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(Post-Bop) John Abercrombie, Dan Wall, Adam Nussbaum - Speak of the Devil (ECM 1511) - 1994, FLAC (image+.cue), lossless

(Post-Bop) John Abercrombie, Dan Wall, Adam Nussbaum - Speak of the Devil (ECM 1511) - 1994, FLAC (image+.cue), lossless
Треклист:
John Abercrombie, Dan Wall, Adam Nussbaum - Speak of the Devil
Жанр: Post-Bop
Страна-производитель диска: Германия
Год издания: 1994
Издатель (лейбл): ECM Records
Номер по каталогу: ECM 1511 / 849 648-2
Страна: США
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 68:16
Источник (релизер): emule
Наличие сканов в содержимом раздачи: да
Треклист:
01. Angel Food (Wall) - 7:55
02. Now and Again (Abercrombie-Wall-Nussbaum) - 6:16
03. Mahat (Abercrombie-Wall-Nussbaum) - 8:27
04. Chorale (Abercrombie) - 8:21
05. Farewell (Abercrombie) - 6:16
06. BT-U (Nussbaum) - 6:22
07. Early to Bed (Abercrombie) - 8:20
08. Dreamland (Wall) - 9:12
09. Hell's Gate (Wall) - 7:07
Состав:
John Abercrombie - guitars
Dan Wall - Hammond B3 organ
Adam Nussbaum - drums
Recorded at Rainbow Studio, Oslo in July 1993.
 
Лог создания рипа
Отчёт EAC об извлечении, выполненном 13. сентября 2008, 23:02 для диска:
John Abercrombie / Speak of the Devil
Дисковод: HP      CD-Writer+ 8200a   Adapter: 0  ID: 1
Режим чтения: Достоверный (C2: нет, Точный поток: да, Отключение кэша: да)
Коррекция смещения при чтении: 572
Способность читать области Lead-in и Lead-out : Нет
Выходной формат: Внутренние WAV-операции
                     44.100 Гц; 16 бит; стерео
Другие параметры:
    Заполнение пропущенных сэмплов тишиной : Да
    Удаление блоков с тишиной в начале и конце : Нет
    Установленный внешний ASPI-интерфейс
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
     Имя файла D:\Music\rapid\John Abercrombie Trio - Speak Of The Devil 1994\John Abercrombie - Speak of the Devil.wav
     Пиковый уровень 96.8 %
     Качество диапазона 99.9 %
     CRC 19CC9B20
     Копирование... OK
Ошибок не произошло
Конец отчёта
 
 
Содержание индексной карты (.CUE)
REM GENRE "Contemporary Jazz"
REM DATE 1994
REM DISCID 76100409
REM COMMENT "ExactAudioCopy v0.95b4"
CATALOG 0042284964821
PERFORMER "John Abercrombie"
TITLE "Speak of the Devil"
FILE "John Abercrombie - Speak of the Devil.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Angel Food"
    PERFORMER "John Abercrombie"
    ISRC DEB339351101
    INDEX 00 00:00:00
    INDEX 01 00:00:32
  TRACK 02 AUDIO
    TITLE "Now and Again"
    PERFORMER "John Abercrombie"
    ISRC DEB339351102
    INDEX 00 07:52:62
    INDEX 01 07:56:07
  TRACK 03 AUDIO
    TITLE "Mahat"
    PERFORMER "John Abercrombie"
    ISRC DEB339351103
    INDEX 00 14:10:02
    INDEX 01 14:12:57
  TRACK 04 AUDIO
    TITLE "Chorale"
    PERFORMER "John Abercrombie"
    ISRC DEB339351104
    INDEX 00 22:36:60
    INDEX 01 22:40:52
  TRACK 05 AUDIO
    TITLE "Farewell"
    PERFORMER "John Abercrombie"
    ISRC DEB339351105
    INDEX 00 31:00:27
    INDEX 01 31:02:00
  TRACK 06 AUDIO
    TITLE "BT-U"
    PERFORMER "John Abercrombie"
    ISRC DEB339351106
    INDEX 00 37:17:07
    INDEX 01 37:18:07
  TRACK 07 AUDIO
    TITLE "Early to Bed"
    PERFORMER "John Abercrombie"
    ISRC DEB339351107
    INDEX 00 43:38:32
    INDEX 01 43:40:27
  TRACK 08 AUDIO
    TITLE "Dreamland"
    PERFORMER "John Abercrombie"
    ISRC DEB339351108
    INDEX 00 51:57:67
    INDEX 01 52:00:40
  TRACK 09 AUDIO
    TITLE "Hell's Gate"
    PERFORMER "John Abercrombie"
    ISRC DEB339351109
    INDEX 00 61:09:30
    INDEX 01 61:13:15
 
 
Лог проверки качества
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [John Abercrombie - Speak of the Devil.wav]
Detected average hi-boundary frequency: 2.042965e+004 Hz
Detected average lo-boundary frequency: 1.264735e+004 Hz
Detected average hi-cut frequency: 2.177760e+004 Hz
Detected average lo-cut frequency: 1.595890e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.213505e-001
First order smothness: 3.911208e-001
Second order smothness: 7.967271e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
 
 
Отчет CUETools
[CUETools log; Date: 04.12.2012 2:58:36; Version: 2.1.4]
Pregap length 00:00:32.
[CTDB TOCID: ZQGE_UxOm95zochLMZ.KMhZ347c-] found.
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[AccurateRip ID: 00173c9c-00aa9688-76100409] found.
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Track Peak [ CRC32  ] [W/O NULL]
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Review by Michael G. Nastos
The follow-up to While We're Young has a less melodic, more loosely structured feel, as if it were all kinetically inspired and freely improvised within various structures. The intuition or trust level of electric guitarist John Abercrombie, organist Dan Wall, and drummer Adam Nussbaum is clearly evident: They are listening, reacting, and responding to each other from measure to measure, and that is the basis for their music making. It's a fusion of feelings, and those moods -- many times dark -- lie beneath the surface only to rise at their behest. The snarly, stealth, and swirling sound is evident on the introductory cut "Angel Food," courtesy of Abercrombie, Wall, and Nussbaum, respectively, going to a tick-tock beat that is positively blackened on the closer "Hell's Gate." In between you get two free, seemingly unstructured pieces: the unhurried "Now & Again" and the more reverent but interactive "Farewell." "Dreamland" is like "Angel Food" in attitude, while the collective improvisation "Mahat" has hopping 2/4 tom tom beats from Nussbaum moving into full drum kit swing. The melodies are either nonexistent or harder to grasp; Abercrombie's searing or lilting guitar sound requires close attention. Skating around a melody for "Chorale," you actually get the impression the leader is building disparate, multiple, chameleonic changes within a more definite swing. A true melodic motif, albeit slight, informs "BT-U" in a more rock/R&B beat, while the waltz "Early to Bed" suggests a lovely, extrapolated Bill Evans line, perhaps from "Very Early." Though "While We're Young" was a definitive recording for Abercrombie's vaunted trio, this CD simply offers a different slant. It's the sign of a group either in transition of evolution, and whatever the case, it's an intriguing step for these three uncanny sonic explorers.
10:01
613
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