(Modern Creative, Neo-Classical) [CD] Seigen Ono - Seigen - 1984 (1986), FLAC (tracks+.cue), lossless
![(Modern Creative, Neo-Classical) [CD] Seigen Ono - Seigen - 1984 (1986), FLAC (tracks+.cue), lossless (Modern Creative, Neo-Classical) [CD] Seigen Ono - Seigen - 1984 (1986), FLAC (tracks+.cue), lossless](/upload/000/u2/f9/34/modern-creative-neo-classical-cd-seigen-ono-seigen-1984.jpg)
Seigen Ono - Seigen
Жанр: Modern Creative, Neo-Classical
Носитель: CD
Страна-производитель диска (релиза): Великобритания
Год издания: 1986
Издатель (лейбл): Pan East Records
Номер по каталогу: NEWCD 100
Страна исполнителя (группы): Япония
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 57:50
Источник (релизер): redacted
Наличие сканов в содержимом раздачи: да
Треклист:
01. Shikaruni, Part 1 (9:08)
02. Mallets (4:58)
03. Manhattan (14:37)
04. 5/8 RP (3:07)
05. Water Front (2:51)
06. Kumo no Sokudo (9:59)
07. Model-93 (4:17)
08. Suimen-Jo Niwa (4:35)
09. Manhattan (4:18)
Жанр: Modern Creative, Neo-Classical
Носитель: CD
Страна-производитель диска (релиза): Великобритания
Год издания: 1986
Издатель (лейбл): Pan East Records
Номер по каталогу: NEWCD 100
Страна исполнителя (группы): Япония
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 57:50
Источник (релизер): redacted
Наличие сканов в содержимом раздачи: да
Треклист:
01. Shikaruni, Part 1 (9:08)
02. Mallets (4:58)
03. Manhattan (14:37)
04. 5/8 RP (3:07)
05. Water Front (2:51)
06. Kumo no Sokudo (9:59)
07. Model-93 (4:17)
08. Suimen-Jo Niwa (4:35)
09. Manhattan (4:18)
Лог создания рипа
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 26. March 2012, 15:33
Seigén Ono / Seigén
Used drive : PIONEER DVD-RW DVR-118L Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.32 | 9:08.13 | 32 | 41144
2 | 9:08.45 | 4:57.45 | 41145 | 63464
3 | 14:06.15 | 14:37.22 | 63465 | 129261
4 | 28:43.37 | 3:07.35 | 129262 | 143321
5 | 31:50.72 | 2:50.58 | 143322 | 156129
6 | 34:41.55 | 9:59.05 | 156130 | 201059
7 | 44:40.60 | 4:17.30 | 201060 | 220364
8 | 48:58.15 | 4:35.05 | 220365 | 240994
9 | 53:33.20 | 4:17.45 | 240995 | 260314
Track 1
Filename C:\Downloads\EAC\01 - Shikaruni Part 1.wav
Pre-gap length 0:00:02.42
Peak level 65.9 %
Extraction speed 1.2 X
Track quality 100.0 %
Test CRC 56682E5B
Copy CRC 56682E5B
Accurately ripped (confidence 1) [C6BB539F] (AR v1)
Copy OK
Track 2
Filename C:\Downloads\EAC\02 - Mallets.wav
Pre-gap length 0:00:01.46
Peak level 74.6 %
Extraction speed 1.4 X
Track quality 100.0 %
Test CRC E2646AE0
Copy CRC E2646AE0
Accurately ripped (confidence 1) [6A106753] (AR v1)
Copy OK
Track 3
Filename C:\Downloads\EAC\03 - Manhattan.wav
Pre-gap length 0:00:00.70
Peak level 97.9 %
Extraction speed 1.7 X
Track quality 100.0 %
Test CRC F0F628BB
Copy CRC F0F628BB
Accurately ripped (confidence 1) [28E799A2] (AR v1)
Copy OK
Track 4
Filename C:\Downloads\EAC\04 - 5,8 RP.wav
Peak level 43.7 %
Extraction speed 1.7 X
Track quality 100.0 %
Test CRC 4A7C1048
Copy CRC 4A7C1048
Accurately ripped (confidence 1) [1784D4A4] (AR v1)
Copy OK
Track 5
Filename C:\Downloads\EAC\05 - Water Front.wav
Peak level 74.4 %
Extraction speed 1.7 X
Track quality 100.0 %
Test CRC C3B87299
Copy CRC C3B87299
Accurately ripped (confidence 1) [BD88AF10] (AR v1)
Copy OK
Track 6
Filename C:\Downloads\EAC\06 - Kumo No Sokudo.wav
Pre-gap length 0:00:00.60
Peak level 29.1 %
Extraction speed 2.1 X
Track quality 100.0 %
Test CRC 4A866A58
Copy CRC 4A866A58
Cannot be verified as accurate (confidence 1) [D0182795], AccurateRip returned [D57C635D] (AR v2)
Copy OK
Track 7
Filename C:\Downloads\EAC\07 - Model-93.wav
Peak level 81.7 %
Extraction speed 2.0 X
Track quality 100.0 %
Test CRC 7B6C331A
Copy CRC 7B6C331A
Accurately ripped (confidence 1) [FEF2628F] (AR v1)
Copy OK
Track 8
Filename C:\Downloads\EAC\08 - Suimen-Jo Niwa.wav
Peak level 66.9 %
Extraction speed 2.1 X
Track quality 100.0 %
Test CRC A1BD76CD
Copy CRC A1BD76CD
Accurately ripped (confidence 1) [7257C8EF] (AR v1)
Copy OK
Track 9
Filename C:\Downloads\EAC\09 - Manhattan.wav
Pre-gap length 0:00:01.26
Peak level 67.8 %
Extraction speed 2.2 X
Track quality 100.0 %
Test CRC 3EF9AF8F
Copy CRC 3EF9AF8F
Accurately ripped (confidence 1) [2CACE109] (AR v1)
Copy OK
8 track(s) accurately ripped
1 track(s) could not be verified as accurate
Some tracks could not be verified as accurate
No errors occurred
End of status report
==== Log checksum 244CF05143DF5E1C4575B738EF2A993043F0CA22AD3F00CA27C0A95E56AC6B3D ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 1984
REM DISCID 750D8E09
REM COMMENT "ExactAudioCopy v1.0b2"
PERFORMER "Seigen Ono"
TITLE "Seigen"
FILE "01 - Shikaruni, Part 1.wav" WAVE
TRACK 01 AUDIO
TITLE "Shikaruni, Part 1"
PERFORMER "Seigen Ono"
PREGAP 00:00:32
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Mallets"
PERFORMER "Seigen Ono"
INDEX 00 09:06:53
FILE "02 - Mallets.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Manhattan"
PERFORMER "Seigen Ono"
INDEX 00 04:56:67
FILE "03 - Manhattan.wav" WAVE
INDEX 01 00:00:00
FILE "04 - 5,8 RP.wav" WAVE
TRACK 04 AUDIO
TITLE "5/8 RP"
PERFORMER "Seigen Ono"
INDEX 01 00:00:00
FILE "05 - Water Front.wav" WAVE
TRACK 05 AUDIO
TITLE "Water Front"
PERFORMER "Seigen Ono"
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "Kumo no Sokudo"
PERFORMER "Seigen Ono"
INDEX 00 02:50:13
FILE "06 - Kumo no Sokudo.wav" WAVE
INDEX 01 00:00:00
FILE "07 - Model-93.wav" WAVE
TRACK 07 AUDIO
TITLE "Model-93"
PERFORMER "Seigen Ono"
INDEX 01 00:00:00
FILE "08 - Suimen-Jo Niwa.wav" WAVE
TRACK 08 AUDIO
TITLE "Suimen-Jo Niwa"
PERFORMER "Seigen Ono"
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "Manhattan"
PERFORMER "Seigen Ono"
INDEX 00 04:33:60
FILE "09 - Manhattan.wav" WAVE
INDEX 01 00:00:00
Отчет CUETools
[CUETools log; Date: 27.04.2017 0:42:52; Version: 2.1.5]
Pregap length 00:00:32.
[CTDB TOCID: kWp6yv58dGwEqNkcK144BLJwjzM-] found.
Track | CTDB Status
1 | (3/3) Accurately ripped
2 | (3/3) Accurately ripped
3 | (3/3) Accurately ripped
4 | (3/3) Accurately ripped
5 | (3/3) Accurately ripped
6 | (3/3) Accurately ripped
7 | (3/3) Accurately ripped
8 | (3/3) Accurately ripped
9 | (3/3) Accurately ripped
[AccurateRip ID: 001637db-009e78c0-750d8e09] found.
Track [ CRC | V2 ] Status
01 [c6bb539f|041590d1] (0+4/4) Accurately ripped
02 [6a106753|56d8da8a] (0+4/4) Accurately ripped
03 [28e799a2|7d0b8a63] (0+4/4) Accurately ripped
04 [1784d4a4|f437af4b] (0+4/4) Accurately ripped
05 [bd88af10|96dc3956] (0+4/4) Accurately ripped
06 [054fbda7|d0182795] (0+4/4) Accurately ripped
07 [fef2628f|7ed80814] (0+4/4) Accurately ripped
08 [7257c8ef|fc3eafc9] (0+4/4) Accurately ripped
09 [2cace109|759dde3d] (0+4/4) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
-- 97,9 [7AD5FA48] [115C9459]
01 65,9 [56682E5B] [CF55F767] CRC32
02 74,6 [E2646AE0] [8E30C08E] CRC32
03 97,9 [F0F628BB] [A5EA31D3] CRC32
04 43,7 [4A7C1048] [68C5BB09] CRC32
05 74,4 [C3B87299] [A8BAA7E6] CRC32
06 29,1 [4A866A58] [2E0C9909] CRC32
07 81,7 [7B6C331A] [75EBD4E4] CRC32
08 66,9 [A1BD76CD] [1EE210D6] CRC32
09 67,8 [3EF9AF8F] [CCF7DC8F] CRC32
Об исполнителе (группе)
Living in Fukishima, Japan, only 26 years old and Seigén Ono has already worked with musicians like David Sylvian (ex-Japan) and Ryuichi Sakamoto (ex-Yellow Magic Orchestra). Seigén started to work at the famous Onkio Haus studios and is meanwhile one of the most sought after recording engineers and producers in Japan. This debut album was recorded with some of the best Japanese studio musicians who we are able to transform Seigen’s musical ideas and arrangements into a perfect production of beauty. This is music which interweaves very individually and with a strong sense for harmony, western sound structures, classic elements, experimental and jazz, imbedded in first class production technique. This involves not only top recording/engineering skills but also a display of superb musicianship combined with feeling and fitting arrangements: melodies in motion and emotion. Avant-garde sounds have also found a place on this album, showcasing Seigén’s multi-talented ability to combine harmony with experiment. Seigén Ono is under contract with the Japanese label Music Interior (MIS/JVC) which picked as its motto Eric Satie’s idea that music – just as a beautiful painting or piece of furniture – is expression and part of ones individual and personal lifestyle. When listening to this album, we feel sure that your musical interiors and rooms will be filled with life in a pleasant way.
-- From Liner Notes to Seigén
-- From Liner Notes to Seigén
Об альбоме (сборнике)
I‘m still struck by this release. It’s hard to realize, but Seigén Ono was only 26 years old when he created his debut album, Seigén. Just months removed from assisting others like Yasuaki Shimizu’s Mariah, David Sylvian, Ryuichi Sakamoto, and Takumi as their mixing engineer or producer, Seigén had just an inkling of all the arrangements he had to get out of his head. Luckily for us, Music Interior provided him with an outlet to take his maximalist vision of Japanese minimalism into fruition. Listening to his debut, it’s not hard to see why in the near future he’d be the leading Japanese musical visionary helping craft iconic releases by Mariah, Dip in the Pool, Hiroshi Yoshimura, and Masahide Sakuma that are only now being rediscovered.
Deeply influenced by Brian Eno, Seigén’s debut showed his preference of using the studio as instrument. Improvising solo piano or guitar on tape, he’d give session musicians a key chord to vamp on and then let their intuition to guide them as they wish. Afterwards, he’d piece together a full composition exactly as he envisioned it. Knowingly, not much of a learned player himself, Seigén entrusted his more trained cohorts to fill out what he lacked. And truly, what help he received.
Nearly all the members from Mariah and some from Moonriders were along to sculpt what amounted to an ambient album that acknowledged some roots in Western music but then transmorgafied them into places those musical spheres hadn’t – or couldn’t – take them to. Informed by their own history and aspirations, with Seigén’s guidance, it was their sound to create.
Whether it was sequencers, drum machines, synths, or real life human beings manning the cues, Seigén conciously avoided the tropes New Age music was wading through. Knowingly, he tried to present a competing vision of modern sensibility and communion with the world. Spacious when necessary, disorderly when necessary, it was true interior music of all purposes.
If Seigén had a philosophy, it was that a minimal sound, with a clear message, had a way to complement and sooth our modern way of living. Music can provide spaces for all sorts of intricate emotion. His debut presented a promise of decidedly Eastern music that could be as timeless as anything in the West. It’s this seminal album – for some reason and season lost to time – that presented a fully realized vision of what Japanese minimalist music could be.
-- Diego Olivas
Deeply influenced by Brian Eno, Seigén’s debut showed his preference of using the studio as instrument. Improvising solo piano or guitar on tape, he’d give session musicians a key chord to vamp on and then let their intuition to guide them as they wish. Afterwards, he’d piece together a full composition exactly as he envisioned it. Knowingly, not much of a learned player himself, Seigén entrusted his more trained cohorts to fill out what he lacked. And truly, what help he received.
Nearly all the members from Mariah and some from Moonriders were along to sculpt what amounted to an ambient album that acknowledged some roots in Western music but then transmorgafied them into places those musical spheres hadn’t – or couldn’t – take them to. Informed by their own history and aspirations, with Seigén’s guidance, it was their sound to create.
Whether it was sequencers, drum machines, synths, or real life human beings manning the cues, Seigén conciously avoided the tropes New Age music was wading through. Knowingly, he tried to present a competing vision of modern sensibility and communion with the world. Spacious when necessary, disorderly when necessary, it was true interior music of all purposes.
If Seigén had a philosophy, it was that a minimal sound, with a clear message, had a way to complement and sooth our modern way of living. Music can provide spaces for all sorts of intricate emotion. His debut presented a promise of decidedly Eastern music that could be as timeless as anything in the West. It’s this seminal album – for some reason and season lost to time – that presented a fully realized vision of what Japanese minimalist music could be.
-- Diego Olivas
Состав
Musicians: Seigen Ono, Takayuki Hijikata, Asuka Kaneko, Masatoshi Maeda, Yukihiro Matsubara, Hajime Mizoguchi, Toshihiro Nakanishi, Masanori Sasaji, Takako Seike, Yasuaki Shimizu, Ryomei Shirai, Tamio Suzuki, Kazuko Terasaki, Morio Watanabe, Hideo Yamaki and others.
Recorded at Victor Studios, Sound Inn and Onkio Haus, Tokyo in September-October 1983.
Recorded at Victor Studios, Sound Inn and Onkio Haus, Tokyo in September-October 1983.
Any questions - [email protected]
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777