(Post-Bop) [CD] The Rivington Project (w/ Don Braden) - Trip - 2006, FLAC (tracks+.cue), lossless
![(Post-Bop) [CD] The Rivington Project (w/ Don Braden) - Trip - 2006, FLAC (tracks+.cue), lossless (Post-Bop) [CD] The Rivington Project (w/ Don Braden) - Trip - 2006, FLAC (tracks+.cue), lossless](/upload/000/u2/7a/ab/don-braden-trip-2.jpg)
The Rivington Project - Trip
Жанр: Post-Bop
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2006
Издатель (лейбл): Counterpart Records
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 63:36
Источник (релизер): torrenttuck
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Navl Gazr (8:17)
02. There's No Then in Zen (7:45)
03. Giant Blues (6:47)
04. New, as of Yet Unnamed Ballad (6:46)
05. Ikon Tact (9:11)
06. A-Knuf (8:59)
07. Why Aren't You Listening? (7:57)
08. Amsterdam After Dark (7:54)
Состав:
George Coleman Jr. - drums
Victor Magnani - guitar
Martin Rizek - bass
Don Braden - tenor saxophone
Лог создания рипа
Содержание индексной карты (.CUE)
Review by John Fidler
Жанр: Post-Bop
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2006
Издатель (лейбл): Counterpart Records
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 63:36
Источник (релизер): torrenttuck
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Navl Gazr (8:17)
02. There's No Then in Zen (7:45)
03. Giant Blues (6:47)
04. New, as of Yet Unnamed Ballad (6:46)
05. Ikon Tact (9:11)
06. A-Knuf (8:59)
07. Why Aren't You Listening? (7:57)
08. Amsterdam After Dark (7:54)
Состав:
George Coleman Jr. - drums
Victor Magnani - guitar
Martin Rizek - bass
Don Braden - tenor saxophone
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 12. November 2017, 17:14 The Rivington Project / Trip Used drive : hp DVD-RAM GH82N Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\foobar2000\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 8:17.08 | 0 | 37282 2 | 8:17.08 | 7:44.48 | 37283 | 72130 3 | 16:01.56 | 6:46.52 | 72131 | 102632 4 | 22:48.33 | 6:45.38 | 102633 | 133045 5 | 29:33.71 | 9:10.52 | 133046 | 174347 6 | 38:44.48 | 8:59.04 | 174348 | 214776 7 | 47:43.52 | 7:56.66 | 214777 | 250542 8 | 55:40.43 | 7:54.00 | 250543 | 286092 Track 1 Filename C:\!Apollo\01 - Navl Gazr.wav Pre-gap length 0:00:02.00 Peak level 99.9 % Extraction speed 2.1 X Track quality 100.0 % Test CRC E57E0D79 Copy CRC E57E0D79 Track not present in AccurateRip database Copy OK Track 2 Filename C:\!Apollo\02 - There's No Then In Zen.wav Pre-gap length 0:00:03.00 Peak level 99.9 % Extraction speed 2.5 X Track quality 100.0 % Test CRC ACA30DE2 Copy CRC ACA30DE2 Track not present in AccurateRip database Copy OK Track 3 Filename C:\!Apollo\03 - Giant Blues.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 2.5 X Track quality 99.9 % Test CRC BC990D19 Copy CRC BC990D19 Track not present in AccurateRip database Copy OK Track 4 Filename C:\!Apollo\04 - New, As Yet Unnamed Ballad.wav Pre-gap length 0:00:03.00 Peak level 100.0 % Extraction speed 3.0 X Track quality 100.0 % Test CRC 21738B2D Copy CRC 21738B2D Track not present in AccurateRip database Copy OK Track 5 Filename C:\!Apollo\05 - Ikon Tact.wav Pre-gap length 0:00:03.00 Peak level 100.0 % Extraction speed 3.3 X Track quality 100.0 % Test CRC B90F8A0A Copy CRC B90F8A0A Track not present in AccurateRip database Copy OK Track 6 Filename C:\!Apollo\06 - A-Knuf.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 3.6 X Track quality 100.0 % Test CRC 28341638 Copy CRC 28341638 Track not present in AccurateRip database Copy OK Track 7 Filename C:\!Apollo\07 - Why Aren't You Listening.wav Peak level 100.0 % Extraction speed 3.8 X Track quality 100.0 % Test CRC AC165B9E Copy CRC AC165B9E Track not present in AccurateRip database Copy OK Track 8 Filename C:\!Apollo\08 - Amsterdam After Dark.wav Peak level 100.0 % Extraction speed 4.0 X Track quality 100.0 % Test CRC AF70FBA3 Copy CRC AF70FBA3 Track not present in AccurateRip database Copy OK None of the tracks are present in the AccurateRip database No errors occurred End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: FZQkbKJgUGGl8xI65Dhx5Gqzvj4-] disk not present in database Submit result: FZQkbKJgUGGl8xI65Dhx5Gqzvj4- has been uploaded ==== Log checksum 08B34A9D55AB19388FFF8AC13CDED8AEC8A9B4739AD3F7A004605D06EF190F9B ====
REM GENRE Jazz REM DATE 2006 REM DISCID 770EE608 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "The Rivington Project" TITLE "Trip" FILE "01 - Navl Gazr.wav" WAVE TRACK 01 AUDIO TITLE "Navl Gazr" PERFORMER "The Rivington Project" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "There's No Then in Zen" PERFORMER "The Rivington Project" INDEX 00 08:14:08 FILE "02 - There's No Then in Zen.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Giant Blues" PERFORMER "The Rivington Project" INDEX 00 07:42:48 FILE "03 - Giant Blues.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "New, as of Yet Unnamed Ballad" PERFORMER "The Rivington Project" INDEX 00 06:43:52 FILE "04 - New, as of Yet Unnamed Ballad.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Ikon Tact" PERFORMER "The Rivington Project" INDEX 00 06:42:38 FILE "05 - Ikon Tact.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "A-Knuf" PERFORMER "The Rivington Project" INDEX 00 09:08:52 FILE "06 - A-Knuf.wav" WAVE INDEX 01 00:00:00 FILE "07 - Why Aren't You Listening.wav" WAVE TRACK 07 AUDIO TITLE "Why Aren't You Listening?" PERFORMER "The Rivington Project" INDEX 01 00:00:00 FILE "08 - Amsterdam After Dark.wav" WAVE TRACK 08 AUDIO TITLE "Amsterdam After Dark" PERFORMER "The Rivington Project" INDEX 01 00:00:00
A band with an inscrutable name debuts with this session, which is anything but. Guitarist Victor Magnani, bassist Martin Rizek and drummer George Coleman, Jr. are joined by veteran tenor saxman Don Braden for a satisfying, hard-charging hour of music made up of eight numbers—seven by Magnani, one by Coleman's father. Magnani has one previous album to his credit, Change Management (Orchard, 2001), featuring songs by John Coltrane, Billy Strayhorn and Charles Mingus, among others.
The album snaps to attention with "Navl Gazr," an up-tempo, declarative vehicle that is all but owned by Braden's muscular tenor. Braden sweetens his tone as he weaves his instrument through the fabric of "There's No Then in Zen," a casual walk through the park that showcases Magnani's delicate phrasing on the guitar. The songs reflect the strengths and weaknesses in Magnani's writing: while his tunes are straight, simple and true, they also lack a sense of adventure, of a search for something beyond the chords. For that, we rely on the playing, which rises above Magnani's charcoal sketches and transforms the music into performances that are bracing, dynamic and bright with color.
Magnani was smart to invite Braden, who does much more than sit in. He's an integral part of The Rivington Project. The interplay between the two finds its firmest footing on the funky "A-Nuf" and "Why Aren't You Listening?", a slow, smoky blues with some crisp staccato notes from Magnani. So tightly are the two wound around each other that the sax emerges without a ripple from the sonic surface sheen of the guitar.
Braden has more good moments, but none so eloquent as the ones on "New, As of Yet Unnamed Ballad" where his dark, ardent sighs on the tenor evoke Coleman Hawkins. Magnani's whispers on the guitar flutter like a baby's eyelashes. In George Coleman, Sr.'s "Amsterdam After Dark," the band finds the groove from the opening notes. Rizek's bass steadily anchors the piece while lurking in and around the beat, and Coleman Jr.'s snare and cymbals add a visceral, magnetic urgency.
I wish some of Braden's tunes had been included. Maybe next time. And maybe too the band, already in command of a shapely, concise, energetic sound, will let its hair down a bit and transfer some of the mystery around its name to the music.
The album snaps to attention with "Navl Gazr," an up-tempo, declarative vehicle that is all but owned by Braden's muscular tenor. Braden sweetens his tone as he weaves his instrument through the fabric of "There's No Then in Zen," a casual walk through the park that showcases Magnani's delicate phrasing on the guitar. The songs reflect the strengths and weaknesses in Magnani's writing: while his tunes are straight, simple and true, they also lack a sense of adventure, of a search for something beyond the chords. For that, we rely on the playing, which rises above Magnani's charcoal sketches and transforms the music into performances that are bracing, dynamic and bright with color.
Magnani was smart to invite Braden, who does much more than sit in. He's an integral part of The Rivington Project. The interplay between the two finds its firmest footing on the funky "A-Nuf" and "Why Aren't You Listening?", a slow, smoky blues with some crisp staccato notes from Magnani. So tightly are the two wound around each other that the sax emerges without a ripple from the sonic surface sheen of the guitar.
Braden has more good moments, but none so eloquent as the ones on "New, As of Yet Unnamed Ballad" where his dark, ardent sighs on the tenor evoke Coleman Hawkins. Magnani's whispers on the guitar flutter like a baby's eyelashes. In George Coleman, Sr.'s "Amsterdam After Dark," the band finds the groove from the opening notes. Rizek's bass steadily anchors the piece while lurking in and around the beat, and Coleman Jr.'s snare and cymbals add a visceral, magnetic urgency.
I wish some of Braden's tunes had been included. Maybe next time. And maybe too the band, already in command of a shapely, concise, energetic sound, will let its hair down a bit and transfer some of the mystery around its name to the music.
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This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777