(Post-Bop, Contemporary Jazz) [CD] Cloning Americana (Billy Drewes, Scott Lee, Gary Versace, Jeff Hirshfield) - For Which It Stands - 2011, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 16. February 2012, 15:41
Cloning Americana / For Which it Stands
Used drive  : PHILIPS SPD3400CC   Adapter: 3  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUM ARTIST=%albumartist%" -T "ALBUMARTIST=%albumartist%" -T "COMMENT=EAC V1.0 beta 3, Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC of the extracted CD
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        1  |  0:00.00 |  3:57.04 |         0    |    17778
        2  |  3:57.04 |  5:16.07 |     17779    |    41485
        3  |  9:13.11 |  8:27.64 |     41486    |    79574
        4  | 17:41.00 |  2:43.49 |     79575    |    91848
        5  | 20:24.49 |  4:50.69 |     91849    |   113667
        6  | 25:15.43 |  2:42.01 |    113668    |   125818
        7  | 27:57.44 |  3:14.21 |    125819    |   140389
        8  | 31:11.65 |  3:49.22 |    140390    |   157586
        9  | 35:01.12 |  3:15.59 |    157587    |   172270
       10  | 38:16.71 |  3:48.52 |    172271    |   189422
       11  | 42:05.48 |  3:19.28 |    189423    |   204375
       12  | 45:25.01 |  3:07.30 |    204376    |   218430
       13  | 48:32.31 |  2:44.27 |    218431    |   230757
       14  | 51:16.58 |  1:39.17 |    230758    |   238199
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Track  2
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Track  3
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Track  4
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Track  5
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Track  6
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Track  7
     Filename C:\Rips\07 ''The Road That Leads To''.wav
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Track  8
     Filename C:\Rips\08 On the Rise.wav
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Track  9
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Track 10
     Filename C:\Rips\10 Comic Relief.wav
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Track 11
     Filename C:\Rips\11 Wetlands.wav
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Track 12
     Filename C:\Rips\12 Just Running Around.wav
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Track 13
     Filename C:\Rips\13 For Which It Stands Part 1.wav
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Track 14
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum 31BFE9AA38D22CDCFEAF4C6ECBCBF800E31F6F2C077C5F9DDF540760B372125C ====

REM GENRE Jazz
REM DATE 2011
REM DISCID CB0C680E
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Cloning Americana"
TITLE "For Which It Stands"
FILE "01 - The Lament.wav" WAVE
  TRACK 01 AUDIO
    TITLE "The Lament"
    PERFORMER "Cloning Americana"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Don't Put Your 'Hoe Down'"
    PERFORMER "Cloning Americana"
    INDEX 00 03:55:19
FILE "02 - Don't Put Your 'Hoe Down'.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "The Change-Up"
    PERFORMER "Cloning Americana"
    INDEX 00 05:14:67
FILE "03 - The Change-Up.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Old Dirt"
    PERFORMER "Cloning Americana"
    INDEX 00 08:25:04
FILE "04 - Old Dirt.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Poster Boy"
    PERFORMER "Cloning Americana"
    INDEX 00 02:41:14
FILE "05 - Poster Boy.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Our Pastime, Passed Down"
    PERFORMER "Cloning Americana"
    INDEX 00 04:49:24
FILE "06 - Our Pastime, Passed Down.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "'The Road That Leads To' "
    PERFORMER "Cloning Americana"
    INDEX 00 02:38:36
FILE "07 - 'The Road That Leads To'.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "On the Rise"
    PERFORMER "Cloning Americana"
    INDEX 00 03:11:61
FILE "08 - On the Rise.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Of Two Minds"
    PERFORMER "Cloning Americana"
    INDEX 00 03:48:22
FILE "09 - Of Two Minds.wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Comic Relief"
    PERFORMER "Cloning Americana"
    INDEX 00 03:13:59
FILE "10 - Comic Relief.wav" WAVE
    INDEX 01 00:00:00
  TRACK 11 AUDIO
    TITLE "Wetlands"
    PERFORMER "Cloning Americana"
    INDEX 00 03:46:52
FILE "11 - Wetlands.wav" WAVE
    INDEX 01 00:00:00
  TRACK 12 AUDIO
    TITLE "Just Running Around"
    PERFORMER "Cloning Americana"
    INDEX 00 03:17:63
FILE "12 - Just Running Around.wav" WAVE
    INDEX 01 00:00:00
  TRACK 13 AUDIO
    TITLE "For Which It Stands, Part 1"
    PERFORMER "Cloning Americana"
    INDEX 00 03:05:30
FILE "13 - For Which It Stands, Part 1.wav" WAVE
    INDEX 01 00:00:00
  TRACK 14 AUDIO
    TITLE "For Which It Stands, Part 2"
    PERFORMER "Cloning Americana"
    INDEX 00 02:42:27
FILE "14 - For Which It Stands, Part 2.wav" WAVE
    INDEX 01 00:00:00

[CUETools log; Date: 25.11.2014 23:10:04; Version: 2.1.5]
[CTDB TOCID: mEb.UEwu2sRRoLb1LHnwZv72iQ8-] disk not present in database.
[AccurateRip ID: 001ed8ec-013f93b4-cb0c680e] found.
Track   [  CRC   |   V2   ] Status
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What are the color and the tone and texture of the music of protest and rebellion? Not red, it appears, but red white and tinged with the blues. At least this is what is posited by Cloning Americana, the ensemble that comprises saxophonist/clarinetist Billy Drewes, pianist Gary Versace bassist Scott Lee and drummer Jeff Hirshfield. Their quiet protest is a result of the belief that there is a "decline in the basic social values of respect, compassion and tolerance." This is not the first time that jazz has called America out on its hypocrisy—of preaching human rights and values but having none. It is often forgotten that jazz has always been the music of protest, from the plantation to the penitentiary; from the backyards of chicken shacks to gilded concert halls. It began as the language of the African-American slave, shouting out for his and her pain to be heard. It continued in the stolen music by empathizing white Americans, who understood what it was to feel deprived and downtrodden.
Does such an acrimonious reality have room for the luscious sound of Drewes' saxophones and bass clarinet to coexist with the forthright bopping of Eric Dolphy? Does the quietly mournful music of this ensemble (albeit a quartet) sit where the strident holy rolling of bassist Charles Mingus once sat? Strange but true. The music of Cloning Americana is charged with quiet protest. It is music that questions before the stammering of machinegun protest. The ensemble presents its unique protest music in a singularly harmonic, tonal manner. The cheers in "The Change-Up" nestle cheek by jowl with the madness of "Poster Boy." Yet "Comic Relief" stands in sharp contrast to "For Which It Stands." All of this, however, is meant to protest the declining values of America.
Cloning Americana presents the other side to stridency: calm. The turmoil in the soul is also manifest in the taut energy of Versace's dazzling runs on the piano. Lee's occasionally mournful bass speaks volumes for the white hot fever with which he rips through "Just Running Around." Only Hirshfield's rattling of the tom-toms and his tumultuous clashes with the cymbals show how taut the music really is. It pirouettes on the end of the ultimate stretch of the elastic and it could snap at any time, but is held together by the poise and grace of a band that is determined to sing protest and anger and grief through harmonic engagement, quietude and the joy of the true ideals of a socially just America.