[SACD-R][OF] John Coltrane - John Coltrane With The Red Garland Trio (Tranein’ In) - 1958/2013 (Hard Bop)

Tenor Saxophone – John Coltrane
Bass – Paul Chambers
Drums – Arthur Taylor
Piano – Red Garland

Originally Prestige 7123 (1958). This version remastered by Kevin Gray.
John Coltrane with the Red Garland Trio was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey. In 1961 it was reissued as Traneing In, Prestige catalogue 7651, & given a different cover photo, as pictured. The album was reissued on compact disc in 2007 as part of the Concord Music Group remastering series by Rudy Van Gelder, also doing a similar series for Blue Note Records.
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For his 2nd LP, John Coltrane (tenor saxophone) joined forces with his Prestige labelmate Red Garland (piano) to command a quartet through a 5-song outing supported by a rhythm section of Paul Chambers (bass) & Art Taylor (drums).
The absence of any unessential instrumentalists encouraged a decidedly concerted focus from Coltrane, who plays with equal measures of confidence & freedom. The Coltrane original “Traneing In” is a rousing blues that exemplifies the musical singularity between Coltrane & Garland. Even though Garland, the pianist, takes charge from the start, the structure of the arrangement permits the tenor to construct his solo seamlessly out of Garland’s while incrementally increasing in intensity, yet never losing the song’s underlying swinging bop.
Chambers gets in on the action with an effervescent run that quotes the seasonal favorite “Santa Claus Is Coming to Town.” The poignant “Slow Dance” is a dark ballad with a simple, refined tune that is established by Coltrane, then turned over to Chambers, then Garland, before the tenor brings it home with 1 final verse. Coltrane’s 2nd original composition “Bass Blues” showcases Chambers’ ability to mirror even the most intricate or seemingly improvised lines from Coltrane.
And “You Leave Me Breathless” provides everything that a love song should with long, languid runs by Coltrane, Garland & what is arguably Paul Chambers at his absolute finest. The album draws to a close on a bebop lover’s dream — a fast & furious interpretation of the Irving Berlin classic “Soft Lights & Sweet Music.”
The original album title & cover with its abstract painting was changed in later pressings to “Tranein’ In,” & revised to show a monochrome portrait of John Coltrane.

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