(Post-Bop) Eddie Allen Quintet (w/ Steve Turre) - Summer Days - 2000, MP3, 320 kbps
Треклист:
Eddie Allen Quintet (w/ Steve Turre) - Summer Days
Жанр: Post-Bop
Страна: США
Год издания: 2000
Аудиокодек: MP3 (конвертировано из lossless)
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 62:43
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Eye of the Hurricane (Hancock) - 3:56
02. You Were Never Lovelier (Allen) - 7:27
03. You Say (Allen) - 6:14
04. Summer Days (Allen) - 7:46
05. Always (Allen) - 11:01
06. Stablemates (Golson) - 8:07
07. Inner Glimpse (Tyner) - 5:58
08. Mystic Dreams (Gordon) - 1:09
09. The Crusade (Allen) - 8:17
10. Later (Allen) - 2:48
Состав:
Eddie Allen - trumpet
Dan Faulk - tenor saxophone, soprano saxophone
Anthony Wonsey - piano
Richie Goods - bass
Cindy Blackman - drums
Special Guest:
Steve Turre - trombone (#2,4,6,9)
Recorded at Systems Two Studios, Brooklyn, New York on July 26-27, 1999.
Жанр: Post-Bop
Страна: США
Год издания: 2000
Аудиокодек: MP3 (конвертировано из lossless)
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 62:43
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Eye of the Hurricane (Hancock) - 3:56
02. You Were Never Lovelier (Allen) - 7:27
03. You Say (Allen) - 6:14
04. Summer Days (Allen) - 7:46
05. Always (Allen) - 11:01
06. Stablemates (Golson) - 8:07
07. Inner Glimpse (Tyner) - 5:58
08. Mystic Dreams (Gordon) - 1:09
09. The Crusade (Allen) - 8:17
10. Later (Allen) - 2:48
Состав:
Eddie Allen - trumpet
Dan Faulk - tenor saxophone, soprano saxophone
Anthony Wonsey - piano
Richie Goods - bass
Cindy Blackman - drums
Special Guest:
Steve Turre - trombone (#2,4,6,9)
Recorded at Systems Two Studios, Brooklyn, New York on July 26-27, 1999.
Review by Scott Yanow
Trumpeter Eddie Allen (also known as E.J. Allen) performs music ranging from hard bop to post bop on this enjoyable quintet date. Joined by Dan Faulk on tenor and soprano, pianist Anthony Wonsey, bassist Richie Goods, and drummer Cindy Blackman, with trombonist Steve Turre being a major asset on four of the ten songs, Allen performs six of his originals plus two standards and a pair of obscurities. The results are modern mainstream jazz of a high caliber, featuring an attractive blend between Allen's mellow horn and Faulk's reeds, a tight rhythm section, and some fine individual moments.