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(Post-Bop, African Jazz) [CD] Randy Weston - Blue Moses - 1972 (2013 Japan Edition), FLAC (tracks+.cue), lossless

(Post-Bop, African Jazz) [CD] Randy Weston - Blue Moses - 1972 (2013 Japan Edition), FLAC (tracks+.cue), lossless
Треклист:
Randy Weston - Blue Moses
Жанр: Post-Bop, African Jazz
Носитель: CD
Страна-производитель диска: Япония
Год издания: 2013
Издатель (лейбл): CTI/King Records
Номер по каталогу: KICJ-2335
Страна: США
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 36:53
Источник (релизер): magritte66 (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Ifrane (Weston) - 5:16
02. Ganawa (Blue Moses) (Trad.) - 12:30
03. Night in Medina - 6:50
04. Marrakesh Blues - 12:17
Состав:
Randy Weston - piano, electric piano
Freddie Hubbard - trumpet
Bill Cobham - drums
Ron Carter, Bill Wood (#3) - bass
Phil Kraus, Airto Moreira, Azzedin Weston - percussion
Grover Washington , Jr. - tenor saxophone
Hubert Laws - flute, alto flute, bass flute, electric flute, piccolo
Romeo Penque - oboe, English horn, clarinet, flute, alto flute, bass flute, piccolo
George Marge - English horn, clarinet, flute, alto flute, bass flute
David Horowitz - Moog
John Frosk, Alan Rubin, Marvin Stamm - trumpet, flugelhorn
James Buffington, Brooks Tillotson - French horn
Wayne Andre - trombone, baritone horn
Garnett Brown, Warren Covington - trombone
Paul Faulise - trombone, bass trombone
Madame Meddah - vocal (youh youh)
Don Sebesky - arranger
Recorded at Van Gelder Studios, Englewood Cliffs, NJ in March-April, 1972.
 
Лог создания рипа
X Lossless Decoder version 20140504 (147.0)
XLD extraction logfile from 2014-08-11 18:32:51 -0400
Various Artists / Blue Moses
Used drive : HL-DT-ST DVDRW GS23N (revision SB03)
Media type : Pressed CD
Ripper mode : XLD Secure Ripper
Disable audio cache : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction : 667
Max retry count : 100
Gap status : Analyzed, Appended
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 00:00:00 | 05:16:35 | 0 | 23734
2 | 05:16:35 | 12:30:16 | 23735 | 80000
3 | 17:46:51 | 06:50:02 | 80001 | 110752
4 | 24:36:53 | 12:17:31 | 110753 | 166058
AccurateRip Summary
Disc not found in AccurateRip DB.
All Tracks
Album gain : -4.31 dB
Peak : 1.000000
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 01
Filename : /whatcd/Compilations-Blue Moses (2011) (FLAC)/01 Ifrane.flac
Pre-gap length : 00:02:00
Track gain : -4.96 dB
Peak : 0.999969
CRC32 hash (test run) : F66CCBF4
CRC32 hash : F66CCBF4
CRC32 hash (skip zero) : 355CE03A
AccurateRip v1 signature : 5C2AD1D5
AccurateRip v2 signature : E401232D
->Track not present in AccurateRip database.
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 02
Filename : /whatcd/Compilations-Blue Moses (2011) (FLAC)/02 Ganawa (Blue Moses).flac
Pre-gap length : 00:01:22
Track gain : -5.16 dB
Peak : 1.000000
CRC32 hash (test run) : 38E24AE6
CRC32 hash : 38E24AE6
CRC32 hash (skip zero) : B8A3418B
AccurateRip v1 signature : 4051ECBE
AccurateRip v2 signature : F634B058
->Track not present in AccurateRip database.
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 03
Filename : /whatcd/Compilations-Blue Moses (2011) (FLAC)/03 Night In Medina.flac
Track gain : -2.25 dB
Peak : 0.951477
CRC32 hash (test run) : 669E049A
CRC32 hash : 669E049A
CRC32 hash (skip zero) : 26F27C11
AccurateRip v1 signature : E53DBE06
AccurateRip v2 signature : A388B54E
->Track not present in AccurateRip database.
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 04
Filename : /whatcd/Compilations-Blue Moses (2011) (FLAC)/04 Marrakesh Blues.flac
Pre-gap length : 00:01:64
Track gain : -2.36 dB
Peak : 1.000000
CRC32 hash (test run) : 81BEB071
CRC32 hash : 81BEB071
CRC32 hash (skip zero) : 3268D748
AccurateRip v1 signature : 2A9BDDB2
AccurateRip v2 signature : F8C1BAFD
->Track not present in AccurateRip database.
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
No errors occurred
End of status report
 
Содержание индексной карты (.CUE)
TITLE "Blue Moses"
PERFORMER "Randy Weston"
REM GENRE "Jazz"
REM DATE "1972"
REM DISCID 3108A604
REM REPLAYGAIN_ALBUM_GAIN -4.31 dB
REM REPLAYGAIN_ALBUM_PEAK 1.000000
REM COMPILATION TRUE
FILE "01 - Ifrane.flac" WAVE
TRACK 01 AUDIO
TITLE "Ifrane"
REM REPLAYGAIN_TRACK_GAIN -4.96 dB
REM REPLAYGAIN_TRACK_PEAK 0.999969
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Ganawa (Blue Moses)"
REM REPLAYGAIN_TRACK_GAIN -5.16 dB
REM REPLAYGAIN_TRACK_PEAK 1.000000
INDEX 00 05:15:13
FILE "02 - Ganawa (Blue Moses).flac" WAVE
INDEX 01 00:00:00
FILE "03 - Night in Medina.flac" WAVE
TRACK 03 AUDIO
TITLE "Night in Medina"
REM REPLAYGAIN_TRACK_GAIN -2.25 dB
REM REPLAYGAIN_TRACK_PEAK 0.951477
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Marrakesh Blues"
REM REPLAYGAIN_TRACK_GAIN -2.36 dB
REM REPLAYGAIN_TRACK_PEAK 1.000000
INDEX 00 06:48:13
FILE "04 - Marrakesh Blues.flac" WAVE
INDEX 01 00:00:00
 
Лог проверки качества
-----------------------
DON'T MODIFY THIS FILE
-----------------------
PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 04 - Marrakesh Blues.flac
Size: 72719212 Hash: 7D963CF4B7415A7901DAE42CA77DCC9B Accuracy: -m0
Conclusion: CDDA 100%
Signature: 62E72B1759F785881AB871E5DE1F6C15A699D1C1
FILE: 03 - Night in Medina.flac
Size: 40203239 Hash: BBE7F9B7C0EE773117BF08C47C043958 Accuracy: -m0
Conclusion: CDDA 99%
Signature: 1BC19AE62861C4E124B779059A2FBAB26C882DE3
FILE: 02 - Ganawa (Blue Moses).flac
Size: 82546083 Hash: 2C202E2E5F3F6E49FCC343460E19C1E1 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 08F044D75D3B05FCFD75548A5DB18F6B1AE7FB4A
FILE: 01 - Ifrane.flac
Size: 36987480 Hash: 8A7639626A359483BB9BA04BEC43648E Accuracy: -m0
Conclusion: CDDA 100%
Signature: F82BD6EBABF0B1B33270C8706BC41B6AA533B6B9
 
Review by Thom Jurek
Recorded in 1972, Blue Moses, the most commercially successful album in pianist/composer Randy Weston's catalog remains one of his most controversial due to his conflicted feelings about the final product, which he feels is too polished and too far from his original intent for the project. Indeed, appearing on Creed Taylor's CTI imprint was an almost certain guarantee of polished production. Weston plays both acoustic and Rhodes piano here; he was backed by a band of CTI's star-studded stable: trumpeter Freddie Hubbard, tenor saxophonist Grover Washington, flutists Hubert Laws and Romeo Penque, drummer Billy Cobham, alternate bassists Ron Carter and Bill Wood, and percussionists Phil Kraus, Airto Moreira, and Weston's son Azzedin. This group was backed by a punchy Don Sebesky-arranged horn section. Blue Moses, consists of four compositions; it was an attempt by Weston to showcase the influence "Ganawa" music from Morocco had on him as a composer. "Ganawa (Blues Moses)," with its frenetic, minor-key piano lines, knotty, Middle Eastern Eastern-sounding charts, and skittering North African rhythms push the listener into a new space, one that stands outside of CTI's usual frame in, and into, the exotic. The brass is aggressive, and while that might overshadow some recordings of lesser substance, Sebesky knew what he had in Weston's tunes, and reigned his players in just enough to keep the dynamics fresh, open, and full of engaged call-and- response playing between Weston, Hubbard, and Laws. So too, album closer "Marrakesh Blues," with wordless backing vocals by Madame Meddah, twinned trumpet and flute lines, gorgeous electric piano solos, and a deep, strolling bassline. It's an Eastern modal blues with the sound of a horn section to boost its drama."Night in the Media" is a labyrinthine, more abstract piece, but utterly atmospheric and colorful in its arrangement, with exciting interplay between Weston's enormous chords and Washington's swinging, soulful saxophone and percussion instruments that create a lithe, spiritual jazz groove. No matter how Weston ultimately feels about Blue Moses, this date succeeds on all levels. Creating a commercially viable recording from the elements presented must not have been easy, but Taylor rose to the occasion and delivered a grooving beauty of an album without compromising Weston's genius.
16:26
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