(Post-Bop, Saxophone Jazz) [WEB] Mark Turner / Gary Foster - Mark Turner Meets Gary Foster (Putter Smith, Joe La Barbera) 2003 - 2019, FLAC (tracks),

foobar2000 1.3.16 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2019-06-27 06:57:23
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Анализ: Mark Turner, Gary Foster / Mark Turner Meets Gary Foster
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DR Пики RMS Продолжительность трека
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DR14 -0.30 дБ -17.15 дБ 12:27 01-Background Music
DR14 -0.30 дБ -17.33 дБ 11:46 02-'Teef
DR13 -0.30 дБ -16.29 дБ 11:48 03-Lennie's Pennies
DR14 -0.30 дБ -18.03 дБ 15:53 04-Come Rain or Come Shine
DR14 -0.30 дБ -17.12 дБ 13:49 05-317 East 32nd Street
DR13 -1.31 дБ -17.79 дБ 6:25 06-What's New
DR13 -0.30 дБ -17.59 дБ 15:03 07-Subconscious-Lee
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Количество треков: 7
Реальные значения DR: DR13
Частота: 44100 Гц
Каналов: 2
Разрядность: 16
Битрейт: 656 кбит/с
Кодек: FLAC
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FILE: 06 - What's New.flac
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FILE: 05 - 317 East 32nd Street.flac
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FILE: 04 - Come Rain or Come Shine.flac
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FILE: 03 - Lennie's Pennies.flac
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FILE: 02 - 'Teef.flac
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FILE: 01 - Background Music.flac
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The liner notes for this double-CD set claim that “This music and vibe come from the world of Lee Konitz and Warne Marsh with Lennie Tristano nodding in approval.” That is indeed true of the cool timbres of our two sax players, but clearly not in the beat. The rhythm section in the first three tracks plays very much in the swing school, albeit in a swing mode if one had Kenny Clarke or Roy Haynes on drums. Joe La Barbera, a superb veteran percussionist, keeps the beat a bit looser than it might have been by constantly fracturing the rhythm with little off-the-beat snare drum accents. I also reject the notion that Tristano is much of an influence here because there’s no piano on this date and the group doesn’t come close at any time to approximating the complex chord positions that Tristano would feed his musicians from the keyboard except for Lennie’s Pennies which has to use them because they’re part of the composition.
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Gary Foster, a-sax;
Mark Turner, t-sax;
Putter Smith, bs;
Joe La Barbera, dm