(Smooth Jazz) Marcus Johnson - In Person: Live at Blues Alley - 2002, FLAC (tracks+.cue), lossless

Marcus Johnson - In Person: Live at Blues Alley
Жанр: Smooth Jazz
Год выпуска диска: 2002
Производитель диска: лицензия для продаж только на территории России
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 1:14:34
Трэклист:
1. Doc's Groove (11:13)
2. Maxin' (7:33)
3. Dukin' It Out (13:08)
4. 9 Floatilla (11:01)
5. Sandy Point (7:24)
6. My Funny Valentine-Featuring YahZarah (4:47)
7. Pavilion (8:30)
8. 88 Ways to Love (10:58)
Жанр: Smooth Jazz
Год выпуска диска: 2002
Производитель диска: лицензия для продаж только на территории России
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 1:14:34
Трэклист:
1. Doc's Groove (11:13)
2. Maxin' (7:33)
3. Dukin' It Out (13:08)
4. 9 Floatilla (11:01)
5. Sandy Point (7:24)
6. My Funny Valentine-Featuring YahZarah (4:47)
7. Pavilion (8:30)
8. 88 Ways to Love (10:58)
Отчет ЕАС
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 5. October 2008, 13:40
Marcus Johnson / In Person: Live at Blues Alley
Used drive : _NEC DVD_RW ND-4570A Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 11:13.45 | 0 | 50519
2 | 11:13.45 | 7:33.53 | 50520 | 84547
3 | 18:47.23 | 13:08.40 | 84548 | 143687
4 | 31:55.63 | 11:01.16 | 143688 | 193278
5 | 42:57.04 | 7:24.09 | 193279 | 226587
6 | 50:21.13 | 4:47.51 | 226588 | 248163
7 | 55:08.64 | 8:30.14 | 248164 | 286427
8 | 63:39.03 | 10:58.69 | 286428 | 335846
9 | 77:09.72 | 1:55.48 | 347247 | 355919
Track 1
Filename O:\0 Torrents\0 Jazz\Marcus Johnson\Marcus Johnson - 2002 In Person. Live at Blues Alley\01 - Doc's Groove.wav
Pre-gap length 0:00:02.00
Peak level 100.0 %
Track quality 100.0 %
Test CRC 570A5A74
Copy CRC 570A5A74
Track not present in AccurateRip database
Copy OK
Track 2
Filename O:\0 Torrents\0 Jazz\Marcus Johnson\Marcus Johnson - 2002 In Person. Live at Blues Alley\02 - Maxin'.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC 3E7B57F6
Copy CRC 3E7B57F6
Track not present in AccurateRip database
Copy OK
Track 3
Filename O:\0 Torrents\0 Jazz\Marcus Johnson\Marcus Johnson - 2002 In Person. Live at Blues Alley\03 - Dukin' It Out.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC DE1CC46D
Copy CRC DE1CC46D
Track not present in AccurateRip database
Copy OK
Track 4
Filename O:\0 Torrents\0 Jazz\Marcus Johnson\Marcus Johnson - 2002 In Person. Live at Blues Alley\04 - 9 Floatilla.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC 2BBADCFE
Copy CRC 2BBADCFE
Track not present in AccurateRip database
Copy OK
Track 5
Filename O:\0 Torrents\0 Jazz\Marcus Johnson\Marcus Johnson - 2002 In Person. Live at Blues Alley\05 - Sandy Point.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC DC6702B2
Copy CRC DC6702B2
Track not present in AccurateRip database
Copy OK
Track 6
Filename O:\0 Torrents\0 Jazz\Marcus Johnson\Marcus Johnson - 2002 In Person. Live at Blues Alley\06 - My Funny Valentine-Featuring YahZarah.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC 22EE03F5
Copy CRC 22EE03F5
Track not present in AccurateRip database
Copy OK
Track 7
Filename O:\0 Torrents\0 Jazz\Marcus Johnson\Marcus Johnson - 2002 In Person. Live at Blues Alley\07 - Pavilion.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC BE2458F0
Copy CRC BE2458F0
Track not present in AccurateRip database
Copy OK
Track 8
Filename O:\0 Torrents\0 Jazz\Marcus Johnson\Marcus Johnson - 2002 In Person. Live at Blues Alley\08 - 88 Ways To Love.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC 69766519
Copy CRC 69766519
Track not present in AccurateRip database
Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
Audiochecker log
AUDIOCHECKER v2.0 beta (build 457) - by Dester - [email protected]
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: ...\Marcus Johnson - 2002 In Person. Live at Blues Alley
1 -=- 01 - Doc's Groove.flac -=- CDDA (100%)
2 -=- 02 - Maxin'.flac -=- CDDA (99%)
3 -=- 03 - Dukin' It Out.flac -=- CDDA (100%)
4 -=- 04 - 9 Floatilla.flac -=- CDDA (99%)
5 -=- 05 - Sandy Point.flac -=- CDDA (100%)
6 -=- 06 - My Funny Valentine-Featuring YahZarah.flac -=- CDDA (99%)
7 -=- 07 - Pavilion.flac -=- CDDA (100%)
8 -=- 08 - 88 Ways To Love.flac -=- CDDA (100%)
Summary 99,63% CDDA
145479364
Доп. информация (английский)
http://allmusic.com/cg/amg.dll?p=amg&sql=10:w9fexqtaldke
With his combined law and M.B.A. degree from Georgetown and his own company, Three Keys Music/Marimelj Entertainment Group, LLC, Marcus Johnson is not only a jazz pianist but also an entrepreneur, so it's no surprise that he uses his sixth album and first live recording to showcase other artists signed to him. Saxophonist Jaared Arosemena (who performs as Jaared) sits in with Johnson's band and gets a big share of the solos, the better to give attention to an artist whose own album, Hangtime, was released on Three Keys shortly before this one. And singer Yah Zarah, with a Three Keys album in the can, guests on the sole vocal number, a version of "My Funny Valentine" that shows her to be more interested in sound effects than coherency. Also, like the CEO he is, Johnson makes a point of diversifying, giving his listeners a little of everything along the jazz-blues-funk continuum. Listen to the opening tune, "Doc's Groove" (previously heard on 1997's Inter Alia), and you'd think this was a fusion session, paced by Lorenzo Sands' plucked electric bass groove. Other tunes are played in a more straight-ahead manner, though one is more likely to think of Bob James or Joe Sample when listening to the piano work, rather than Thelonious Monk. And it would be easy to catch "Sandy Point" on the radio and imagine it was being played by Bruce Hornsby. Significantly, "Dukin' It Out," from 1999's Comin' Back Around, is a tribute to George Duke, not Duke Ellington. "It's what we call metropolitan smooth," reads a tag line in one of Three Keys' ads, and that's a fair description. The playing is meatier than your typical smooth jazz, but Johnson is determinedly eclectic, a businessman who wants to please as many people as possible.
With his combined law and M.B.A. degree from Georgetown and his own company, Three Keys Music/Marimelj Entertainment Group, LLC, Marcus Johnson is not only a jazz pianist but also an entrepreneur, so it's no surprise that he uses his sixth album and first live recording to showcase other artists signed to him. Saxophonist Jaared Arosemena (who performs as Jaared) sits in with Johnson's band and gets a big share of the solos, the better to give attention to an artist whose own album, Hangtime, was released on Three Keys shortly before this one. And singer Yah Zarah, with a Three Keys album in the can, guests on the sole vocal number, a version of "My Funny Valentine" that shows her to be more interested in sound effects than coherency. Also, like the CEO he is, Johnson makes a point of diversifying, giving his listeners a little of everything along the jazz-blues-funk continuum. Listen to the opening tune, "Doc's Groove" (previously heard on 1997's Inter Alia), and you'd think this was a fusion session, paced by Lorenzo Sands' plucked electric bass groove. Other tunes are played in a more straight-ahead manner, though one is more likely to think of Bob James or Joe Sample when listening to the piano work, rather than Thelonious Monk. And it would be easy to catch "Sandy Point" on the radio and imagine it was being played by Bruce Hornsby. Significantly, "Dukin' It Out," from 1999's Comin' Back Around, is a tribute to George Duke, not Duke Ellington. "It's what we call metropolitan smooth," reads a tag line in one of Three Keys' ads, and that's a fair description. The playing is meatier than your typical smooth jazz, but Johnson is determinedly eclectic, a businessman who wants to please as many people as possible.
Any questions - [email protected]
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777