(Post-Bop) Kenny Kirkland - Kenny Kirkland - 1991, MP3, 320 kbps
Треклист:
Kenny Kirkland - Kenny Kirkland
Жанр: Post-Bop
Страна: США
Год издания: 1991
Аудиокодек: MP3 (конвертировано из lossless)
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 62:41
Наличие сканов в содержимом раздачи: да
Треклист:
01. Mr. J.C. (Kirkland) - 8:08
02. Midnight Silence (Kirkland) - 3:33
03. El Rey (Watts) - 1:35
04. Steepian Faith (Kirkland) - 6:03
05. Celia (Powell) - 6:50
06. Chance (Kirkland) - 6:02
07. When Will the Blues Leave (Coleman) - 5:40
08. Ana Maria (Shorter) - 8:37
09. Revelations (Kirkland) - 7:49
10. Criss Cross (Monk) - 5:20
11. Blasphemy (Kirkland) - 3:04
Состав:
Kenny Kirkland - piano, keyboards
Jeff "Tain" Watts - drums
Charnett Moffett, Chris McBride, Andy Gonzalez, Robert Hurst - bass
Branford Marsalis - tenor saxophone, soprano saxophone
Roderick Ward - alto saxophone
Don Alias - percussion, bongos
Jerry Gonzalez - congas, percussion
Steve Berrios - drums, percussion
Recorded at BMG Studios A & B, New York.
Жанр: Post-Bop
Страна: США
Год издания: 1991
Аудиокодек: MP3 (конвертировано из lossless)
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 62:41
Наличие сканов в содержимом раздачи: да
Треклист:
01. Mr. J.C. (Kirkland) - 8:08
02. Midnight Silence (Kirkland) - 3:33
03. El Rey (Watts) - 1:35
04. Steepian Faith (Kirkland) - 6:03
05. Celia (Powell) - 6:50
06. Chance (Kirkland) - 6:02
07. When Will the Blues Leave (Coleman) - 5:40
08. Ana Maria (Shorter) - 8:37
09. Revelations (Kirkland) - 7:49
10. Criss Cross (Monk) - 5:20
11. Blasphemy (Kirkland) - 3:04
Состав:
Kenny Kirkland - piano, keyboards
Jeff "Tain" Watts - drums
Charnett Moffett, Chris McBride, Andy Gonzalez, Robert Hurst - bass
Branford Marsalis - tenor saxophone, soprano saxophone
Roderick Ward - alto saxophone
Don Alias - percussion, bongos
Jerry Gonzalez - congas, percussion
Steve Berrios - drums, percussion
Recorded at BMG Studios A & B, New York.
Review by Scott Yanow
Keyboardist Kenny Kirkland's long-overdue debut as a leader really stretches his talents and is occasionally unpredictable. Virtually each of the performances has its own personality and the personnel and instrumentation differ throughout the release. Among the highlights is "Mr. J.C." (which features some stormy Branford Marsalis tenor), an electric Latin but still boppish update of Bud Powell's "Celia" (taken as a duet with percussionist Don Alias), the struttin' "Steepian Faith," a driving rendition of Ornette Coleman's "When Will the Blues Leave" that has some free bop alto from Roderick Ward, and Latin versions (with percussionist Jerry Gonzalez) of two standards not normally thought of as belonging to that idiom: Wayne Shorter's "Ana Maria" and Thelonious Monk's "Criss Cross." This highly recommended CD has more than its share of brilliant moments.