(Post-Bop) [CD] Kenny Werner - Me, Myself & I - 2012, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 6 from 9. April 2015
EAC extraction logfile from 10. July 2015, 20:00
Kenny Werner  / Me, Myself, I
Used drive  : hp      DVDRAM GT50N   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 103
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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TOC of the extracted CD
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Track  1
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Track  2
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Track  3
     Filename C:\Users\OnE\Music\Albums\Kenny Werner - Me, Myself, & I (2012) [FLAC]\03 All The Things.wav
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Track  4
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     Filename C:\Users\OnE\Music\Albums\Kenny Werner - Me, Myself, & I (2012) [FLAC]\05 I Had A King.wav
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Track  6
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Track  7
     Filename C:\Users\OnE\Music\Albums\Kenny Werner - Me, Myself, & I (2012) [FLAC]\07 A Child Is Born.wav
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All tracks accurately ripped
No errors occurred
End of status report
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==== Log checksum A33E154A1F796D283DBD4279D468692D7BA785B2B0E5F53FB9EC5B74F5ED48EF ====

REM GENRE Jazz
REM DATE 2012
REM DISCID 5A0F8707
REM COMMENT "ExactAudioCopy v1.0b6"
PERFORMER "Kenny Werner"
TITLE "Me, Myself & I"
FILE "01 - Round Midnight.wav" WAVE
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    TITLE "Round Midnight"
    PERFORMER "Kenny Werner"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Balloons"
    PERFORMER "Kenny Werner"
    INDEX 00 10:29:55
FILE "02 - Balloons.wav" WAVE
    INDEX 01 00:00:00
FILE "03 - All the Things.wav" WAVE
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    TITLE "All the Things"
    PERFORMER "Kenny Werner"
    INDEX 01 00:00:00
FILE "04 - Blue Is Green.wav" WAVE
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FILE "05 - I Had a King.wav" WAVE
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FILE "06 - Giant Steps.wav" WAVE
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FILE "07 - A Child Is Born.wav" WAVE
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    PERFORMER "Kenny Werner"
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Pianist Kenny Werner, though comparatively unsung, has been appreciated by many since forming a trio in 1981. He is also known for his series of stellar duos with harmonica virtuoso Toots Thielemans. Additionally, he has done yeoman duty with guitarist John Scofield, bassist Dave Holland and saxophonist Joe Lovano, all the while—for more than 20 years—working as arranger and accompanist for singer Betty Buckley.
Me, Myself and I was recorded solo in Montreal, Canada at the small Upstairs Jazz Bar and Grill club, in June, 2012, during the city's renowned jazz festival. Of this engagement, Werner says that the "ideas just kept flowing." He was feeling so good about his playing that he mentioned it to owner Joel Giberovitch, who decided to make a live recording. This is the satisfying result.
From the get-go, Werner's relaxed and lightly swinging style is apparent. Of the seven sides, one is an original; the others are pop and jazz standards. The intimate setting is conducive to long takes—four of them last from 10 to 13 minutes or more—giving ample opportunity to stretch and extend his ideas.
Werner explores Monk's familiar "'Round Midnight," excavating shards of melody which he shapes into his own impressionistic creation. Werner's own "Balloon" becomes a tone poem based, he says, on the life of a helium balloon. Appropriately, the melody drifts along, suddenly soaring before the sphere inevitably runs out of gas and slowly floats down, the song ethereally resolving. John Coltrane's "Giant Steps" surprises, being rendered in a light and lyrical manner—not with solid "sheets of sounds," as a critic once described Trane's style.
Two standards round out the album. "All The Things" (Jerome Kern and Oscar Hammerstein's "All the Things You Are") shows Werner's ballad prowess, hinting at an indebtedness to Bill Evans but finishing in a blaze of notes. He plays an extended version of Thad Jones and Louis Ouzer's "A Child Is Born," examining every aspect of this lovely piece. In a charming touch near the end, he whistles the song.
Hearing Werner alone and unfettered, as on Me, Myself and I, is a great opportunity to fully appreciate his ample talent.