(Post-Bop) [CD] Hal Galper Trio - O's Time - 2014, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 14. August 2016, 16:57
Hal Galper Trio / O's Time
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Track  4
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Track  6
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==== Log checksum ED804212D44F18F39E4A9A8F5FC89EFA145A41E78E3B80FB01C8D25B141ACB84 ====

REM GENRE Jazz
REM DATE 2014
REM DISCID 3E0B8206
REM COMMENT "ExactAudioCopy v1.1"
PERFORMER "Hal Galper"
TITLE "O's Time"
FILE "01 - Like Sonny.wav" WAVE
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FILE "03 - O's Time.wav" WAVE
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FILE "05 - Smile.wav" WAVE
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FILE "06 - Our Waltz.wav" WAVE
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It's hard to be innovative in the piano trio format. The last big change happened in the late fifties and early sixties, with pianist Bill Evans' groundbreaking trio featuring bassist Scott LaFaro and drummer Paul Motian. The democratization of input and interplay changed the trio game, and countless groups have worked on refining that Evans approach ever since. A more recent development has been bombast and the inclusion of rock and poplar tunes into the jazz piano trio endeavor—with varying degree of success. Rubato playing, the stretching of the varying of tempos, in a three way improvisational way, is pianist Hal Galper's contribution to piano trio innovation.
O's Time is Galper's fifth recording in the rubato style on Origin Records. His trio, with bassist Jeff Johnson and drummer John Bishop, perfected their approach with 2011's Airegin Revisited. The current offering rolls that artistic peak out on a high plateau, twsiting the familiar (John Coltrane "Like Sonny," Charlie Chaplain's "Smile") into different shapes, revealing different sides to the melodic threads.
"Coltrane's "Like Sonny" opens the set. The three voices bounce off each other like a cocktail party conversation, synchronous and discordant at the same time. And like that party, as the drinks flow, the volume rises toward the raucous, without, on this tune at least, actually going there. Then there's the Zen serenity of a Johnson bass solo, sparely comped by Galper.
Saxophonist Wayne Shorter's "Wildflower" has a "fractured then put back together" feeling, turbulent drums from Bishop behind Galper's relative restraint. "O's Time," written by Galper in honor of alto saxophonist/free jazz pioneer Ornette Coleman, moves away from the concept of restraint. It rolls and tumbles and sounds like, at its peak, a piano trio stuffed into a burlap bag and pushed down the stairs, with the players hanging on tight and still keeping the tune from chaos. And Charlie Chaplain's much-covered smile sounds like they're set up on the back of a flatbed truck, careening ninety miles an hours down a winding mountain road.
Exhilarating! The Hal Galper Trio shows the others guys what innovative is all about.