(Post-Bop, Straight-Ahead Jazz) Tom Harrell - Roman Nights - 2010, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 20. December 2012, 17:15
Tom Harrell / Roman Nights
Used drive  : PLEXTOR DVDR   PX-810UF   Adapter: 5  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 128 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
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TOC of the extracted CD
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Track  3
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Track  4
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Track  6
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Track  8
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Track  9
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All tracks accurately ripped
No errors occurred
End of status report
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==== Log checksum D1B4A0A40DD03277BE49CF43C6E354A0723C977BB499E5FBA2D2A160409F53B1 ====

REM GENRE Jazz
REM DATE 2010
REM DISCID 6F0EAC09
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Tom Harrell"
TITLE "Roman Nights"
FILE "01 - Storm Approaching.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Storm Approaching"
    PERFORMER "Tom Harrell"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Let the Children Play"
    PERFORMER "Tom Harrell"
    INDEX 00 05:11:17
FILE "02 - Let the Children Play.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Roman Nights"
    PERFORMER "Tom Harrell"
    INDEX 00 06:44:16
FILE "03 - Roman Nights.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
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    PERFORMER "Tom Harrell"
    INDEX 00 07:51:43
FILE "04 - Study in Sound.wav" WAVE
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FILE "05 - Agua.wav" WAVE
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FILE "07 - Harvest Song.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
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    INDEX 00 08:20:16
FILE "08 - Bird in Flight.wav" WAVE
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  TRACK 09 AUDIO
    TITLE "Year of the Ox"
    PERFORMER "Tom Harrell"
    INDEX 00 09:17:03
FILE "09 - Year of the Ox.wav" WAVE
    INDEX 01 00:00:00

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Tom Harrell has been on a roll since returning to action following a four-year hiatus during the mid-'00s. The trumpeter/composer's third release for HighNote retains the same consistent level of quality that marked his previous two for the label, Light On and Prana Dance, both of which shared the personnel found on Roman Nights: tenor saxophonist Wayne Escoffery, pianist Danny Grissett, bassist Ugonna Okegwo, and drummer Johnathan Blake. Perhaps because they've now been at it that much longer, the quintet is even more in tune with one another on Harrell's new compositions than before. The camaraderie, in particular among the two horn men and Grissett, has been elevated to a level experienced by only a small handful of bands -- usually those boasting long tenures together -- and each musician's contribution is so essential to the whole that it becomes impossible to imagine how the recording might have fared had any one of them not been present. Harrell's compositions are often sophisticated and complex, but also highly melodic, allowing each player to wring the most from every solo without losing sight of the framework Harrell has created for them. Escoffery especially shines, on tracks like the fiery "Let the Children Play" and the Latin-informed "Obsession," and Grissett, who plays Fender Rhodes in addition to piano, contributes intelligently structured solos and harmonies throughout. Not to be overlooked, though, is the rhythm section: Okegwo is a monster of a bassist who keeps the others' flights locked down tight while allowing himself plenty of room to go where he wants to go, and Blake is solid as a rock, tuneful and sharp, equally comfortable within an uptempo burner boasting tricky time changes or a simple ballad that requires only that he keep things moving -- in either case, he brings a flair to the proceedings. Harrell, of course, approaches brilliance early and often, proving himself to be one of the most underrated trumpet players and composers of his generation, with plenty left to say.