(Post-Bop, Free Funk) Steve Coleman and Five Elements - On the Rising of the 64 Paths - 2003, FLAC (tracks+.cue), lossless

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 28. February 2009, 13:42
Steve Coleman / On the Rising of the 64 Paths
Used drive  : HP      DVD Writer 640b   Adapter: 4  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 102
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  6:58.70 |         0    |    31419
        2  |  6:58.70 |  6:42.37 |     31420    |    61606
        3  | 13:41.32 | 10:43.17 |     61607    |   109848
        4  | 24:24.49 |  6:16.52 |    109849    |   138100
        5  | 30:41.26 |  6:07.73 |    138101    |   165698
        6  | 36:49.24 | 12:47.63 |    165699    |   223286
        7  | 49:37.12 |  7:09.57 |    223287    |   255518
        8  | 56:46.69 | 13:37.65 |    255519    |   316858
Track  1
     Filename C:\steve coleman - on the rising of the 64 paths\01Steve Coleman64 Path Bindings.wav
     Pre-gap length  0:00:02.00
     Peak level 96.6 %
     Track quality 100.0 %
     Copy CRC 3EC9DD9F
     Accurately ripped (confidence 5)  [EA25D13B]
     Copy OK
Track  2
     Filename C:\steve coleman - on the rising of the 64 paths\02Steve ColemanMist and Counterpoise.wav
     Pre-gap length  0:00:22.28
     Peak level 96.7 %
     Track quality 100.0 %
     Copy CRC 637E9E6D
     Accurately ripped (confidence 5)  [AB5FC107]
     Copy OK
Track  3
     Filename C:\steve coleman - on the rising of the 64 paths\03Steve ColemanCall for Transformation.wav
     Pre-gap length  0:00:08.19
     Peak level 96.2 %
     Track quality 100.0 %
     Copy CRC 08FC159E
     Accurately ripped (confidence 4)  [B6FDFF9B]
     Copy OK
Track  4
     Filename C:\steve coleman - on the rising of the 64 paths\04Steve ColemanThe Movement in Self.wav
     Peak level 96.8 %
     Track quality 100.0 %
     Copy CRC F9025F78
     Accurately ripped (confidence 5)  [E9FD749D]
     Copy OK
Track  5
     Filename C:\steve coleman - on the rising of the 64 paths\05Steve ColemanDizzy Atmosphere.wav
     Pre-gap length  0:00:19.10
     Peak level 96.9 %
     Track quality 100.0 %
     Copy CRC AA1383E4
     Accurately ripped (confidence 5)  [B6E136F0]
     Copy OK
Track  6
     Filename C:\steve coleman - on the rising of the 64 paths\06Steve ColemanEight Base Probing.wav
     Pre-gap length  0:03:01.22
     Peak level 96.9 %
     Track quality 100.0 %
     Copy CRC 8937AB48
     Accurately ripped (confidence 5)  [7BAF2523]
     Copy OK
Track  7
     Filename C:\steve coleman - on the rising of the 64 paths\07Steve ColemanDizzy Atmosphere (alternate take).wav
     Pre-gap length  0:00:02.00
     Peak level 96.9 %
     Track quality 100.0 %
     Copy CRC CFAFF4A1
     Accurately ripped (confidence 3)  [C4F14996]
     Copy OK
Track  8
     Filename C:\steve coleman - on the rising of the 64 paths\08Steve ColemanFire Revisited.wav
     Pre-gap length  0:00:22.39
     Peak level 100.0 %
     Track quality 99.9 %
     Copy CRC 9D123611
     Accurately ripped (confidence 4)  [79FAD4B8]
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report

REM GENRE Jazz
REM DATE 2003
REM DISCID 66108008
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Steve Coleman and Five Elements"
TITLE "On the Rising of the 64 Paths"
FILE "01 - 64 Path Bindings.wav" WAVE
  TRACK 01 AUDIO
    TITLE "64 Path Bindings"
    PERFORMER "Steve Coleman and Five Elements"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Mist and Counterpoise"
    PERFORMER "Steve Coleman and Five Elements"
    INDEX 00 06:36:42
FILE "02 - Mist and Counterpoise.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Call for Transformation"
    PERFORMER "Steve Coleman and Five Elements"
    INDEX 00 06:34:18
FILE "03 - Call for Transformation.wav" WAVE
    INDEX 01 00:00:00
FILE "04 - The Movement in Self.wav" WAVE
  TRACK 04 AUDIO
    TITLE "The Movement in Self"
    PERFORMER "Steve Coleman and Five Elements"
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Dizzy Atmosphere"
    PERFORMER "Steve Coleman and Five Elements"
    INDEX 00 05:57:42
FILE "05 - Dizzy Atmosphere.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Eight Base Probing"
    PERFORMER "Steve Coleman and Five Elements"
    INDEX 00 03:06:51
FILE "06 - Eight Base Probing.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Dizzy Atmosphere (alternate take)"
    PERFORMER "Steve Coleman and Five Elements"
    INDEX 00 12:45:63
FILE "07 - Dizzy Atmosphere (alternate take).wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Fire Revisited"
    PERFORMER "Steve Coleman and Five Elements"
    INDEX 00 06:47:18
FILE "08 - Fire Revisited.wav" WAVE
    INDEX 01 00:00:00

auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01 - 64 Path Bindings.wav]
Detected average hi-boundary frequency: 2.044054e+004 Hz
Detected average lo-boundary frequency: 1.396924e+004 Hz
Detected average hi-cut frequency: 2.170811e+004 Hz
Detected average lo-cut frequency: 1.462874e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.768272e-001
First order smothness: 4.254181e-001
Second order smothness: 5.991081e-001
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This track looks like CDDA with probability 100%
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Processing file: [02 - Mist and Counterpoise.wav]
Detected average hi-boundary frequency: 2.024518e+004 Hz
Detected average lo-boundary frequency: 1.424528e+004 Hz
Detected average hi-cut frequency: 2.164774e+004 Hz
Detected average lo-cut frequency: 1.337586e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.299048e-001
First order smothness: 3.660282e-001
Second order smothness: 6.542811e-001
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This track looks like CDDA with probability 100%
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Processing file: [03 - Call for Transformation.wav]
Detected average hi-boundary frequency: 2.023238e+004 Hz
Detected average lo-boundary frequency: 1.318306e+004 Hz
Detected average hi-cut frequency: 2.174997e+004 Hz
Detected average lo-cut frequency: 1.168491e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 3.466727e-001
First order smothness: 3.872924e-001
Second order smothness: 6.159399e-001
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This track looks like CDDA with probability 100%
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Processing file: [04 - The Movement in Self.wav]
Detected average hi-boundary frequency: 2.014344e+004 Hz
Detected average lo-boundary frequency: 1.337855e+004 Hz
Detected average hi-cut frequency: 2.176240e+004 Hz
Detected average lo-cut frequency: 1.124322e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.409525e-001
First order smothness: 3.059665e-001
Second order smothness: 6.607495e-001
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This track looks like CDDA with probability 100%
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Processing file: [05 - Dizzy Atmosphere.wav]
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Detected average lo-boundary frequency: 1.392739e+004 Hz
Detected average hi-cut frequency: 2.166677e+004 Hz
Detected average lo-cut frequency: 1.499024e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.355171e-001
First order smothness: 3.759494e-001
Second order smothness: 5.546835e-001
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This track looks like CDDA with probability 100%
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Processing file: [06 - Eight Base Probing.wav]
Detected average hi-boundary frequency: 2.038519e+004 Hz
Detected average lo-boundary frequency: 1.368250e+004 Hz
Detected average hi-cut frequency: 2.170416e+004 Hz
Detected average lo-cut frequency: 1.405921e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 9.222947e-002
First order smothness: 3.897647e-001
Second order smothness: 6.528014e-001
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This track looks like CDDA with probability 100%
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Processing file: [07 - Dizzy Atmosphere (alternate take).wav]
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Detected average lo-boundary frequency: 1.427259e+004 Hz
Detected average hi-cut frequency: 2.166322e+004 Hz
Detected average lo-cut frequency: 1.459175e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.257057e-001
First order smothness: 3.608337e-001
Second order smothness: 5.757707e-001
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This track looks like CDDA with probability 100%
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Processing file: [08 - Fire Revisited.wav]
Detected average hi-boundary frequency: 2.033694e+004 Hz
Detected average lo-boundary frequency: 1.421144e+004 Hz
Detected average hi-cut frequency: 2.153090e+004 Hz
Detected average lo-cut frequency: 1.066637e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 6.441855e-002
First order smothness: 4.065473e-001
Second order smothness: 5.714639e-001
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This track looks like CDDA with probability 100%

The hermeticism and rigor of some of Steve Coleman's previous work has discouraged certain listeners from investigating his music further. This time, he has chosen to record a set of complex yet accessible numbers. Coleman makes the best use of a three-horn front line, supplemented by drums and two basses -- the electric one fulfilling for the most part the role of a guitar. The program is varied and, for instance, one of its highlights is "The Movement in Self," a deeply introspective duet with drummer Sean Rickman whose explosive style and polyrhythms are predominantly featured on the other pieces. The saxophonist wins on all counts, his writing being just as inspired as his playing. "Mist and Counterpoise" ranks among the most beautiful pieces Coleman has ever written and the two breathtaking uptempo readings of Gillespie's "Dizzy Atmosphere" allow for a full appreciation of the leader's arranging skills, as the sextet works its way to the theme through two different paths. The improvisational segments are never formulaic, offering solos or duets over wonderfully nonchalant horn riffs. "Eight Base Probing" presents some intricate and dazzling interplay between alto, trumpet, and flute/vocals. Coleman has rarely sounded so expressive and lyrical, and he has found in flutist Malik Mezzadri, also known as Magic Malik, a perfect foil for his sharp-edged alto. Superior playing and memorable compositions make this session count as one of Steve Coleman's finest achievements.