(Post-Bop, Big Band) [CD] Mark Masters Ensemble - Everything You Did: The Music Of Walter Becker & Donald Fagen (Steely Dan) - 2013, FLAC (tracks+.cue), lossless
![(Post-Bop, Big Band) [CD] Mark Masters Ensemble - Everything You Did: The Music Of Walter Becker & Donald Fagen (Steely Dan) - 2013, FLAC (tracks+.cue), lossless](/upload/000/u2/b1/67/post-bop-big-band-cd-mark-masters-ensemble-everything-you.jpg "(Post-Bop, Big Band) [CD] Mark Masters Ensemble - Everything You Did: The Music Of Walter Becker & Donald Fagen (Steely Dan) - 2013, FLAC (tracks+.cue), lossless")
Треклист:
Mark Masters Ensemble - Everything You Did: The Music Of Walter Becker & Donald Fagen (Steely Dan)
Жанр: Post-Bop, Big Band
Носитель: CD
Год издания: 2013
Издатель (лейбл): Capri Records Ltd
Номер по каталогу: 74123-2
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 72:28
Источник (релизер): sapsap (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Show Biz Kids (7:12)
02. Bodhisattva (8:26)
03. Do It Again (7:52)
04. Charlie Freak (6:50)
05. Black Cow (6:00)
06. Josie (6:09)
07. Fire in the Hole (7:01)
08. Kings (8:12)
09. Aja (3:24)
10. Chain Lightning (11:22)
Жанр: Post-Bop, Big Band
Носитель: CD
Год издания: 2013
Издатель (лейбл): Capri Records Ltd
Номер по каталогу: 74123-2
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 72:28
Источник (релизер): sapsap (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Show Biz Kids (7:12)
02. Bodhisattva (8:26)
03. Do It Again (7:52)
04. Charlie Freak (6:50)
05. Black Cow (6:00)
06. Josie (6:09)
07. Fire in the Hole (7:01)
08. Kings (8:12)
09. Aja (3:24)
10. Chain Lightning (11:22)
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 14. December 2013, 22:59
Mark Masters Ensemble / Everything You Did: The Music of Walter Becker and Donald Fagen
Used drive : Optiarc DVD RW AD-7740H Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 7:12.26 | 0 | 32425
2 | 7:12.26 | 8:26.18 | 32426 | 70393
3 | 15:38.44 | 7:52.25 | 70394 | 105818
4 | 23:30.69 | 6:50.27 | 105819 | 136595
5 | 30:21.21 | 5:59.73 | 136596 | 163593
6 | 36:21.19 | 6:08.67 | 163594 | 191260
7 | 42:30.11 | 7:00.53 | 191261 | 222813
8 | 49:30.64 | 8:12.31 | 222814 | 259744
9 | 57:43.20 | 3:23.46 | 259745 | 275015
10 | 61:06.66 | 11:21.72 | 275016 | 326162
Track 1
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Track 2
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Track 3
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Track 4
Filename C:\Ripipito\Mark Masters Ensemble - Everything You Did[2013]-FLAC\04 - Charlie Freak.wav
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Track 5
Filename C:\Ripipito\Mark Masters Ensemble - Everything You Did[2013]-FLAC\05 - Black Cow.wav
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Accurately ripped (confidence 1) [910EB87E] (AR v2)
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Track 6
Filename C:\Ripipito\Mark Masters Ensemble - Everything You Did[2013]-FLAC\06 - Josie.wav
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Accurately ripped (confidence 1) [6198BDCC] (AR v2)
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Track 7
Filename C:\Ripipito\Mark Masters Ensemble - Everything You Did[2013]-FLAC\07 - Fire in the Hole.wav
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Accurately ripped (confidence 1) [32BC3574] (AR v2)
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Track 8
Filename C:\Ripipito\Mark Masters Ensemble - Everything You Did[2013]-FLAC\08 - Kings.wav
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Track 9
Filename C:\Ripipito\Mark Masters Ensemble - Everything You Did[2013]-FLAC\09 - Aja.wav
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Track 10
Filename C:\Ripipito\Mark Masters Ensemble - Everything You Did[2013]-FLAC\10 - Chain Lightning.wav
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All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.3
[CTDB TOCID: WoMOEKoy3JsaKHNWFOkgCEx8P38-] disk not present in database, Submit result: WoMOEKoy3JsaKHNWFOkgCEx8P38- has been uploaded
==== Log checksum 8C843EA67135ECFC6C7C3094EBCDA3030FB1308C6FBA992727D5CCF9CC18473B ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2013
REM DISCID 8910FC0A
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Mark Masters Ensemble"
TITLE "Everything You Did"
FILE "01 - Show Biz Kids.wav" WAVE
TRACK 01 AUDIO
TITLE "Show Biz Kids"
PERFORMER "Mark Masters Ensemble"
ISRC USFBR1312301
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Bodhisattva"
PERFORMER "Mark Masters Ensemble"
ISRC USFBR1312302
INDEX 00 07:10:29
FILE "02 - Bodhisattva.wav" WAVE
INDEX 01 00:00:00
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TITLE "Do It Again"
PERFORMER "Mark Masters Ensemble"
ISRC USFBR1312303
INDEX 00 08:24:26
FILE "03 - Do It Again.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Charlie Freak"
PERFORMER "Mark Masters Ensemble"
ISRC USFBR1312304
INDEX 00 07:49:24
FILE "04 - Charlie Freak.wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Black Cow"
PERFORMER "Mark Masters Ensemble"
ISRC USFBR1312305
INDEX 00 06:47:08
FILE "05 - Black Cow.wav" WAVE
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TRACK 06 AUDIO
TITLE "Josie"
PERFORMER "Mark Masters Ensemble"
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INDEX 00 05:58:03
FILE "06 - Josie.wav" WAVE
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TITLE "Fire in the Hole"
PERFORMER "Mark Masters Ensemble"
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FILE "07 - Fire in the Hole.wav" WAVE
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PERFORMER "Mark Masters Ensemble"
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TITLE "Chain Lightning"
PERFORMER "Mark Masters Ensemble"
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Отчет CUETools
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Review by Jeff Dayton-Johnson
Bandleader/arranger Mark Masters has recorded a set of Steely Dan tunes with a big band, which can be set on the shelf next to his celebrated albums dedicated to the music of George Gershwin, Duke Ellington and Dewey Redman. A Dan jazz album makes sense. It's clear from the rock band's '70s albums that Donald Fagen and Walter Becker warmly loved jazz: the intro to their hit "Rikki Don't Lose That Number" is lifted directly from pianist Horace Silver's "Song for My Father"; their "Parker's Band" is a sincere love letter to Charlie Parker. Several top-flight jazz players appeared on their records, among them saxophonists Wayne Shorter and Phil Woods.
At the same time, most of the self-consciously jazzy elements of Steely Dan's music could be best described as examples of the justly- disparaged "smooth jazz." It's a mark of the band's characteristically sloppy multi-layered ironies that they seemed to parody smooth jazz even as they genuinely dug playing the smooth jazz. So a jazz treatment of their music could be more tricky than it first appears, especially for a serious guy like Masters. How does he handle it?
On the aural evidence of this thoroughly enjoyable record, Masters has no idea that Steely Dan loved jazz. Of course he must, but the record treats the material like a bunch of solid rock 'n' roll songs that have to be taken apart and carefully put back together before the likes of this ensemble can play them. And that's fine.
As such, Masters makes almost no concessions to the original sound of the songs. "Charlie Freak," for example, a tighty-wound, vaguely classical number in the Dan original, is remade into a slow-breathing film noir, enlivened by tenor saxophonist Billy Harper's sensitive solo. "Aja," meanwhile, is sped up and opens with an aggressive ensemble line.
And what a band! The athletic Tim Hagans on trumpet shines throughout, playing a bit outside the fairly straight-ahead vibe that predominates on the record. Other players have fewer moments in the limelight, but do not squander them—like bass clarinetist Brian Williams on the funky "Black Cow." The real star is the sumptuous Persian carpet of Masters' ensemble writing for the brass and reeds, subtly accented by Brad Dutz' vibes. Vocalist Anna Mjoll's contributions are generally wordless, further removing these readings from the hyper- literate Bob Dylan/William S. Burroughs-style lyrics of the originals.
"Chain Lightning"—a marvelous blues in the Dan version—is played straight, like an early-'50s Miles Davis blues, providing the occasion for a blowing session. Special guest alto saxophonist Oliver Lake's solo stands out particularly on this closing cut.
Masters' approach is squarely in the big-band tradition, marked by polished craftsmanship and consistently strong solos—but not at all by the arch hipness of Steely Dan. And that too is fine. His thorough- going re-imagining of this material lays bare how un-jazzy, in a way, the Steely Dan songs were. Maybe there is, subtly, just a little of Steely Dan's wry smirk in there.
At the same time, most of the self-consciously jazzy elements of Steely Dan's music could be best described as examples of the justly- disparaged "smooth jazz." It's a mark of the band's characteristically sloppy multi-layered ironies that they seemed to parody smooth jazz even as they genuinely dug playing the smooth jazz. So a jazz treatment of their music could be more tricky than it first appears, especially for a serious guy like Masters. How does he handle it?
On the aural evidence of this thoroughly enjoyable record, Masters has no idea that Steely Dan loved jazz. Of course he must, but the record treats the material like a bunch of solid rock 'n' roll songs that have to be taken apart and carefully put back together before the likes of this ensemble can play them. And that's fine.
As such, Masters makes almost no concessions to the original sound of the songs. "Charlie Freak," for example, a tighty-wound, vaguely classical number in the Dan original, is remade into a slow-breathing film noir, enlivened by tenor saxophonist Billy Harper's sensitive solo. "Aja," meanwhile, is sped up and opens with an aggressive ensemble line.
And what a band! The athletic Tim Hagans on trumpet shines throughout, playing a bit outside the fairly straight-ahead vibe that predominates on the record. Other players have fewer moments in the limelight, but do not squander them—like bass clarinetist Brian Williams on the funky "Black Cow." The real star is the sumptuous Persian carpet of Masters' ensemble writing for the brass and reeds, subtly accented by Brad Dutz' vibes. Vocalist Anna Mjoll's contributions are generally wordless, further removing these readings from the hyper- literate Bob Dylan/William S. Burroughs-style lyrics of the originals.
"Chain Lightning"—a marvelous blues in the Dan version—is played straight, like an early-'50s Miles Davis blues, providing the occasion for a blowing session. Special guest alto saxophonist Oliver Lake's solo stands out particularly on this closing cut.
Masters' approach is squarely in the big-band tradition, marked by polished craftsmanship and consistently strong solos—but not at all by the arch hipness of Steely Dan. And that too is fine. His thorough- going re-imagining of this material lays bare how un-jazzy, in a way, the Steely Dan songs were. Maybe there is, subtly, just a little of Steely Dan's wry smirk in there.
Состав
Tim Hagans, Louis Fasman, Les Lovitt - trumpet
Stephanie O'Keefe - French horn
Sonny Simmons - English horn (#3)
Dave Woodley (#9), Les Benedict, Dave Ryan, Ryan Dragon - trombone
Oliver Lake (#10), Gary Foster (#7) - alto saxophone
Don Shelton - alto saxophone, soprano saxophone, alto flute
Billy Harper, Gene Cipriano - tenor saxophone
John Mitchell - tenor saxophone, bassoon
Brian Williams - bass clarinet
Brad Dutz - vibes, percussion
Hamilton Price - bass
Peter Erskine - drums
Anna Mjoll - voice
Mark Masters - arrangements
Stephanie O'Keefe - French horn
Sonny Simmons - English horn (#3)
Dave Woodley (#9), Les Benedict, Dave Ryan, Ryan Dragon - trombone
Oliver Lake (#10), Gary Foster (#7) - alto saxophone
Don Shelton - alto saxophone, soprano saxophone, alto flute
Billy Harper, Gene Cipriano - tenor saxophone
John Mitchell - tenor saxophone, bassoon
Brian Williams - bass clarinet
Brad Dutz - vibes, percussion
Hamilton Price - bass
Peter Erskine - drums
Anna Mjoll - voice
Mark Masters - arrangements