(R&B, Soul) Otis Redding - Live in Europe (Japan Edition) - 1967, FLAC (tracks), lossless

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 29. January 2011, 19:08
Otis Redding / Live In Europe
Used drive  : DVD-16X OEM316B   Adapter: 3  ID: 0
Read mode : Burst
Read offset correction                      : 594
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : No
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Not detected, thus appended to previous track
Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  3:48.25 |         0    |    17124
        2  |  3:48.25 |  3:24.65 |     17125    |    32489
        3  |  7:13.15 |  4:07.30 |     32490    |    51044
        4  | 11:20.45 |  2:42.10 |     51045    |    63204
        5  | 14:02.55 |  2:55.60 |     63205    |    76389
        6  | 16:58.40 |  3:19.12 |     76390    |    91326
        7  | 20:17.52 |  4:30.00 |     91327    |   111576
        8  | 24:47.52 |  2:58.70 |    111577    |   124996
        9  | 27:46.47 |  2:55.28 |    124997    |   138149
       10  | 30:42.00 |  5:15.40 |    138150    |   161814
Track  1
     Filename D:\Documents\My Music\Otis Redding\Live In Europe [1967]\01. Otis Redding - Respect.wav
     Peak level 97.3 %
     Copy CRC 371D291F
     Cannot be verified as accurate (confidence 2)  [0F447C89], AccurateRip returned [E4E44B8D]
     Copy OK
Track  2
     Filename D:\Documents\My Music\Otis Redding\Live In Europe [1967]\02. Otis Redding - I Can't Turn You Loose.wav
     Peak level 95.4 %
     Copy CRC C67B05C3
     Cannot be verified as accurate (confidence 2)  [E277A3AE], AccurateRip returned [749A545A]
     Copy OK
Track  3
     Filename D:\Documents\My Music\Otis Redding\Live In Europe [1967]\03. Otis Redding - I've Been Loving You Too Long.wav
     Peak level 95.0 %
     Copy CRC 5051D78A
     Cannot be verified as accurate (confidence 2)  [D24EB152], AccurateRip returned [858DD539]
     Copy OK
Track  4
     Filename D:\Documents\My Music\Otis Redding\Live In Europe [1967]\04. Otis Redding - My Girl.wav
     Peak level 100.0 %
     Copy CRC B65E7DC0
     Cannot be verified as accurate (confidence 2)  [67ABC3F1], AccurateRip returned [4F8E048E]
     Copy OK
Track  5
     Filename D:\Documents\My Music\Otis Redding\Live In Europe [1967]\05. Otis Redding - Shake.wav
     Peak level 100.0 %
     Copy CRC 2505CC85
     Cannot be verified as accurate (confidence 2)  [1DC0F8DB], AccurateRip returned [A0D8D13D]
     Copy OK
Track  6
     Filename D:\Documents\My Music\Otis Redding\Live In Europe [1967]\06. Otis Redding - Satisfaction.wav
     Peak level 99.9 %
     Copy CRC 3704D6D6
     Cannot be verified as accurate (confidence 2)  [35269DA9], AccurateRip returned [DBE7570F]
     Copy OK
Track  7
     Filename D:\Documents\My Music\Otis Redding\Live In Europe [1967]\07. Otis Redding - Fa-Fa-Fa-Fa-Fa (Sad Song).wav
     Peak level 99.9 %
     Copy CRC 6818F01C
     Cannot be verified as accurate (confidence 2)  [5E43143A], AccurateRip returned [CADB9DC8]
     Copy OK
Track  8
     Filename D:\Documents\My Music\Otis Redding\Live In Europe [1967]\08. Otis Redding - These Arms Of Mine.wav
     Peak level 70.9 %
     Copy CRC 9FC99C4F
     Cannot be verified as accurate (confidence 2)  [481711F3], AccurateRip returned [1C4BCC15]
     Copy OK
Track  9
     Filename D:\Documents\My Music\Otis Redding\Live In Europe [1967]\09. Otis Redding - Day Tripper.wav
     Peak level 93.2 %
     Copy CRC B66DAFFD
     Accurately ripped (confidence 2)  [BED0AF74]
     Copy OK
Track 10
     Filename D:\Documents\My Music\Otis Redding\Live In Europe [1967]\10. Otis Redding - Try A Little Tenderness.wav
     Peak level 76.0 %
     Copy CRC 2C40125B
     Cannot be verified as accurate (confidence 2)  [7733783D], AccurateRip returned [9D34CB06]
     Copy OK
 1 track(s) accurately ripped
 9 track(s) could not be verified as accurate
Some tracks could not be verified as accurate
No errors occurred
End of status report

auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01 - Respect.wav]
Detected average hi-boundary frequency: 2.081379e+004 Hz
Detected average lo-boundary frequency: 1.680365e+004 Hz
Detected average hi-cut frequency: 2.171488e+004 Hz
Detected average lo-cut frequency: 1.252475e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 7.928389e-001
First order smothness: 4.732544e-001
Second order smothness: 4.181298e-001
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This track looks like CDDA with probability 100%
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Processing file: [02 - I Can't Turn You Loose.wav]
Detected average hi-boundary frequency: 2.096770e+004 Hz
Detected average lo-boundary frequency: 1.761860e+004 Hz
Detected average hi-cut frequency: 2.171498e+004 Hz
Detected average lo-cut frequency: 1.466728e+004 Hz
Maximum probablis boundary frequency: 2.177300e+004 Hz
Coefficient of nonlinearity of a phase: 5.789483e-001
First order smothness: 5.122393e-001
Second order smothness: 4.342702e-001
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This track looks like CDDA with probability 100%
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Processing file: [03 - I've Been Loving You Too Long.wav]
Detected average hi-boundary frequency: 2.022852e+004 Hz
Detected average lo-boundary frequency: 1.425622e+004 Hz
Detected average hi-cut frequency: 2.180681e+004 Hz
Detected average lo-cut frequency: 1.347193e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 8.400882e-001
First order smothness: 3.825075e-001
Second order smothness: 6.433934e-001
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This track looks like CDDA with probability 100%
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Processing file: [04 - My Girl.wav]
Detected average hi-boundary frequency: 2.059270e+004 Hz
Detected average lo-boundary frequency: 1.615768e+004 Hz
Detected average hi-cut frequency: 2.176079e+004 Hz
Detected average lo-cut frequency: 1.197273e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 6.193910e-001
First order smothness: 3.991982e-001
Second order smothness: 5.200458e-001
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This track looks like CDDA with probability 100%
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Processing file: [05 - Shake.wav]
Detected average hi-boundary frequency: 2.079988e+004 Hz
Detected average lo-boundary frequency: 1.663368e+004 Hz
Detected average hi-cut frequency: 2.170922e+004 Hz
Detected average lo-cut frequency: 1.166370e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 6.444177e-001
First order smothness: 4.828315e-001
Second order smothness: 3.528790e-001
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This track looks like CDDA with probability 100%
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Processing file: [06 - (I Can't Get No) Satisfaction.wav]
Detected average hi-boundary frequency: 2.080674e+004 Hz
Detected average lo-boundary frequency: 1.615076e+004 Hz
Detected average hi-cut frequency: 2.174364e+004 Hz
Detected average lo-cut frequency: 1.246439e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 3.473491e-001
First order smothness: 4.843823e-001
Second order smothness: 3.995338e-001
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This track looks like CDDA with probability 100%
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Processing file: [07 - Fa-Fa-Fa-Fa-Fa (Sad Song).wav]
Detected average hi-boundary frequency: 2.050554e+004 Hz
Detected average lo-boundary frequency: 1.520456e+004 Hz
Detected average hi-cut frequency: 2.178666e+004 Hz
Detected average lo-cut frequency: 1.303809e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 4.705142e-001
First order smothness: 4.341245e-001
Second order smothness: 4.946680e-001
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This track looks like CDDA with probability 100%
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Processing file: [08 - These Arms of Mine.wav]
Detected average hi-boundary frequency: 2.023771e+004 Hz
Detected average lo-boundary frequency: 1.457939e+004 Hz
Detected average hi-cut frequency: 2.183090e+004 Hz
Detected average lo-cut frequency: 1.383812e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 8.889347e-001
First order smothness: 3.746757e-001
Second order smothness: 6.393358e-001
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This track looks like CDDA with probability 100%
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Processing file: [09 - Day Tripper.wav]
Detected average hi-boundary frequency: 2.074084e+004 Hz
Detected average lo-boundary frequency: 1.641355e+004 Hz
Detected average hi-cut frequency: 2.175584e+004 Hz
Detected average lo-cut frequency: 1.259706e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.799021e-001
First order smothness: 4.568555e-001
Second order smothness: 4.028587e-001
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This track looks like CDDA with probability 100%
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Processing file: [10 - Try a Little Tenderness.wav]
Detected average hi-boundary frequency: 2.049872e+004 Hz
Detected average lo-boundary frequency: 1.496705e+004 Hz
Detected average hi-cut frequency: 2.179870e+004 Hz
Detected average lo-cut frequency: 1.409366e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.606484e-001
First order smothness: 4.261666e-001
Second order smothness: 6.015948e-001
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This track looks like CDDA with probability 100%

Live in Europe was the first full-length concert album released on Otis Redding, and the last LP of his work that he lived to see issued. Recorded along the Stax/Volt tour of Europe in March of 1967, it featured Redding backed by Booker T. & the MG's. Their playing, along with that of Wayne Jackson (trumpet) and Andrew Love and Joe Arnold (tenor saxes), is more elegant and elegantly articulated than the work of his usual touring band, and this album is a sort of idealized Otis Redding concert. Some of it lacks the raw excitement of Live at the Whisky a Go Go (which was recorded a year earlier than the shows where this album was cut, but not issued until a year later), but in compensation one gets all of the virtuoso flourishes and details that one would expect from this ensemble. The audience, ecstatic at the rare chance to see the soul idol in concert, is very vocal in their enthusiasm for the singer and his songs, and "Fa-Fa-Fa-Fa-Fa (Sad Song)" is practically a singalong number with some finely detailed playing from Booker T. Jones, Steve Cropper, and Al Jackson, Jr., who, with Wayne Jackson and company, also add some exquisite grace notes to the finale, "Try a Little Tenderness." Beyond the musical power of his performance, Redding's emotions are practically overflowing as he addresses the crowd in a very personal manner as he introduces "These Arms of Mine." The only flaw in this recording, if there is one, is that it does have only ten songs, but that was the nature of the shows on this tour.