(Post-Bop) [CD] Freddie Hubbard - Breaking Point! - 1964 (1991), FLAC (tracks+.cue), lossless

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 29. October 2009, 13:52
Freddie Hubbard / Breaking Point
Used drive  : Optiarc DVD RW AD-7170S   Adapter: 4  ID: 2
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 128 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
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    ---------------------------------------------------------
        1  |  0:00.00 | 10:19.17 |         0    |    46441
        2  | 10:19.17 | 10:58.25 |     46442    |    95816
        3  | 21:17.42 |  6:24.13 |     95817    |   124629
        4  | 27:41.55 |  3:18.35 |    124630    |   139514
        5  | 31:00.15 |  6:25.30 |    139515    |   168419
        6  | 37:25.45 |  6:08.07 |    168420    |   196026
        7  | 43:33.52 |  3:21.50 |    196027    |   211151
Track  1
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     Accurately ripped (confidence 4)  [973BE0F8]
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Track  2
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Track  3
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Track  4
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     Accurately ripped (confidence 4)  [40614458]
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Track  5
     Filename C:\EACRips\Freddie Hubbard - 1964 - Breaking Point [FLAC]\05 - D Minor Mint.wav
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Track  6
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Track  7
     Filename C:\EACRips\Freddie Hubbard - 1964 - Breaking Point [FLAC]\07 - Mirrors [alternate take].wav
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All tracks accurately ripped
No errors occurred
End of status report

REM GENRE Jazz
REM DATE 1964
REM DISCID 5C0AFF07
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Freddie Hubbard"
TITLE "Breaking Point!"
FILE "01 - Breaking Point.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Breaking Point"
    PERFORMER "Freddie Hubbard"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Far Away"
    PERFORMER "Freddie Hubbard"
    INDEX 00 10:16:42
FILE "02 - Far Away.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Blue Frenzy"
    PERFORMER "Freddie Hubbard"
    INDEX 00 10:56:63
FILE "03 - Blue Frenzy.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Blue Frenzy (alternate take)"
    PERFORMER "Freddie Hubbard"
    INDEX 00 06:24:10
FILE "04 - Blue Frenzy (alternate take).wav" WAVE
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  TRACK 05 AUDIO
    TITLE "D Minor Mint"
    PERFORMER "Freddie Hubbard"
    INDEX 00 03:16:20
FILE "05 - D Minor Mint.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Mirrors"
    PERFORMER "Freddie Hubbard"
    INDEX 00 06:23:25
FILE "06 - Mirrors.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Mirrors (alternate take)"
    PERFORMER "Freddie Hubbard"
    INDEX 00 06:05:67
FILE "07 - Mirrors (alternate take).wav" WAVE
    INDEX 01 00:00:00

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Immediately after leaving Art Blakey's Jazz Messengers, trumpeter Freddie Hubbard formed his own quintet and set the modern jazz world on its collective ear with this incredible album. Beyond hard bop and into early creative territory, Hubbard explored a sonic deliverance based on his fiery personality and a refusal to stand still or be satisfied with standardized phrasings and nomenclature. His effective teaming with the unique alto saxophonist James Spaulding and pianist Ronnie Mathews is particularly telling, as this set of Hubbard originals and one from drummer Joe Chambers constitutes some of the most powerful jazz music of this time period. The expansive style of Andrew Hill is identifiable especially during the title track, with the piano of Mathews leading a startling charge of several short and swift mini-theme clarion bursts, moving into calypso. This is one of the more astonishing pieces ever conceived in modern music. "Blue Frenzy" and "D Minor Mint" both display uncanny original themes within mainstream frameworks, bearing the stamp of Hubbard's fierce approach to post-Dizzy Gillespie-type trumpet. The former piece is an easy 24-bar blues activated into cool constraints via the style of Horace Silver but fired up by the antics of Mathews, while the latter track sports a chatty melody, humorously cackling onward. "Far Away" is the most intriguing piece rhythmically and sonically, moving from 6/4 and 3/4 to 12/6, again similar to Andrew Hill's harmonic concept with Spaulding's piquant flute accenting a hip, agile melody. The pure energy Hubbard injected into this ensemble, and the sheer originality of this music beyond peers like Miles Davis and Lee Morgan, identified Hubbard as the newest of new voices on his instrument. Breaking Point has stood the test of time as a recording far ahead of mid-'60s post-bop, and is an essential item for all listeners of incendiary progressive jazz. [Some reissues offer alternate takes of "Blue Frenzy" and the pretty Joe Chambers composition "Mirrors," wavering via Spaulding's flute, a reaching-for-the-stars ballad that has become a standard.]