(Post-Bop) [CD] Eri Yamamoto Trio - Firefly - 2013, FLAC (tracks+.cue), lossless
![(Post-Bop) [CD] Eri Yamamoto Trio - Firefly - 2013, FLAC (tracks+.cue), lossless (Post-Bop) [CD] Eri Yamamoto Trio - Firefly - 2013, FLAC (tracks+.cue), lossless](/upload/000/u2/3e/94/post-bop-cd-eri-yamamoto-trio-firefly-2013-flac-tracks.jpg)
Eri Yamamoto Trio - Firefly
Жанр: Post-Bop
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2013
Издатель (лейбл): AUM Fidelity
Номер по каталогу: AUM079
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 60:47
Источник (релизер): shiftingstill
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Memory Dance (Yamamoto) - 7:23
02. A Few Words (Yamamoto) - 5:19
03. Around on the Way (Yamamoto) - 6:25
04. Firefly (Yamamoto) - 9:02
05. Heart (Yamamoto) - 7:08
06. Echo (Yamamoto) - 8:53
07. Playground (Yamamoto) - 8:16
08. Real Story (Yamamoto) - 8:21
Состав:
Eri Yamamoto - piano
David Ambrosio - bass
Ikuo Takeuchi - drums
Recorded live in performance at Klavierhaus, New York on December 29, 2012.
Лог создания рипа
Содержание индексной карты (.CUE)
Отчет CUETools
Review by Britt Robson
Жанр: Post-Bop
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2013
Издатель (лейбл): AUM Fidelity
Номер по каталогу: AUM079
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 60:47
Источник (релизер): shiftingstill
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Memory Dance (Yamamoto) - 7:23
02. A Few Words (Yamamoto) - 5:19
03. Around on the Way (Yamamoto) - 6:25
04. Firefly (Yamamoto) - 9:02
05. Heart (Yamamoto) - 7:08
06. Echo (Yamamoto) - 8:53
07. Playground (Yamamoto) - 8:16
08. Real Story (Yamamoto) - 8:21
Состав:
Eri Yamamoto - piano
David Ambrosio - bass
Ikuo Takeuchi - drums
Recorded live in performance at Klavierhaus, New York on December 29, 2012.
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 19. April 2017, 13:08 Eri Yamamoto Trio / Firefily Used drive : HL-DT-STBD-RE BH10LS30 Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 7:22.67 | 0 | 33216 2 | 7:22.67 | 5:19.21 | 33217 | 57162 3 | 12:42.13 | 6:24.40 | 57163 | 86002 4 | 19:06.53 | 9:01.47 | 86003 | 126624 5 | 28:08.25 | 7:08.29 | 126625 | 158753 6 | 35:16.54 | 8:52.67 | 158754 | 198720 7 | 44:09.46 | 8:15.45 | 198721 | 235890 8 | 52:25.16 | 8:20.43 | 235891 | 273433 Track 1 Filename C:\rips\Eri Yamamoto Trio - 2013 - Firefly\01 Memory Dance.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 1.2 X Track quality 99.9 % Test CRC 90A6D97F Copy CRC 90A6D97F Accurately ripped (confidence 1) [CB2CDD0B] (AR v2) Copy OK Track 2 Filename C:\rips\Eri Yamamoto Trio - 2013 - Firefly\02 A Few Words.wav Peak level 100.0 % Extraction speed 1.4 X Track quality 100.0 % Test CRC B5DE6FD0 Copy CRC B5DE6FD0 Accurately ripped (confidence 1) [F9529CA2] (AR v2) Copy OK Track 3 Filename C:\rips\Eri Yamamoto Trio - 2013 - Firefly\03 Around on the Way.wav Peak level 100.0 % Extraction speed 1.6 X Track quality 100.0 % Test CRC 03C05D27 Copy CRC 03C05D27 Accurately ripped (confidence 1) [04DC7E86] (AR v2) Copy OK Track 4 Filename C:\rips\Eri Yamamoto Trio - 2013 - Firefly\04 Firefly.wav Peak level 100.0 % Extraction speed 1.9 X Track quality 100.0 % Test CRC C7F27BEA Copy CRC C7F27BEA Accurately ripped (confidence 1) [C9425204] (AR v2) Copy OK Track 5 Filename C:\rips\Eri Yamamoto Trio - 2013 - Firefly\05 Heart.wav Peak level 100.0 % Extraction speed 2.0 X Track quality 100.0 % Test CRC 48F19A67 Copy CRC 48F19A67 Accurately ripped (confidence 1) [7944B50A] (AR v2) Copy OK Track 6 Filename C:\rips\Eri Yamamoto Trio - 2013 - Firefly\06 Echo.wav Peak level 100.0 % Extraction speed 2.2 X Track quality 100.0 % Test CRC 636EB8F4 Copy CRC 636EB8F4 Accurately ripped (confidence 1) [933DEFF9] (AR v2) Copy OK Track 7 Filename C:\rips\Eri Yamamoto Trio - 2013 - Firefly\07 Playground.wav Peak level 100.0 % Extraction speed 2.4 X Track quality 100.0 % Test CRC E771C8FE Copy CRC E771C8FE Accurately ripped (confidence 1) [14AFB3BE] (AR v2) Copy OK Track 8 Filename C:\rips\Eri Yamamoto Trio - 2013 - Firefly\08 Real Story.wav Peak level 100.0 % Extraction speed 2.5 X Track quality 100.0 % Test CRC BD6864CA Copy CRC BD6864CA Accurately ripped (confidence 1) [5FC65DC5] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum 2453C8710442CF16479A73DD14D877442CFA994ACA2BA5B22901A61554BC5DAF ====
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On the surface, Japanese pianist Eri Yamamoto may be the most conventional artist on the intrepid AUM Fidelity label. Yet there are virtues in Yamamoto’s music that are rarely heard elsewhere. One is the depth of her rapport with a rhythm section that has gigged with her regularly for over 13 years, making whole a steady stream of new compositions from her prolific muse. Another is Yamamoto’s ability to evoke ephemeral feelings and concepts with such precise intonation. On this new album’s opener, “Memory Dance,” she commemorates deceased friends with lyrical riffs of increasing intensity, altering their emphasis and tempo ever so slightly without milking the resonance-and trusting bassist David Ambrose and drummer Ikuo Takeuchi will provide the shading while honoring her subtlety.
That longstanding but still delicate balance is altered a bit on Firefly, however. It is the Yamamoto Trio’s first live recording, a setting that almost inevitably generates fervor, and Ambrose and Takeuchi are more prominent and forceful in the mix on these eight new originals. It enhances the caliber of their solos and exchanges with Yamamoto on the evocative title track and the sweet gambol of “Playground.” But it’s preferable when Yamamoto is more obviously first among equals, because she is best equipped to add gravitas and emotional heft to the lyricism of her songs. (Or maybe I just cherish the trio’s studio status quo.)
Firefly closes with “Real Story,” probably the most expressive blues Yamamoto has written in years, although it remains a slinky, midtempo affair. Here is the vehicle for more loose-limbed phrases, but Yamamoto, like her mentor, Tommy Flanagan, sounds august even when she’s being impish, and even as the emotions are so effectively seeping through.
That longstanding but still delicate balance is altered a bit on Firefly, however. It is the Yamamoto Trio’s first live recording, a setting that almost inevitably generates fervor, and Ambrose and Takeuchi are more prominent and forceful in the mix on these eight new originals. It enhances the caliber of their solos and exchanges with Yamamoto on the evocative title track and the sweet gambol of “Playground.” But it’s preferable when Yamamoto is more obviously first among equals, because she is best equipped to add gravitas and emotional heft to the lyricism of her songs. (Or maybe I just cherish the trio’s studio status quo.)
Firefly closes with “Real Story,” probably the most expressive blues Yamamoto has written in years, although it remains a slinky, midtempo affair. Here is the vehicle for more loose-limbed phrases, but Yamamoto, like her mentor, Tommy Flanagan, sounds august even when she’s being impish, and even as the emotions are so effectively seeping through.