(Neo-Bop, Post-Bop) Cornelius Claudio Kreusch - Black Mud Sound - 1995, MP3, 320 kbps
Cornelius Claudio Kreusch - Black Mud Sound
Жанр: Neo-Bop, Post-Bop
Страна исполнителя (группы): Германия
Год издания: 1995
Аудиокодек: MP3 (получены из lossless)
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 68:20
Наличие сканов в содержимом раздачи: да
Треклист:
01. So! (Kreusch) - 7:06
02. Way Out (Kreusch) - 9:21
03. Nubian Queen (Kreusch) - 8:57
04. What? (Kreusch) - 9:38
05. Mopti (Cherry) - 6:55
06. Deep Talk (Kreusch) - 6:12
07. Upfront (And Rest) (Kreusch) - 7:39
08. Jungle/Black (Kreusch) - 7:56
09. So-Far... (Kreusch) - 4:36
Состав:
Cornelius Claudio Kreusch - piano
Kenny Garrett - saxophones
Anthony Cox - bass
Marvin "Smitty" Smith - drums
Special guest:
Hassan Hakmoun (#5) - vocals, sintir
Recorded at Systems Two, Brooklyn, NY on December 20-21, 1994 and February 28, 1995.
Жанр: Neo-Bop, Post-Bop
Страна исполнителя (группы): Германия
Год издания: 1995
Аудиокодек: MP3 (получены из lossless)
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 68:20
Наличие сканов в содержимом раздачи: да
Треклист:
01. So! (Kreusch) - 7:06
02. Way Out (Kreusch) - 9:21
03. Nubian Queen (Kreusch) - 8:57
04. What? (Kreusch) - 9:38
05. Mopti (Cherry) - 6:55
06. Deep Talk (Kreusch) - 6:12
07. Upfront (And Rest) (Kreusch) - 7:39
08. Jungle/Black (Kreusch) - 7:56
09. So-Far... (Kreusch) - 4:36
Состав:
Cornelius Claudio Kreusch - piano
Kenny Garrett - saxophones
Anthony Cox - bass
Marvin "Smitty" Smith - drums
Special guest:
Hassan Hakmoun (#5) - vocals, sintir
Recorded at Systems Two, Brooklyn, NY on December 20-21, 1994 and February 28, 1995.
AllMusic Review by Scott Yanow
It is a measure of how powerful a pianist Cornelius Claudio Kreusch is that he was able to get altoist Kenny Garrett to be on his quartet CD Black Mud Sound. Whenever Garrett is heard performing modern and complex music that is also freewheeling, it is a recording well worth getting. The polyrhythms on this set, which are occasionally funky but always adventurous (sometimes a bit reminiscent of the early M-Base music), inspire the altoist to play at his most passionate and creative. The music is often danceable but never predictable. As for Kreusch, he is tied to the jazz world without sounding at all derivative, and his sound and chord voicings are his own. In addition, the surprising song quotes by Garrett and Kreusch will make one smile. This underrated set is well worth searching for.
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777