(Progressive Big Band, Post-Bop) Mike Gibbs (w/ NDR Big Band, Steve Swallow, Alex Sipiagin, Hiram Bullock) - Nonsequence - 2001, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 24. February 2013, 10:25
Mike Gibbs / Nonsequence
Used drive  : PIONEER DVD-RW  DVR-115D   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  4:02.17 |         0    |    18166
        2  |  4:02.17 |  5:52.05 |     18167    |    44571
        3  |  9:54.22 |  5:33.15 |     44572    |    69561
        4  | 15:27.37 |  5:02.58 |     69562    |    92269
        5  | 20:30.20 |  6:25.20 |     92270    |   121164
        6  | 26:55.40 |  4:51.00 |    121165    |   142989
        7  | 31:46.40 |  6:42.62 |    142990    |   173201
        8  | 38:29.27 |  5:12.43 |    173202    |   196644
        9  | 43:41.70 |  3:03.20 |    196645    |   210389
       10  | 46:45.15 |  5:45.67 |    210390    |   236331
Track  1
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     Track quality 100.0 %
     Test CRC AC438FC1
     Copy CRC AC438FC1
     Accurately ripped (confidence 2)  [83CD2C55]  (AR v1)
     Copy OK
Track  2
     Filename D:\zzz\02 - You Get The Picture.wav
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     Peak level 94.9 %
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     Track quality 100.0 %
     Test CRC 1255D6D9
     Copy CRC 1255D6D9
     Accurately ripped (confidence 2)  [844B8F7A]  (AR v1)
     Copy OK
Track  3
     Filename D:\zzz\03 - Now Listen Here.wav
     Pre-gap length  0:00:01.57
     Peak level 94.9 %
     Extraction speed 5.6 X
     Track quality 100.0 %
     Test CRC CEAF7E33
     Copy CRC CEAF7E33
     Accurately ripped (confidence 2)  [CD45AE3B]  (AR v1)
     Copy OK
Track  4
     Filename D:\zzz\04 - Moonlight Serenade.wav
     Peak level 84.1 %
     Extraction speed 5.5 X
     Track quality 99.9 %
     Test CRC B082589D
     Copy CRC B082589D
     Accurately ripped (confidence 2)  [AEB918E0]  (AR v1)
     Copy OK
Track  5
     Filename D:\zzz\05 - Rumour Has It.wav
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     Track quality 100.0 %
     Test CRC A21D9D06
     Copy CRC A21D9D06
     Accurately ripped (confidence 3)  [C2E6E652]  (AR v1)
     Copy OK
Track  6
     Filename D:\zzz\06 - With All Due Respect.wav
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     Track quality 100.0 %
     Test CRC 791B5F48
     Copy CRC 791B5F48
     Accurately ripped (confidence 2)  [B7267F6F]  (AR v1)
     Copy OK
Track  7
     Filename D:\zzz\07 - Lost In Space.wav
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     Track quality 100.0 %
     Test CRC 2BD2D53A
     Copy CRC 2BD2D53A
     Accurately ripped (confidence 2)  [7DA96A76]  (AR v1)
     Copy OK
Track  8
     Filename D:\zzz\08 - Knees Up, Mother.wav
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     Peak level 94.9 %
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     Track quality 100.0 %
     Test CRC 65669CB3
     Copy CRC 65669CB3
     Accurately ripped (confidence 2)  [14C7F0CB]  (AR v1)
     Copy OK
Track  9
     Filename D:\zzz\09 - Be That As It May.wav
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     Track quality 99.9 %
     Test CRC 496C1309
     Copy CRC 496C1309
     Accurately ripped (confidence 2)  [69DD9D12]  (AR v1)
     Copy OK
Track 10
     Filename D:\zzz\10 - Gather The Meaning.wav
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     Peak level 90.7 %
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     Track quality 100.0 %
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     Copy CRC C05C6478
     Accurately ripped (confidence 2)  [532D011E]  (AR v1)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 905DEFF480F9AA12FF40E74BAE0617424345A9D90DB5C46DB32F0F644D73A373 ====

REM GENRE "Big Band"
REM DATE 2001
REM DISCID 820C4F0A
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Mike Gibbs"
TITLE "Nonsequence"
FILE "01 - Nonsequence.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Nonsequence"
    PERFORMER "Mike Gibbs"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "You Get The Picture"
    PERFORMER "Mike Gibbs"
    INDEX 00 04:00:65
FILE "02 - You Get The Picture.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Now Listen Here"
    PERFORMER "Mike Gibbs"
    INDEX 00 05:50:23
FILE "03 - Now Listen Here.wav" WAVE
    INDEX 01 00:00:00
FILE "04 - Moonlight Serenade.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Moonlight Serenade"
    PERFORMER "Mike Gibbs"
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Rumour Has It"
    PERFORMER "Mike Gibbs"
    INDEX 00 04:59:43
FILE "05 - Rumour Has It.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "With All Due Respect"
    PERFORMER "Mike Gibbs"
    INDEX 00 06:23:35
FILE "06 - With All Due Respect.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Lost In Space"
    PERFORMER "Mike Gibbs"
    INDEX 00 04:49:32
FILE "07 - Lost In Space.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Knees Up, Mother"
    PERFORMER "Mike Gibbs"
    INDEX 00 06:40:45
FILE "08 - Knees Up, Mother.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Be That As It May"
    PERFORMER "Mike Gibbs"
    INDEX 00 05:10:38
FILE "09 - Be That As It May.wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Gather The Meaning"
    PERFORMER "Mike Gibbs"
    INDEX 00 03:01:12
FILE "10 - Gather The Meaning.wav" WAVE
    INDEX 01 00:00:00

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. Nonsequence.wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. You Get The Picture.wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. Now Listen Here.wav]
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This track looks like CDDA with probability 99%
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Processing file: [04. Moonlight Serenade.wav]
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This track looks like CDDA with probability 100%
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Processing file: [05. Rumour Has It.wav]
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This track looks like CDDA with probability 100%
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Processing file: [06. With All Due Respect.wav]
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This track looks like CDDA with probability 100%
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Processing file: [07. Lost In Space.wav]
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This track looks like CDDA with probability 100%
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Processing file: [08. Knees Up, Mother.wav]
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This track looks like CDDA with probability 100%
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Processing file: [09. Be That As It May.wav]
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This track looks like CDDA with probability 100%
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Processing file: [10. Gather The Meaning.wav]
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This track looks like CDDA with probability 100%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

Recorded February and May 2001 at the NDR Studios in Hamburg and May 2001 at Edison Recording in New York
One of the most intuitive facilitators of the balance between individual freedom and collective responsibility in the jazz of the past half-century was the late bandleader and arranger Gil Evans, whose skills could make improvised solos sound like threads in composed themes, and the playing of written music sound like improvisation. And one of the most inventive developers of the Evans method in more recent times, drawing on Charles Ives, Olivier Messiaen and Takemitsu as much as Ellington or Miles for ideas, has been been the expatriate Zimbabwean composer and arranger Mike Gibbs.
Gibbs left Zimbabwe for the Berklee jazz school in the 1960s, then came to live in London in the following decade. A slow worker with a small ego, Gibbs has needed the kind of unquestioning and generous patronage that is rare on the jazz scene, and as a consequence far more of his work has been in teaching and movie- and TV-scoring than ambitious jazz projects. But last year Gibbs found his patron in Colin Towns, a comparably gifted jazz composer with a bigger success-story in screen-music, which has enabled him to run his own orchestra and record label.
Nonsequence is the outcome of Towns's investment, the best Mike Gibbs disc in well over a decade. It was recorded with Germany's NDR Big Band and a bespoke outfit of American postbop virtuosi including trumpeters Randy Brecker and Lew Soloff, and saxophonists Chris Potter and drummer Billy Kilson from the Dave Holland band.
Gibbs has used a mixture of new materials - expansions of earlier fragments that originally belonged in other contexts, interpretations of pieces by John Scofield, even Glenn Miller - plus music from the 1970s, when his glowing orchestral sound and ambiguously raucous harmonies were new to the jazz world. All this is presented in an open framework that gives considerable freedom to the improvisors.
The title track and opener is the least obviously engaging of the pieces to begin with, but an emerging punchy big-band riff and fast walking bass under the Claus Stotter's trumpet solo begins to announce the powerful presence of a more straightforward jazz feel throughout the session that Gibbs hasn't embraced so unequivocally in years.
One of the strongest features on the set is at the other extreme of Gibbs's palette on You Get the Picture (from the score for Bill Forsyth's Gregory's 2 Girls), a simple pattern of paired chords that builds to a masterly exercise in tone colouring and interplay. The African hi-life jive of Thul'ulalele is a total contrast, its familiarities opened up with the bold insertion of Gil Goldstein's accordion. The floaty chords of Glenn Miller's Moonlight Serenade get a startling counterpoint from tenorist Christof Lauer's snorting, Rollins-like low notes and bursts of free-blasting; and Hiram Bullock's howling rock guitar over Gibbs' tone-colour firework display on his 1970s Berklee throwback Knees Up Mother is a triumph. At 64, Mike Gibbs might just be beginning a personal renaissance.

Alto Saxophone – Chris Hunter (tracks: 3, 5 to 9)
Alto Saxophone, Tenor Saxophone, Soprano Saxophone, Flute – Alex Foster (tracks: 3, 5 to 9)
Bass – Lucas Lindholm (tracks: 1, 2, 4, 10), Steve Swallow (tracks: 3, 5 to 9)
Composed By – Mike Gibbs (tracks: 1, 2, 5, 6, 8 to10)
Contrabass Clarinet, Tuba – Howard Johnson (tracks: 3, 5 to 9)
Drums – Billy Kilson (tracks: 3, 5 to 9), Ian Thomas (tracks: 1, 2, 4, 10), Mark Mondesir (tracks: 1, 2, 4, 10)
French Horn – John Clark (2) (tracks: 3, 5 to 9), Karyn Dobbs (tracks: 1, 2, 4, 10), Richard Rieves (tracks: 1, 2, 4, 10)
Guitar – Hiram Bullock (tracks: 3, 5 to 9), Stephen Diez (tracks: 1, 2, 4, 10)
Marimba – Wolf Kerschek (tracks: 1, 2, 4, 10)
Orchestra – NDR Big Band, The (tracks: 1, 2, 4, 10)
Percussion – Marcio Doctor (tracks: 1, 2, 4, 10)
Piano – Vladyslav Sendecki (tracks: 1, 2, 4, 10)
Piano, Accordion – Gil Goldstein (tracks: 3, 5 to 9)
Saxophone – Christof Lauer (tracks: 1, 2, 4, 10), Fiete Felsch (tracks: 1, 2, 4, 10), Frank Delle (tracks: 1, 2, 4, 10), Lutz Büchner (tracks: 1, 2, 4, 10), Peter Bolte (tracks: 1, 2, 4, 10)
Tenor Saxophone, Soprano Saxophone – Chris Potter (tracks: 3, 5 to 9)
Trombone – Dan Gottshall (tracks: 1, 2, 4, 10), Dave Bargeron (tracks: 3, 5 to 9), David Taylor (tracks: 3, 5 to 9), Ingo Lahme (tracks: 1, 2, 4, 10), Jim Pugh (tracks: 3, 5 to 9), Joe Gallardo (tracks: 1, 2, 4, 10), Michael Danner (tracks: 1, 2, 4, 10), Stefan Lottermann (tracks: 1, 2, 4, 10)
Trumpet – Alex Sipiagin (tracks: 3, 5 to 9), Claus Stötter (tracks: 1, 2, 4, 10), Dirk Lentschat (tracks: 1, 2, 4, 10), Earl Gardner (tracks: 3, 5 to 9), Ingolf Burkhardt (tracks: 1, 2, 4, 10), Lennart Axelsson (tracks: 1, 2, 4, 10), Lew Soloff (tracks: 3, 5 to 9), Michael Leuschner (tracks: 1, 2, 4, 10), Randy Brecker (tracks: 3, 5 to 9), Reiner Winterschladen (tracks: 1, 2, 4, 10)