(Post-Bop, Progressive Jazz) [CD] Gil Evans and His Orchestra - There Comes a Time - 1975 (2014 Japan Edition), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 31. October 2014, 12:37
Gil Evans / There Comes A Time [2014 Reissue]
Used drive  : TSSTcorpDVD-ROM TS-U333B   Adapter: 0  ID: 1
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Null samples used in CRC calculations       : Yes
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TOC of the extracted CD
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All tracks accurately ripped
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End of status report
==== Log checksum 1652327E24C76EC2F90BAF29FF232FCA98810505A5010E73A7D2F9A996A5AAA8 ====

REM GENRE Jazz
REM DATE 1975
REM DISCID 97122C0A
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Gil Evans"
TITLE "There Comes a Time"
FILE "01 - King Porter Stomp.wav" WAVE
  TRACK 01 AUDIO
    TITLE "King Porter Stomp"
    PERFORMER "Gil Evans"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "There Comes a Time"
    PERFORMER "Gil Evans"
    INDEX 00 03:54:74
FILE "02 - There Comes a Time.wav" WAVE
    INDEX 01 00:00:00
FILE "03 - Makes Her Move.wav" WAVE
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    TITLE "Makes Her Move"
    PERFORMER "Gil Evans"
    INDEX 01 00:00:00
FILE "04 - Little Wing.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Little Wing"
    PERFORMER "Gil Evans"
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FILE "05 - The Meaning of the Blues.wav" WAVE
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FILE "06 - Aftermath the Fourth Movement,Children of the Fire.wav" WAVE
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FILE "07 - Anita's Dance.wav" WAVE
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    PERFORMER "Gil Evans"
    INDEX 01 00:00:00
FILE "08 - Joy Spring.wav" WAVE
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    TITLE "Joy Spring"
    PERFORMER "Gil Evans"
    INDEX 01 00:00:00
FILE "09 - So Long.wav" WAVE
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    TITLE "So Long"
    PERFORMER "Gil Evans"
    INDEX 01 00:00:00
FILE "10 - Buzzard Variations (From 'Porgy and Bess').wav" WAVE
  TRACK 10 AUDIO
    TITLE "Buzzard Variations (From 'Porgy and Bess')"
    PERFORMER "Gil Evans"
    INDEX 01 00:00:00

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This CD reissue of Gil Evans' There Comes a Time differs greatly from the original LP of the same name. Not only are there three previously unreleased performances ("Joy Spring," "So Long," and "Buzzard Variation"), but "The Meaning of the Blues" has been expanded from six minutes to 20, and two numbers, "Little Wing" and "Aftermath the Fourth Movement/Children of the Fire," have been dropped (the former was reissued on Evans' Jimi Hendrix tribute album) and the remaining four tracks were re-edited and remixed under Evans' direction. So in reality, this 1987 CD was really a "new" record when it came out. The remake of "King Porter Stomp," with altoist David Sanborn in Cannonball Adderley's spot, is a classic. The "new" version of "The Meaning of the Blues" is memorable, and overall the music (which also has solos by Billy Harper and George Adams on tenors, along with trumpeter Lew Soloff) is quite rewarding, it's a creative big band fusion that expertly mixes together acoustic and electric instruments. This was one of Gil Evans' last truly great sets.

Gil Evans - piano, electric piano, arranger, conductor
Hannibal Marvin Peterson - trumpet, koto, vocals
Ernie Royal, Lew Soloff - trumpet, flugelhorn, piccolo trumpet
John Clark, Peter Gordon - French horn
Tom Malone - trombone, bass trombone, tuba, synthesizer
Joe Daley, Bob Stewart - tuba
Howard Johnson - tuba, bass clarinet, baritone saxophone, trombone
David Sanborn - alto saxophone, soprano saxophone, flute
George Adams, Billy Harper - tenor saxophone, flute
David Horowitz - electric piano, synthesizer, organ
Pete Levin - synthesizer
Joe Gallivan - synthesizer, guitar, steel guitar, percussion, congas
Ryo Kawasaki - guitar, pedals
Herb Bashler, Paul Metzke - bass
Bruce Ditmas, Tony Williams - drums
Sue Evans - congas, timpani, percussion, celeste, cowbell
Warren Smith - mallet percussion, bongos
Recorded in RCA's Studio B, New York on March 6 (#2,8-10), April 11 (#1,3,5,7) and April 14 (#4,6) with additional recording on April 25, June 10 and June 12, 1975.