился к группе Джина Аммонса. В 1949-51 работал с Лестером Янгом. В 1953 аккомпанировал Чарли Паркеру, Коулмену Хокинсу, Эдди "Локджо" Дэвису, Сонни Ститу и другим. В 1959 году основал свое трио и выпустил первый альбом в качестве лидирующего исполнителя. Преподавал в The New School for Jazz and Contemporary Music. В 90-е годы участвовал в группе "100 Gold Fingers". В 1997 году был включен в International Jazz Hall of Fame.
Источник оцифровки: Рип взят из сети. Автор: Euripides
Код класса состояния винила: не указан автором рипа
Жанр: Soul Jazz
Год выпуска: 1973
Лейбл: Polydor – PD 5051 (Original pressing)
Страна-производитель: USA
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 32/96
Формат раздачи: 24/96
Продолжительность: 44:37
Треклист:
Side One:
A1 Zabuda (05:15)
A2 Let's Stay Together (05:40)
A3 Tin Tin Deo (07:10)
A4 Midnight Special (05:24)
Side Two:
B1 I Can See Clearly Now (07:07)
B2 Where I Come From (07:38)
B3 Something (06:06)
Personnel:
– Junior Mance - piano
– Martin Rivera - bass
– Bruno Carr - drums
– Bill Fischer - strings arranged & conducted
Recorded and mixed at Regent Sound Studios
Originally released January 01, 1973 by Polydor Records (US), LP-PD 5051
Джуниор Мэнс (наст. Julian Clifford Mance, Jr., род. 10.10.1928) - американский джазовый пианист, композитор. В 1947 году присоединился к группе Джина Аммонса. В 1949-51 работал с Лестером Янгом. В 1953 аккомпанировал Чарли Паркеру, Коулмену Хокинсу, Эдди "Локджо" Дэвису, Сонни Ститу и другим. В 1959 году основал свое трио и выпустил первый альбом в качестве лидирующего исполнителя. Преподавал в The New School for Jazz and Contemporary Music. В 90-е годы участвовал в группе "100 Gold Fingers". В 1997 году был включен в International Jazz Hall of Fame.
Источник оцифровки: Рип взят из сети. Автор: Euripides
Код класса состояния винила: не указан автором рипа
Ripping Info:
Media:
Original LP 1st pressing, Polydor, PD 5051, Matrix A:, Matrix B: N/A
Equipment:
* Vpi HW-17F Record Cleaning Machine
* Heybrook TT2 with Origin Live! power supply and DC motor
* Rega RB 300 tonearm (Origin Live! mod)
* Lyra Helikon M/C Cartridge
* Denon PMA 8500 (M/C phono section)
* ESI Systems Juli@ A/D
* Adobe Audition 1.5
Method:
- Record cleaned on Vpi machine.
- Audio sampled at 96/32 float.
- Filter to roll-off frequencies below 20 HZ (only below audible frequencies).
Audio restoration:
- 'Younglove' decrackling scripted method throughout (catches very low level crackle only).
- Manual declick and deglitch - my method is to scan through the audio with ears and eyes, looking for anomalies and try to only declick when I know it's the right thing to do.
- All whole sides normalized to 100% NEVER using compression or limiting.
Synopsis:
For something so laid back as this it comes as a surprise to realize that it's got such a big dynamic range... quite an instructive example really. The sound is pretty good, and it is in all other respects a decent US made Polydor pressing.
~ Euripides September 2011
Original LP 1st pressing, Polydor, PD 5051, Matrix A:, Matrix B: N/A
Equipment:
* Vpi HW-17F Record Cleaning Machine
* Heybrook TT2 with Origin Live! power supply and DC motor
* Rega RB 300 tonearm (Origin Live! mod)
* Lyra Helikon M/C Cartridge
* Denon PMA 8500 (M/C phono section)
* ESI Systems Juli@ A/D
* Adobe Audition 1.5
Method:
- Record cleaned on Vpi machine.
- Audio sampled at 96/32 float.
- Filter to roll-off frequencies below 20 HZ (only below audible frequencies).
Audio restoration:
- 'Younglove' decrackling scripted method throughout (catches very low level crackle only).
- Manual declick and deglitch - my method is to scan through the audio with ears and eyes, looking for anomalies and try to only declick when I know it's the right thing to do.
- All whole sides normalized to 100% NEVER using compression or limiting.
Synopsis:
For something so laid back as this it comes as a surprise to realize that it's got such a big dynamic range... quite an instructive example really. The sound is pretty good, and it is in all other respects a decent US made Polydor pressing.
~ Euripides September 2011
Dynamic Range Analysis:
=======================================================================
foobar2000 1.1.5 / Dynamic Range Meter 1.1.0 beta 6
log date: 2011-09-30 21:04:55
--------------------------------------------------------------------------------
Analyzed: Junior Mance / The Junior Mance Touch
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR15 -1.01 dB -19.92 dB 5:07 ?-01 Zabuda
DR14 0.00 dB -19.52 dB 5:44 ?-02 Let's Stay Together
DR15 -0.27 dB -19.33 dB 7:15 ?-03 Tin Tin Deo
DR15 -1.53 dB -20.41 dB 5:27 ?-04 Midnight Special
DR14 -0.04 dB -19.13 dB 7:09 ?-05 I Can See Clearly Now
DR14 -0.05 dB -18.46 dB 7:41 ?-06 Where I Come From
DR16 -0.04 dB -21.91 dB 6:14 ?-07 Something
--------------------------------------------------------------------------------
Number of tracks: 7
Official DR value: DR15
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2702 kbps
Codec: FLAC
=======================================================================
foobar2000 1.1.5 / Dynamic Range Meter 1.1.0 beta 6
log date: 2011-09-30 21:04:55
--------------------------------------------------------------------------------
Analyzed: Junior Mance / The Junior Mance Touch
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR15 -1.01 dB -19.92 dB 5:07 ?-01 Zabuda
DR14 0.00 dB -19.52 dB 5:44 ?-02 Let's Stay Together
DR15 -0.27 dB -19.33 dB 7:15 ?-03 Tin Tin Deo
DR15 -1.53 dB -20.41 dB 5:27 ?-04 Midnight Special
DR14 -0.04 dB -19.13 dB 7:09 ?-05 I Can See Clearly Now
DR14 -0.05 dB -18.46 dB 7:41 ?-06 Where I Come From
DR16 -0.04 dB -21.91 dB 6:14 ?-07 Something
--------------------------------------------------------------------------------
Number of tracks: 7
Official DR value: DR15
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2702 kbps
Codec: FLAC
=======================================================================
скрытый текст
Any questions - [email protected]
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777