[SACD-R][OF] Bill Evans Trio - Waltz for Debby (Limited edition) - 1962/2014 (Jazz)

foobar2000 1.3.8 / Dynamic Range Meter 1.1.1
log date: 2015-11-14 09:15:13
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Analyzed: BILL EVANS TRIO / WALTZ FOR DEBBY
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DR         Peak         RMS     Duration Track
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DR14      -3.34 dB   -21.35 dB      4:57 01-MY FOOLISH HEART
DR13      -0.47 dB   -17.03 dB      6:57 02-WALTZ FOR DEBBY
DR14      -3.51 dB   -22.45 dB      7:36 03-DETOUR AHEAD
DR14      -1.46 dB   -20.11 dB      7:12 04-MY ROMANCE
DR15      -5.27 dB   -26.50 dB      5:07 05-SOME OTHER TIME
DR13      -1.09 dB   -19.07 dB      6:33 06-MILESTONES
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Number of tracks:  6
Official DR value: DR14
Samplerate:        2822400 Hz / PCM Samplerate: 176400 Hz
Channels:          2
Bits per sample:   24
Bitrate:           5645 kbps
Codec:             DSD64
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Bill Evans – piano
Scott LaFaro – bass
Paul Motian – drums

William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
In 1963, Evans recorded Conversations with Myself, an innovative solo album using the unconventional (in jazz solo recordings) technique of overdubbing over himself. In 1966, he met bassist Eddie Gómez, with whom he would work for eleven years. Several successful albums followed, such as Bill Evans at the Montreux Jazz Festival, Alone and The Bill Evans Album, among others.
Many of his compositions, such as "Waltz for Debby", have become standards and have been played and recorded by many artists. Evans was honored with 31 Grammy nominations and seven awards, and was inducted in the Down Beat Jazz Hall of Fame

Waltz for Debby is an album by American jazz pianist Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian, originally released in 1962.
This was Bill Evans' first trio. The album was the fourth and final effort from the unit—LaFaro died in a car accident just ten days after the live date at the Village Vanguard from which Waltz for Debby and its predecessor, Sunday at the Village Vanguard were taken. The loss of LaFaro hit Evans hard, and he went into a brief seclusion. When Evans returned to the trio format later in 1962, it was with Motian and noted bassist Chuck Israels.
The title track, a musical portrait of Evans' niece, became a staple of his live repertoire in later years. It originally appeared as a solo piano piece on Evans' debut album, New Jazz Conceptions. It remains what is likely Evans' most well-known song, one that he would play throughout his career.
This album is widely considered to be one of the best in the Evans canon, and the type of emotive interplay between the musicians that at some points seemed almost deconstructed has served as a model for piano trio play.
Writing for Allmusic, music critic Thom Jurek wrote of the album: "While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates... Of the many recordings Evans issued, the two Vanguard dates and Explorations are the ultimate expressions of his legendary trio." Samuel Chell of All About Jazz wrote "Along with Bassist wunderkind Scott LaFaro and drummer Paul Motian, Evans perfected his democratic vision of trio cooperation, where all members performed with perfect empathy and telepathy... It is these performances, currently available as Sunday at The Village Vanguard and Waltz for Debby that comprise the number one best jazz live recording in this present series."