(Post-Bop) [CD] Art Pepper - Neon Art, Vol.1 - 1981 (2015), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 23. June 2015, 16:16
Art Pepper / Neon Art: Volume 1
Used drive  : ATAPI   iHAS324   W   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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TOC of the extracted CD
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        1  |  0:00.00 | 16:51.64 |         0    |    75888
        2  | 16:51.64 | 17:56.13 |     75889    |   156601
Track  1
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     Track quality 100.0 %
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     Accurately ripped (confidence 1)  [4E674362]  (AR v2)
     Copy OK
Track  2
     Filename C:\Music\EAC Rips\#\Art Pepper - Neon Art- Volume One - (2015) [FLAC]\02. Blues for Blanche.wav
     Peak level 97.7 %
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     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.3
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[2bbc3243] (1/1) Accurately ripped
==== Log checksum DA110D49C09A319BAB847B1F063CB533DCCBEA6FCA4E650D4933473FB18F96C3 ====

REM GENRE Jazz
REM DATE 1981
REM DISCID 07082802
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Art Pepper"
TITLE "Neon Art, Vol.1"
FILE "01 - Red Car.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Red Car"
    PERFORMER "Art Pepper"
    INDEX 01 00:00:00
FILE "02 - Blues for Blanche.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Blues for Blanche"
    PERFORMER "Art Pepper"
    INDEX 01 00:00:00

[CUETools log; Date: 24.06.2015 2:05:29; Version: 2.1.5]
[CTDB TOCID: s2MwYRMjUuC7DynspOSz.3JCOLg-] found.
Track | CTDB Status
  1   | (2/2) Accurately ripped
  2   | (2/2) Accurately ripped
[AccurateRip ID: 00038c2b-00097c11-07082802] found.
Track   [  CRC   |   V2   ] Status
 01     [dd2f793c|4e674362] (0+1/1) Accurately ripped
 02     [82da0133|8f236a3a] (0+1/1) Accurately ripped
Track Peak [ CRC32  ] [W/O NULL] [  LOG   ]
 --   97,7 [6E2DE92F] [525F95D6]
 01   97,7 [16D5E734] [BB447A06]   CRC32
 02   97,7 [DAA98595] [AB2ADE86]   CRC32

Part of Omnivore Records' Art Pepper bootleg series, 2015's Neon Art: Vol. 1 showcases the legendary jazz saxophonist performing live at Parnell's in Seattle, Washington in 1981. Curated by his then wife and manager, Laurie Pepper, the Neon Art releases document one of the most creatively fertile periods of Pepper's career during the final years of his life. Pepper, who died of a stroke on June 15, 1982, was in the throes of a career resurgence during the late '70s and early '80s, having adopted a methadone treatment program to curb his heroin addiction. It was a problem that infamously saw him serve multiple jail sentences in the '50s and '60s, including a final stretch in San Quentin. However, his addiction also brought him to the Synanon rehabilitation facility in 1968, where he met and ultimately fell in love with Laurie. Under her managerial guidance, Pepper toured constantly and recorded a bevy of well-regarded albums. These tracks, recorded around the same time he produced So in Love, Arthur's Blues, and Roadgame, showcase Pepper backed by several of his most trusted musical associates, pianist Milcho Leviev, bassist David Williams, and drummer Carl Burnett. Having started out as one of the stars of the West Coast "cool" school of jazz, by 1981 Pepper had expanded his palette, incorporating a more outré John Coltrane-influenced style, full of urgent squelch and soulful grit, that nonetheless retained all of his earlier lyrical qualities. Together, Pepper and his band display a palpably intuitive group interplay that strikes a perfect balance between fluid melodicism and spontaneous, bluesy outbursts. Although Neon Art: Vol. 1 only contains two tracks (the roiling funk-a-loo number "Red Car" and the swaggering "Blues for Blanche") at over 15 minutes apiece, they reveal both Pepper's mature talent at building his solos with narrative-like structure and the cornucopia of musical ideas that seem to burst forth out of his mind and through his saxophone with an unhinged glee.