(Modern Creative, World Fusion, Accordion) Guy Klucevsek & Ain't Nothin' But A Polka Band - Polka Dots & Laser Beams - 1992, FLAC (tracks+.cue), lossless

X Lossless Decoder version 20120609 (141.0)
XLD extraction logfile from 2012-07-28 18:34:17 +0200
Guy Klucevsek & Ain't Nothin' But A Polka Band / Polka Dots & Laser Beams
Used drive : PIONEER DVD-RW  DVR-112D (revision AC08)
Ripper mode             : CDParanoia III 10.2
Disable audio cache     : OK for the drive with a cache less than 2750KiB
Make use of C2 pointers : NO
Read offset correction  : 48
Max retry count         : 5
Gap status              : Analyzed, Appended
TOC of the extracted CD
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        2  | 02:53:05 | 02:26:27 |     12980    |    23956
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        8  | 22:40:07 | 02:45:30 |    102007    |   114411
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       11  | 29:49:20 | 02:59:20 |    134195    |   147639
       12  | 32:48:40 | 03:43:37 |    147640    |   164401
       13  | 36:32:02 | 08:22:40 |    164402    |   202091
       14  | 44:54:42 | 02:49:20 |    202092    |   214786
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Track 08
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TITLE "Polka Dots & Laser Beams"
PERFORMER "Guy Klucevsek & Ain't Nothin' But A Polka Band"
REM GENRE "Jazz"
REM DATE "1990"
REM DISCID C30B2F0E
FILE "CDImage.wav" WAVE
  TRACK 01 AUDIO
    TITLE "From Here To Paternity Polka"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "The Imperial Buzzard"
    INDEX 00 02:50:40
    INDEX 01 02:53:05
  TRACK 03 AUDIO
    TITLE "The Grass, It Is Blue"
    INDEX 00 05:16:55
    INDEX 01 05:19:32
  TRACK 04 AUDIO
    TITLE "Peek-A-Boo Polka"
    INDEX 00 07:32:07
    INDEX 01 07:36:60
  TRACK 05 AUDIO
    TITLE "Medjunarodni Nacin Polka"
    INDEX 00 10:46:05
    INDEX 01 10:48:05
  TRACK 06 AUDIO
    TITLE "Diet Polka"
    INDEX 00 15:13:12
    INDEX 01 15:14:42
  TRACK 07 AUDIO
    TITLE "Devil From Milwaukee"
    INDEX 00 18:47:35
    INDEX 01 18:51:65
  TRACK 08 AUDIO
    TITLE "Polka Dots And Laser Beams"
    INDEX 00 22:37:10
    INDEX 01 22:40:07
  TRACK 09 AUDIO
    TITLE "The Winnemucca Polka"
    INDEX 00 25:23:37
    INDEX 01 25:25:37
  TRACK 10 AUDIO
    TITLE "Klop"
    INDEX 00 28:03:02
    INDEX 01 28:04:72
  TRACK 11 AUDIO
    TITLE "The Club Nada Polka"
    INDEX 00 29:45:05
    INDEX 01 29:49:20
  TRACK 12 AUDIO
    TITLE "Polking Around"
    INDEX 01 32:48:40
  TRACK 13 AUDIO
    TITLE "The Nova Scotia Polka"
    INDEX 00 36:29:42
    INDEX 01 36:32:02
  TRACK 14 AUDIO
    TITLE "Prairie Dogs"
    INDEX 00 44:52:42
    INDEX 01 44:54:42

Review by Brian Olewnick from Allmusic:
Accordionist Guy Klucevsek was listening to a radio interview with Charles Mingus one day in the '70s. The interviewer asked Mingus about the racial divide in jazz and whether or not whites could create great, innovative jazz music. "Let the white man develop the polka" was Mingus' reply. Klucevsek took this wry advice to heart and in the mid-'80s commissioned a plethora of contemporary composers, ranging across the musical spectrum, to write him some polkas. The superb results are chronicled on the present disc and its companion, ?Who Stole the Polka?. Sometimes (well, oftentimes) the relationship between the polka fans know and love (or hate) and the pieces herein is tangential, but one can usually locate that two-beat rhythm in one guise or another. Klucevsek's own "The Grass, It Is Blue" polkas with passion, as do Steve Elson's "From Here to Paternity Polka" and William Duckworth's "Polking Around." Pieces by Anthony Coleman and the late Tom Cora use more oblique strategies, commenting on the form while melding it to others. The album closes with a mini-epic by drummer Bobby Previte that evokes Scottish airs and a sublime country dancehall polka by Brave Combo's Carl Finch that is sure to leave the listener happily humming and two-stepping. Beautifully and tightly played by Klucevsek's band throughout with big dollops of humor, both this disc and its partner are very much worth the trouble it will take to find them.
Biography by Joslyn Layne from Allmusic:
Accomplished accordionist and composer Guy Klucevsek has stunned audiences around the world with his mastery of the unwieldy instrument in jazz- and world-influenced avant-garde concerts. Included on compilations from Tzadik's Burt Bacharach tribute, to the more mainstream Ellipsis Arts release Planet Squeezebox, Klucevsek has also led nearly ten of his own recordings for labels including Ewa and CRI. He has composed extensively for modern dance, and was awarded a BESSIE in 1995 for the score for "Hey" by choreographer David Dormanis. Since at least the mid-'80s, Klucevsek has performed and recorded with a variety of creative musicians such as John Zorn, Bill Frisell, Anthony Braxton, and Kronos Quartet. In 1996, he co-founded Accordion Tribe with master accordionists from around the world including Maria Kalaniemi (Finland) and Bratko Bibic (Slovenia). In 1998, Accordion Tribe came out on Intuition, and Winter & Winter released an album by another new group with Klucevsek, Dave Douglas' new project Charms of the Night Sky, with Klucevsek, bassist Greg Cohen, and violinist Mark Feldman. While Accordion Tribe could only get together for the rare festival appearance, the Charms of the Night Sky group toured North America and Europe for parts of the next three years, and recorded A Thousand Evenings for RCA. Klucevsek has also performed solo at festivals all over the world, and can be heard providing music accompaniment on the audio book version of Accordion Crimes, a novel by E. Annie Proulx.

Guy Klucevsek: accordion, vocals
John King: guitar, violin, vocals
David Hofsta: bass, double bass, tuba
Bill Ruyle: drums, marimba
Guest musicians:
Steve Elbon: saxophone (1)
Jaguar 'Wishbone' Connecticut: drums, marimba, cymbal (1, 3, 12–14)
Erik Friedlander: cello (6, 11)
Mary Rowell: violin (6, 11)
Nicolas Collins: trombone (7)
Dubmeister Wally: (7)
Douglas Wieselman: clarinet (9, 10)
Mark Feldman: violin (13)