(Post-Bop, Modern Creative) Kurt Rosenwinkel - Heartcore - 2003, FLAC (image+.cue), lossless

EAC extraction logfile from 15. September 2005, 18:06 for CD
Kurt Rosenwinkel / Heartcore
Used drive  : HL-DT-STDVD-ROM GDR8161B   Adapter: 1  ID: 0
Read mode   : Secure with NO C2, accurate stream, disable cache
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Used output format : C:\Audio\EAC\Monkey\wapet.exe   (User Defined Encoder)
                     128 kBit/s
                     Additional command line options : %d -t "Artist=%a" -t "Title=%t" -t "Album=%g" -t "Year=%y" -t "Track=%n" -t "Genre=%m" mac.exe %s %d -c4000 -v
Other options      :
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Installed external ASPI interface
Range status and errors
Selected range
     Filename C:\Music\Kurt Rosenwinkel - Heartcore xtra high\CDImage.wav
     Peak level 98.8 %
     Range quality 100.0 %
     CRC FF5E07B8
     Copy OK
No errors occured
End of status report

CATALOG 0731458977629
PERFORMER "Kurt Rosenwinkel"
TITLE "Heartcore"
FILE "Kurt Rosenwinkel - Heartcore.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Heartcore"
    PERFORMER "Kurt Rosenwinkel"
    ISRC USGR10300475
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Blue Line"
    PERFORMER "Kurt Rosenwinkel"
    ISRC USGR10300476
    INDEX 01 08:36:52
  TRACK 03 AUDIO
    TITLE "All the Way to Rajasthan"
    PERFORMER "Kurt Rosenwinkel"
    ISRC USGR10300476
    INDEX 01 14:47:67
  TRACK 04 AUDIO
    TITLE "Your Vision"
    PERFORMER "Kurt Rosenwinkel"
    ISRC USGR10300478
    INDEX 01 21:46:47
  TRACK 05 AUDIO
    TITLE "Interlude"
    PERFORMER "Kurt Rosenwinkel"
    ISRC USGR10300479
    INDEX 01 30:22:58
  TRACK 06 AUDIO
    TITLE "Our Secret World"
    PERFORMER "Kurt Rosenwinkel"
    ISRC USGR10300479
    INDEX 01 33:07:44
  TRACK 07 AUDIO
    TITLE "Dream/Memory?"
    PERFORMER "Kurt Rosenwinkel"
    ISRC USGR10300480
    INDEX 01 39:21:03
  TRACK 08 AUDIO
    TITLE "Love in the Modern World"
    PERFORMER "Kurt Rosenwinkel"
    ISRC USGR10300482
    INDEX 01 42:46:72
  TRACK 09 AUDIO
    TITLE "dcba//>>"
    PERFORMER "Kurt Rosenwinkel"
    ISRC USGR10300483
    INDEX 01 51:01:54
  TRACK 10 AUDIO
    TITLE "Thought About You"
    PERFORMER "Kurt Rosenwinkel"
    ISRC USGR10300484
    INDEX 01 58:55:58
  TRACK 11 AUDIO
    TITLE "Tone Poem"
    PERFORMER "Kurt Rosenwinkel"
    ISRC USGR10300485
    INDEX 01 64:39:21

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With this recording, guitarist Kurt Rosenwinkel creates a unique sound world, blending elements of jazz and rock with electronica, occasional Third World strains, and other grooves in an absorbing, inward journey that defies classification. In doing so, Rosenwinkel refuses to limit himself to the guitar, often contributing keyboards, drums, and voice, and at times he takes over entire tracks all by himself via layerings in his Brooklyn studio. The way Rosenwinkel extends his strings of endless melody over an ever-changing harmonic backdrop reminds one of the winding compositions of Wayne Shorter. Indeed, at times he produces a sax-like tone from his guitar, with Mark Turner's duskier tenor sax as a unison co-voice and a foil. "Blue Line" finds Rosenwinkel drumming in the left channel, keeping up a complex groove with drummer Jeff Ballard on the right, eventually overcome by synthesizer washes. "All the Way to Rajasthan" evokes the Pat Metheny sound but the rhythm is fractured and the music seems to have and lack direction at the same time. "Your Vision" is a loop out of a sci-fi film -- all Rosenwinkel except for Andrew D'Angelo's bass clarinet, a truly strange track -- while "Interlude" is another fascinating gauzy bit of electronica at the CD's halfway point. "Thought About You," another one-man track, takes a Turkish rhythmic vamp and gradually builds a moody, enveloping texture. Rosenwinkel claims that the music of Arnold Schoenberg and hip-hop alike inspired another technique on this CD -- producing unusual harmonic textures by means of different dynamic levels on the instruments in the mix. Well, maybe, but in a way, this is 21st century expressionism of a sort, creating levels of ambiguity and uncertainty, leaving the listener out on a limb yet always intrigued. Give it a shot; you may not want to leave this twilight zone.