(Post Bop, Ethnic) Ernest Dawkins New Horizons Ensemble - Cape Town Shuffle - 2003, APE (image+.cue), lossless
Треклист:
Ernest Dawkins New Horizons Ensemble / Cape Town Shuffle
Жанр: Post Bop, Ethnic
Страна-производитель диска: ??
Год издания: 2003
Издатель (лейбл): Delmark
Номер по каталогу: DG-545
Страна: USA
Аудиокодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 01:05:05
Источник (релизер): torrents.ru / rutracker.org (M@l)
Наличие сканов в содержимом раздачи: да
Треклист:
1. Toucouleur (15:14)
2. Third Line and the Cape Town Shuffle (20:04)
3. Dolphy and the Monk Dance (14:55)
4. Jazz to Hip Hop (14:52)
Музыканты:
Ernest Khabeer Dawkins -- alto and tenor sahophone
Ameen Muhammad -- trumpet
Steve Berry -- trombone
Darius Savage -- bass
Avreeayl Ra -- drums
Kahari B. -- poetry on "Jazz to Hip Hop"
Концертная запись 6 и 7 августа 2002.
Доп. информация: Выкладываю как было на трекере, включая определение Genre/Style (сейчас в архиве, релизер не отвечает).
Жанр: Post Bop, Ethnic
Страна-производитель диска: ??
Год издания: 2003
Издатель (лейбл): Delmark
Номер по каталогу: DG-545
Страна: USA
Аудиокодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 01:05:05
Источник (релизер): torrents.ru / rutracker.org (M@l)
Наличие сканов в содержимом раздачи: да
Треклист:
1. Toucouleur (15:14)
2. Third Line and the Cape Town Shuffle (20:04)
3. Dolphy and the Monk Dance (14:55)
4. Jazz to Hip Hop (14:52)
Музыканты:
Ernest Khabeer Dawkins -- alto and tenor sahophone
Ameen Muhammad -- trumpet
Steve Berry -- trombone
Darius Savage -- bass
Avreeayl Ra -- drums
Kahari B. -- poetry on "Jazz to Hip Hop"
Концертная запись 6 и 7 августа 2002.
Об исполнителе (AMG)
Biography by Scott Yanow
As the leader of New Horizons Ensemble, Ernest Dawkins has performed music ranging from free bop to free form, occasionally displaying its links to the past while definitely looking ahead. Dawkins remembered hearing Anthony Braxton (a neighbor) practice as a youth. He originally played bass and then drums before settling on the saxophone in 1973. He attended the AACM school and studied music at the Vandercook College of Music and with the AACM "elders" (including Joseph Jarman and Chico Freeman). After playing with local ensembles (including the AACM Big Band, Ed Wilkerson's Shadow Vignettes big band, and Douglas Ewart's Clarinet Choir), in 1979 Dawkins formed New Horizons Ensemble which eventually grew into a pianoless sextet. His adventurous group (consisting in 1994 of Dawkins, trombonist Steve Berry, trumpeter Ameen Muhammad, guitarist Jeffery Parker, bassist Yosef Ben Israel, and drummer Reggie Nicholson) has performed regularly in Chicago, at festivals, and in Europe, in addition to making three recordings for the Silkheart label.
As the leader of New Horizons Ensemble, Ernest Dawkins has performed music ranging from free bop to free form, occasionally displaying its links to the past while definitely looking ahead. Dawkins remembered hearing Anthony Braxton (a neighbor) practice as a youth. He originally played bass and then drums before settling on the saxophone in 1973. He attended the AACM school and studied music at the Vandercook College of Music and with the AACM "elders" (including Joseph Jarman and Chico Freeman). After playing with local ensembles (including the AACM Big Band, Ed Wilkerson's Shadow Vignettes big band, and Douglas Ewart's Clarinet Choir), in 1979 Dawkins formed New Horizons Ensemble which eventually grew into a pianoless sextet. His adventurous group (consisting in 1994 of Dawkins, trombonist Steve Berry, trumpeter Ameen Muhammad, guitarist Jeffery Parker, bassist Yosef Ben Israel, and drummer Reggie Nicholson) has performed regularly in Chicago, at festivals, and in Europe, in addition to making three recordings for the Silkheart label.
Об альбоме, рецензии по-английски
by Alex Henderson
From Albert Ayler to Sun Ra to the Art Ensemble of Chicago, spirituality has long played a major role in avant-garde jazz (as well as a lot of modal post-bop). And there is no shortage of spirituality on Cape Town Shuffle, which was recorded live at the Hot House in Chicago in 2002 -- alto/tenor saxman Ernest Dawkins and his Windy City-based New Horizons Ensemble thrive on it. In fact, the 19-minute "Third Line and the Cape Town Shuffle" finds the band's trumpeter, Ameen Muhammad, doing a simulation of the type of sermon one would hear in an African-American church (possibly Southern Baptist, possibly AME). Dawkins doesn't give Muhammad that vocal spot in order to convert listeners to Protestant Christianity; rather, he does it to acknowledge that Christianity is part of the black cultural experience. And that affection for black culture is evident throughout this CD whether Dawkins is incorporating elements of African music on "Toucouleur" (which gets its name from a tribe in Senegal) or celebrating the contributions of Eric Dolphy and Thelonious Monk on the 12-minute "Dolphy and the Monk Dance." Rap, meanwhile, is acknowledged on "Jazz to Hip Hop," which features vocalist Kahari B. The tune isn't really a fusion of jazz and hip-hop -- instead of rapping in a hip-hop style, Kahari offers a spoken word performance. His words do, however, address the importance of hip-hop as a cultural idiom. Cape Town Shuffle isn't for bop snobs, but those who appreciate an inside/outside approach to avant-garde jazz will find these performances to be quite enriching.
* * *
By Nate Chinen
July/August 2003
Like the Art Ensemble of Chicago and various other offshoots of the AACM, Ernest Dawkins' New Horizons Ensemble pursues the calling of a contemporary pan-African aesthetic. Dawkins is a saxophone-wielding AACM alumnus; New Horizons, his primary outlet since 1979, embodies a synthesis of diaspora-wide traditions within the framework of modern jazz.
Cape Town Shuffle finds ample inspiration in the melting pot of South Africa, where Dawkins performs and teaches twice a year. The album opens on a rollicking, Mingus-like "Toucouleur," featuring appealingly blustery solos by Dawkins, trombonist Steve Berry and trumpeter Ameen Muhammad. A follow-up track, "Third Line and the Cape Town Shuffle," weaves together the scattered strands of New Orleans parade grooves, Cape Town carnival music, Gospel shouting and straight-up swing. At the midpoint of the tune, Muhammad literally sermonizes, in a call-and-response with the horns: "The Holy Ghost says / That freedom ain't free."
The album's second half maintains this urgency but focuses more explicitly on the Northern Hemisphere, with nods to the 12-tone row in jazz ("Dolphy and the Monk Dance") and to the expression of modern griot traditions ("Jazz to Hip Hop"). The latter features an enthusiastic but amateurish spoken-word poem by the AACM's Kahari B., making a weaker case for a jazz and hip-hop cohesion than it could. (It's telling that the song's great release occurs when the ensemble shifts into foot-tapping swing.)
As the album's subtitle indicates, this is a live recording, and Dawkins' crew clearly feeds on the spirit of the moment. The music of New Horizons spills over with vibrant energies, conveying the life-affirming exuberance of cultural expression.
* * *
JazzCorner.com's Speakeasy: I haven’t noticed anyone else on JC listening to this, but it’s definitely one of my favorite releases so far this year. There are gospel blues, and AACM influences everywhere combined with the joyous South African influence. It’s a fun, very listenable recording that should appeal to everyone, but with enough adventurous playing that it should hold up on repeated listening. I could live with Kahari B. (billed as the “Disco Poet”) on the last cut; fortunately he’s just a small part of a wonderful CD. The late Ameen Muhammad contributes a fun, church sermon-style vocal to “Third Line and the Cape Town Shuffle.” The playing is stellar throughout. Highly recommended.
From Albert Ayler to Sun Ra to the Art Ensemble of Chicago, spirituality has long played a major role in avant-garde jazz (as well as a lot of modal post-bop). And there is no shortage of spirituality on Cape Town Shuffle, which was recorded live at the Hot House in Chicago in 2002 -- alto/tenor saxman Ernest Dawkins and his Windy City-based New Horizons Ensemble thrive on it. In fact, the 19-minute "Third Line and the Cape Town Shuffle" finds the band's trumpeter, Ameen Muhammad, doing a simulation of the type of sermon one would hear in an African-American church (possibly Southern Baptist, possibly AME). Dawkins doesn't give Muhammad that vocal spot in order to convert listeners to Protestant Christianity; rather, he does it to acknowledge that Christianity is part of the black cultural experience. And that affection for black culture is evident throughout this CD whether Dawkins is incorporating elements of African music on "Toucouleur" (which gets its name from a tribe in Senegal) or celebrating the contributions of Eric Dolphy and Thelonious Monk on the 12-minute "Dolphy and the Monk Dance." Rap, meanwhile, is acknowledged on "Jazz to Hip Hop," which features vocalist Kahari B. The tune isn't really a fusion of jazz and hip-hop -- instead of rapping in a hip-hop style, Kahari offers a spoken word performance. His words do, however, address the importance of hip-hop as a cultural idiom. Cape Town Shuffle isn't for bop snobs, but those who appreciate an inside/outside approach to avant-garde jazz will find these performances to be quite enriching.
* * *
By Nate Chinen
July/August 2003
Like the Art Ensemble of Chicago and various other offshoots of the AACM, Ernest Dawkins' New Horizons Ensemble pursues the calling of a contemporary pan-African aesthetic. Dawkins is a saxophone-wielding AACM alumnus; New Horizons, his primary outlet since 1979, embodies a synthesis of diaspora-wide traditions within the framework of modern jazz.
Cape Town Shuffle finds ample inspiration in the melting pot of South Africa, where Dawkins performs and teaches twice a year. The album opens on a rollicking, Mingus-like "Toucouleur," featuring appealingly blustery solos by Dawkins, trombonist Steve Berry and trumpeter Ameen Muhammad. A follow-up track, "Third Line and the Cape Town Shuffle," weaves together the scattered strands of New Orleans parade grooves, Cape Town carnival music, Gospel shouting and straight-up swing. At the midpoint of the tune, Muhammad literally sermonizes, in a call-and-response with the horns: "The Holy Ghost says / That freedom ain't free."
The album's second half maintains this urgency but focuses more explicitly on the Northern Hemisphere, with nods to the 12-tone row in jazz ("Dolphy and the Monk Dance") and to the expression of modern griot traditions ("Jazz to Hip Hop"). The latter features an enthusiastic but amateurish spoken-word poem by the AACM's Kahari B., making a weaker case for a jazz and hip-hop cohesion than it could. (It's telling that the song's great release occurs when the ensemble shifts into foot-tapping swing.)
As the album's subtitle indicates, this is a live recording, and Dawkins' crew clearly feeds on the spirit of the moment. The music of New Horizons spills over with vibrant energies, conveying the life-affirming exuberance of cultural expression.
* * *
JazzCorner.com's Speakeasy: I haven’t noticed anyone else on JC listening to this, but it’s definitely one of my favorite releases so far this year. There are gospel blues, and AACM influences everywhere combined with the joyous South African influence. It’s a fun, very listenable recording that should appeal to everyone, but with enough adventurous playing that it should hold up on repeated listening. I could live with Kahari B. (billed as the “Disco Poet”) on the last cut; fortunately he’s just a small part of a wonderful CD. The late Ameen Muhammad contributes a fun, church sermon-style vocal to “Third Line and the Cape Town Shuffle.” The playing is stellar throughout. Highly recommended.
Лог создания рипа 4 ноября 2009
скрытый текст
По поводу строк со съеденными пробелами -- модератор A_Mironov пояснял где-то в релизах M@l-а, что это известный глюк (той версии EAC?)
_____
Отчёт EAC об извлечении, выполненном 4. ноября 2009, 10:01
Ernest Dawkins' New Horizons Ensemble / Cape Town Shuffle
Дисковод: Optiarc DVD RW AD-7173A Adapter: 1 ID: 0
Режим чтенияДостоверный (C2: нет, Точный поток: да, Отключение кэша: да)
Коррекция смещения при чтении48
Способность читать области Lead-in и Lead-out : Нет
Выходной форматВнутренние WAV-операции
44.100 Гц; 16 бит; стерео
Другие параметры:
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
Встроенный Win32-интерфейс для Win NT/2000
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла C:\APE JAZZ\Ernest Dawkins' New Horizons Ensemble - Cape Town Shuffle.wav
Пиковый уровень 100.0 %
Качество диапазона 100.0 %
CRC CCF51654
Копирование... OK
Ошибок не произошло
Конец отчёта
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2003
REM DISCID 280F3E04
REM COMMENT "ExactAudioCopy v0.95b4"
PERFORMER "Ernest Dawkins' New Horizons Ensemble"
TITLE "Cape Town Shuffle"
FILE "Ernest Dawkins' New Horizons Ensemble - Cape Town Shuffle.ape" WAVE
TRACK 01 AUDIO
TITLE "Toucouleur"
PERFORMER "Ernest Dawkins' New Horizons Ensemble"
INDEX 00 00:00:00
INDEX 01 00:02:00
TRACK 02 AUDIO
TITLE "Third Line And The Cape Town Shuffle"
PERFORMER "Ernest Dawkins' New Horizons Ensemble"
INDEX 00 15:14:37
INDEX 01 15:16:37
TRACK 03 AUDIO
TITLE "Dolphy And The Monk Dance"
PERFORMER "Ernest Dawkins' New Horizons Ensemble"
INDEX 00 35:18:13
INDEX 01 35:20:13
TRACK 04 AUDIO
TITLE "Jazz To Hip Hop"
PERFORMER "Ernest Dawkins' New Horizons Ensemble"
INDEX 00 50:13:52
INDEX 01 50:15:52