(Post-Bop, Contremporary Jazz, Piano Trio) [CD] George Cables (with Essiet Essiet & Victor Lewis) - In Good Company - 2015, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 6 from 9. April 2015
EAC extraction logfile from 16. October 2015, 19:08
George Cables / In Good Company
Used drive  : hp      DVDRAM GT50N   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 103
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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TOC of the extracted CD
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        1  |  0:00.00 |  8:39.19 |         0    |    38943
        2  |  8:39.19 |  5:03.72 |     38944    |    61740
        3  | 13:43.16 |  6:51.72 |     61741    |    92637
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        8  | 46:23.23 |  8:12.71 |    208748    |   245718
        9  | 54:36.19 |  5:57.58 |    245719    |   272551
       10  | 60:34.02 |  1:53.71 |    272552    |   281097
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Track  3
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Track  7
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Track  8
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Track  9
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Track 10
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All tracks accurately ripped
No errors occurred
End of status report
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==== Log checksum 4DD35E471CC1208CB374DABC992CB532F3A8092FD7050E31096CE0627C0AB39E ====

REM GENRE Jazz
REM DATE 2015
REM DISCID 750EA30A
REM COMMENT "ExactAudioCopy v1.0b6"
CATALOG 0632375727529
PERFORMER "George Cables"
TITLE "In Good Company"
FILE "01 After The Morning.wav" WAVE
  TRACK 01 AUDIO
    TITLE "After The Morning"
    PERFORMER "George Cables"
    ISRC USHNR1527501
    FLAGS DCP
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Mr. Anonymouse"
    PERFORMER "George Cables"
    ISRC USHNR1527502
    FLAGS DCP
    INDEX 00 08:34:49
FILE "02 Mr. Anonymouse.wav" WAVE
    INDEX 01 00:00:00
FILE "03 Naima's Love Song.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Naima's Love Song"
    PERFORMER "George Cables"
    ISRC USHNR1527503
    FLAGS DCP
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "It Don't Mean A Thing (If It Ain't Got That Swing)"
    PERFORMER "George Cables"
    ISRC USHNR1527504
    FLAGS DCP
    INDEX 00 06:47:57
FILE "04 It Don't Mean A Thing (If It Ain't Got That Swing).wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Lotus Blossom"
    PERFORMER "George Cables"
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    INDEX 00 04:31:32
FILE "05 Lotus Blossom.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Love You Madly"
    PERFORMER "George Cables"
    ISRC USHNR1527506
    FLAGS DCP
    INDEX 00 08:12:37
FILE "06 Love You Madly.wav" WAVE
    INDEX 01 00:00:00
    INDEX 02 06:25:11
FILE "07 EVC.wav" WAVE
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    TITLE "EVC"
    PERFORMER "George Cables"
    ISRC USHNR1527507
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    INDEX 01 00:00:00
    INDEX 02 06:19:62
FILE "08 Lush Life.wav" WAVE
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    TITLE "Lush Life"
    PERFORMER "George Cables"
    ISRC USHNR1527508
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  TRACK 09 AUDIO
    TITLE "Voyage"
    PERFORMER "George Cables"
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    INDEX 00 08:07:56
FILE "09 Voyage.wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Day Dream"
    PERFORMER "George Cables"
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    INDEX 00 05:52:58
FILE "10 Day Dream.wav" WAVE
    INDEX 01 00:00:00

George Cables’ title refers first to the pianist-composers he covers—John Hicks, Kenny Barron, Ellington and Strayhorn—and second to his trio with bassist Essiet Essiet and drummer Victor Lewis. The album’s a cheery swinger, an exemplar of mainstream piano jazz. In short, the kind of record Cables always makes. But it’s his accompanists, and Victor Lewis in particular, that earn the titular salute.
Essiet records semi-regularly with Cables, and evinces an ability to disappear inside the pianist’s rich left-hand chords and the architecture and tenderness of his touch, as on Hicks’ “After the Morning” and Ellington’s “Love You Madly.” But Lewis has been with Cables for 15 years, and the album’s second track, Cables’ “Mr. Anonymouse,” plainly shows why. A bass ostinato bears down as Cables barrels over it with speedy single-note lines; underneath, Lewis lays out a cymbal-and-kick locomotion that’s preternaturally steady. If the pianist is a runaway train, the drummer lays down tracks for it in real time.
Lewis’ fingerprints are everywhere on In Good Company. His frequent accents shape Cables’ “EVC” almost singlehandedly, and the upshot of rendering Strayhorn’s poignant “Lotus Blossom” midtempo is to establish the ride cymbal as a playful foundation for Cables’ improvisation. (It also gives Essiet a chance to shoot the breeze.) Lewis gets his own snappy solos on “It Don’t Mean a Thing” and Kenny Barron’s “Voyage,” and space for his brushwork on “Lush Life” and “Day Dream.”
The pianist shouldn’t get short shrift; his lithe but thoughtful fingerings uplift every corner of In Good Company, and provide occasional surprises like the Monk-esque glissandi on “Lotus Blossom” and subtle syncopation breakdowns on “Naima’s Love Song.” Lewis simply shows himself to be Cables’ equal—surely the best of company. (Michael J. West, JazzTimes)

⋆ George Cables piano
⋆ Essiet Essiet bass
⋆ Victor Lewis drums