(Post-Bop, Free Jazz) Archie Shepp & Mal Waldron - Left Alone Revisited - 2002, FLAC (tracks+.cue), lossless

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 12. August 2011, 18:37
Archie Shepp - Mal Waldron / Left Alone Revisited
Used drive  : TSSTcorpCDDVDW SH-S222A   Adapter: 1  ID: 0
Read mode               : Secure
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Defeat audio cache      : Yes
Make use of C2 pointers : No
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Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
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TOC of the extracted CD
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        2  |  5:53.64 |  4:27.25 |     26539    |    46588
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        6  | 30:50.00 |  6:50.66 |    138750    |   169565
        7  | 37:40.66 |  5:25.69 |    169566    |   194009
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        9  | 51:44.67 |  3:34.41 |    232867    |   248957
       10  | 55:19.33 |  0:49.12 |    248958    |   252644
Track  1
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Track  2
     Filename C:\! UPLOAD\Archie Shepp-Mal Waldron - Left Alone Revisited (2002) [FLAC] {Enja}\02 - Nice Work If You Can Get It.wav
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Track  3
     Filename C:\! UPLOAD\Archie Shepp-Mal Waldron - Left Alone Revisited (2002) [FLAC] {Enja}\03 - Everything Happens to Me.wav
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Track  4
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Track  5
     Filename C:\! UPLOAD\Archie Shepp-Mal Waldron - Left Alone Revisited (2002) [FLAC] {Enja}\05 - When Your Lover Has Gone.wav
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Track  6
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Track  7
     Filename C:\! UPLOAD\Archie Shepp-Mal Waldron - Left Alone Revisited (2002) [FLAC] {Enja}\07 - Blues for 52nd Street.wav
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Track  8
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Track  9
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Track 10
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All tracks accurately ripped
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End of status report

REM GENRE Jazz
REM DATE 2002
REM DISCID 7D0D280A
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Archie Shepp & Mal Waldron"
TITLE "Left Alone Revisited"
FILE "01 - Easy Living.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Easy Living"
    PERFORMER "Archie Shepp & Mal Waldron"
    PREGAP 00:00:05
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Nice Work If You Can Get It"
    PERFORMER "Archie Shepp & Mal Waldron"
    INDEX 00 05:50:45
FILE "02 - Nice Work If You Can Get It.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Everything Happens to Me"
    PERFORMER "Archie Shepp & Mal Waldron"
    INDEX 00 04:23:67
FILE "03 - Everything Happens to Me.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Left Alone"
    PERFORMER "Archie Shepp & Mal Waldron"
    INDEX 00 05:47:23
FILE "04 - Left Alone.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "When Your Lover Has Gone"
    PERFORMER "Archie Shepp & Mal Waldron"
    INDEX 00 09:08:03
FILE "05 - When Your Lover Has Gone.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
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    PERFORMER "Archie Shepp & Mal Waldron"
    INDEX 00 05:25:36
FILE "06 - I Only Have Eyes for You.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Blues for 52nd Street"
    PERFORMER "Archie Shepp & Mal Waldron"
    INDEX 00 06:47:40
FILE "07 - Blues for 52nd Street.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
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    PERFORMER "Archie Shepp & Mal Waldron"
    INDEX 00 05:23:18
FILE "08 - Porgy.wav" WAVE
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  TRACK 09 AUDIO
    TITLE "Lady Sings the Blues"
    PERFORMER "Archie Shepp & Mal Waldron"
    INDEX 00 08:35:22
FILE "09 - Lady Sings the Blues.wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Left Alone (Spoken Lyrics)"
    PERFORMER "Archie Shepp & Mal Waldron"
    INDEX 00 03:31:22
FILE "10 - Left Alone (Spoken Lyrics).wav" WAVE
    INDEX 01 00:00:00

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Mal Waldron's first tribute to Billie Holiday, titled Left Alone, was recorded in 1959, mere months before the singer's death. He returned to salute the legendary vocalist on several occasions since then, with this CD likely being his final tribute, recorded less than a year before his own death. Waldron, who worked with Holiday during her last years, is intimately familiar with her takes of the six standards heard on this disc, along with her own "Lady Sings the Blues." Archie Shepp's often gritty tenor sax is reminiscent of the texture of Holiday's voice, yet he perfectly complements Waldron's lush piano. They also pack a punch with their stark performance of "Left Alone" (Shepp's occasional reed squeaks seem deliberate, as if to imitate breaks in her voice). Waldron also recites Holiday's lyrics set to his composition at the conclusion of the CD. Shepp switches to soprano sax for an emotional take of "Everything Happens to Me" and "I Only Have Eyes for You," with the latter song sounding as if the unheard singer is being ignored by her love interest. Shepp's "Blues for 52nd Street" is both sassy and swinging. This instrumental salute to Billie Holiday is one of the best albums ever to honor her memory.