(Post-Bop) [CD] Gael Horellou (feat. Ari Hoenig) - BrOoklyn - 2014, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 7. January 2017, 23:35
Gaël Horellou / BrOoklyn
Used drive  : hp      DVD-RAM GHB0N   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
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Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
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TOC of the extracted CD
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        2  |  6:28.23 | 10:10.20 |     29123    |    74892
        3  | 16:38.43 |  7:58.46 |     74893    |   110788
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        5  | 31:22.11 |  9:03.35 |    141161    |   181920
        6  | 40:25.46 | 13:53.04 |    181921    |   244399
        7  | 54:18.50 |  9:05.06 |    244400    |   285280
        8  | 63:23.56 |  7:07.06 |    285281    |   317311
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Track  8
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End of status report
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Submit result: WgdAjpzSUOT521ebzPK0UlNPoFQ- has been uploaded
==== Log checksum 487B5DD33AB811B85741EB1403B1C5611AE93EC70D3F594226D95D38D3365FEE ====

REM GENRE Jazz
REM DATE 2014
REM DISCID 63108608
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Gael Horellou"
TITLE "BrOoklyn"
FILE "01 - K.wav" WAVE
  TRACK 01 AUDIO
    TITLE "K"
    PERFORMER "Gael Horellou"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Delta"
    PERFORMER "Gael Horellou"
    INDEX 00 06:27:06
FILE "02 - Delta.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Dutch Blues"
    PERFORMER "Gael Horellou"
    INDEX 00 10:08:66
FILE "03 - Dutch Blues.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Central Park Soul"
    PERFORMER "Gael Horellou"
    INDEX 00 07:57:33
FILE "04 - Central Park Soul.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Another Ruffel"
    PERFORMER "Gael Horellou"
    INDEX 00 06:43:64
FILE "05 - Another Ruffel.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Mangrove Special"
    PERFORMER "Gael Horellou"
    INDEX 00 09:00:11
FILE "06 - Mangrove Special.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "If You Could See Me Now"
    PERFORMER "Gael Horellou"
    INDEX 00 13:48:43
FILE "07 - If You Could See Me Now.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Etang Sale"
    PERFORMER "Gael Horellou"
    INDEX 00 09:02:70
FILE "08 - Etang Sale.wav" WAVE
    INDEX 01 00:00:00

French saxophonist Horellou also goes under the name Dual Snake, and seems equally at home working in a variety of musical genres as he does with jazz. Brooklyn is a pretty mainstream quartet outing, full of enjoyable compositions that Horellou has penned himself, and seven originals plus Tadd Damerons If You Could See Me Now makes up a solid set for the 70 minutes duration.
Horellous slightly brittle, hard-edged tone on alto works well on these tracks, most of which are mid to fast-paced workouts with musicians he clearly knows well. There is excellent support from Deconfin on piano, with Nyberg and Hoenig anchoring the sound with dependable but swinging work on bass and drums respectively.
The overall fast, probing, feel of the album is tempered most notably on the gentle Central Park Soul, suggesting that Horellou is as at home on ballads and more meditative and soulful songs as he is on uptempo numbers. It certainly adds another dimension to the overall ambience of the album. Damerons lovely If You Could See Me Now also gets a very restrained and reflective treatment from the quartet. The closer, Etang Salé, takes a basic three-note theme and explores it with some typically tight yet swinging improvisations; its strangely reminiscent of Art Peppers superb composition Las Cuevas de Mario, which has to be taken as a compliment.
-- John Adcock (Jazz Journal, February 2015)