(Post-Bop, Ethnic, Egea) [CD] Gabriele Mirabassi (w/ Patrick Vaillant, Luciano Biondini, Michel Godard) - 1 - 0 (uno a zero) - 2001, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 18. February 2014, 9:46
Gabriele Mirabassi / 1 - 0 (uno a zero)
Used drive  : SlimtypeeNAU508   5   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  2:18.62 |         0    |    10411
        2  |  2:18.62 |  5:13.28 |     10412    |    33914
        3  |  7:32.15 |  6:24.70 |     33915    |    62784
        4  | 13:57.10 |  2:19.07 |     62785    |    73216
        5  | 16:16.17 |  2:21.28 |     73217    |    83819
        6  | 18:37.45 |  5:36.15 |     83820    |   109034
        7  | 24:13.60 |  4:48.25 |    109035    |   130659
        8  | 29:02.10 |  2:48.37 |    130660    |   143296
        9  | 31:50.47 |  6:06.53 |    143297    |   170799
       10  | 37:57.25 |  2:56.70 |    170800    |   184069
       11  | 40:54.20 |  2:14.40 |    184070    |   194159
       12  | 43:08.60 |  3:00.55 |    194160    |   207714
       13  | 46:09.40 |  5:21.22 |    207715    |   231811
Track  1
     Filename C:\EAC rips\01 - Um a Zero (1 x 0).wav
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     Accurately ripped (confidence 1)  [F4982259]  (AR v1)
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Track  2
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Track  3
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Track  5
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Track  6
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Track  7
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Track  8
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Track 10
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Track 11
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Track 12
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Track 13
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All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.4
[CTDB TOCID: xyIA7CD4v1Kj0nHpRTV6z8ddRB8-] found
Submit result: Le serveur a commis une violation de protocole. Section=ResponseStatusLine
Track | CTDB Status
  1   | (1/2) Accurately ripped, or (1/2) differs in 25550 samples @00:23:37-00:23:58
  2   | (2/2) Accurately ripped
  3   | (2/2) Accurately ripped
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 11   | (2/2) Accurately ripped
 12   | (2/2) Accurately ripped
 13   | (2/2) Accurately ripped
==== Log checksum E45950BB3B347DA2646B852527E75853B78C713502FB9B6B25ECD192EEFD0273 ====

REM GENRE Jazz
REM DATE 2001
REM DISCID BE0C120D
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Gabriele Mirabassi"
TITLE "1 - 0 (uno a zero)"
FILE "01 - Um a Zero (1 x 0).wav" WAVE
  TRACK 01 AUDIO
    TITLE "Um a Zero (1 x 0)"
    PERFORMER "Gabriele Mirabassi"
    INDEX 01 00:00:00
FILE "02 - Ainda me recordo.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Ainda me recordo"
    PERFORMER "Gabriele Mirabassi"
    INDEX 01 00:00:00
FILE "03 - Ingenuo.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Ingenuo"
    PERFORMER "Gabriele Mirabassi"
    INDEX 01 00:00:00
FILE "04 - Proezas de Solon.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Proezas de Solon"
    PERFORMER "Gabriele Mirabassi"
    INDEX 01 00:00:00
FILE "05 - Seu Lorenço no vinho.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Seu Lorenço no vinho"
    PERFORMER "Gabriele Mirabassi"
    INDEX 01 00:00:00
FILE "06 - Non ci resta che... chorar!.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Non ci resta che... chorar!"
    PERFORMER "Gabriele Mirabassi"
    INDEX 01 00:00:00
FILE "07 - Vou vivendo.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Vou vivendo"
    PERFORMER "Gabriele Mirabassi"
    INDEX 01 00:00:00
FILE "08 - Chorei.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Chorei"
    PERFORMER "Gabriele Mirabassi"
    INDEX 01 00:00:00
FILE "09 - Carinhoso.wav" WAVE
  TRACK 09 AUDIO
    TITLE "Carinhoso"
    PERFORMER "Gabriele Mirabassi"
    INDEX 01 00:00:00
FILE "10 - Apanhei - te cavaquinho.wav" WAVE
  TRACK 10 AUDIO
    TITLE "Apanhei - te cavaquinho"
    PERFORMER "Gabriele Mirabassi"
    INDEX 01 00:00:00
FILE "11 - A Ginga do Mané.wav" WAVE
  TRACK 11 AUDIO
    TITLE "A Ginga do Mané"
    PERFORMER "Gabriele Mirabassi"
    INDEX 01 00:00:00
FILE "12 - Vidinha boa.wav" WAVE
  TRACK 12 AUDIO
    TITLE "Vidinha boa"
    PERFORMER "Gabriele Mirabassi"
    INDEX 01 00:00:00
FILE "13 - Brejeiro.wav" WAVE
  TRACK 13 AUDIO
    TITLE "Brejeiro"
    PERFORMER "Gabriele Mirabassi"
    INDEX 01 00:00:00

Clarinetist Gabriele Mirabassi investigates the late 19th century Brazilian music genre known as choro, along with what might appear to be an unorthodox blend of instrumentation. Here, mandolinist Patrick Vaillant, accordionist Luciano Biondini, and tubaist Michel Godard assist the leader with his plight, featuring songs by composers, Ernesto Nazareth, Pixinguinha, and Jacob do Bandolim. Otherwise, this musical format shares similarities with the standard jazz vernacular, via its inherent improvisational forms and rapid shifts in strategies. Mirabassi's vision contains quite a bit of these attributes amid the soloists' contrasting interactions and odd-metered rhythmic forays. Essentially, the leader of this date offers a contemporary vibe. And while the individual musicians receive plenty of breathing room, it's the overriding sense of movement coupled with lush melodies and the air of romanticism that shines forth.
The quartet maintains a loose vibe to complement its precision-oriented approach and festive outlook. After all, choro signifies a dance-based idiom, constructed upon African and Brazilian rhythmic foundations, although Mirabassi's percussion-less program does not nullify choro's innate characteristics. In sum, this recording looms as a rather upbeat musical celebration that leaves an indelible impression, while also furthering the concepts of contemporary jazz frameworks (Glenn Astarita).