(Modern Creative, Modern Jazz) Geri Allen - Flying Toward the Sound - 2010, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 23. February 2011, 19:06
Geri Allen / Flying Toward The Sound
Used drive  : HL-DT-STDVDRAM GT32N   Adapter: 0  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 103
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 128 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
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        6  | 35:54.45 |  7:00.27 |    161595    |   193121
        7  | 42:54.72 |  5:44.18 |    193122    |   218939
        8  | 48:39.15 |  6:23.70 |    218940    |   247734
        9  | 55:03.10 |  5:05.27 |    247735    |   270636
       10  | 62:40.37 |  3:53.42 |    282037    |   299553
Track  1
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     Accurately ripped (confidence 3)  [CDC25AE7]
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Track  2
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     Accurately ripped (confidence 3)  [009BAB71]
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Track  3
     Filename D:\Music\Geri Allen\Geri Allen - Flying Toward The Sound (2010) [FLAC]\03 - Dancing Mystic Poets At Midnight.wav
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     Accurately ripped (confidence 3)  [134550E5]
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Track  4
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Track  5
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Track  6
     Filename D:\Music\Geri Allen\Geri Allen - Flying Toward The Sound (2010) [FLAC]\06 - Faith Carriers Of Life.wav
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Track  7
     Filename D:\Music\Geri Allen\Geri Allen - Flying Toward The Sound (2010) [FLAC]\07 - Dancing Mystic Poets At Dawn.wav
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Track  8
     Filename D:\Music\Geri Allen\Geri Allen - Flying Toward The Sound (2010) [FLAC]\08 - Flying Towrad The Sound (Reprise).wav
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Track  9
     Filename D:\Music\Geri Allen\Geri Allen - Flying Toward The Sound (2010) [FLAC]\09 - Your Pure Self (Mother To Son).wav
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All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 8406A5B7758518E3C52D22413DBF453B31769CF5571069220A16F476C8A47420 ====

REM GENRE Jazz
REM DATE 2010
REM DISCID 900F9A0A
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "Geri Allen"
TITLE "Flying Toward the Sound"
FILE "01 - Flying Toward the Sound.wav" WAVE
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    TITLE "Flying Toward the Sound"
    PERFORMER "Geri Allen"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
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    PERFORMER "Geri Allen"
    INDEX 00 06:01:72
FILE "02 - Red Velvet in Winter.wav" WAVE
    INDEX 01 00:00:00
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    PERFORMER "Geri Allen"
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FILE "03 - Dancing Mystic Poets at Midnight.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
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FILE "07 - Dancing Mystic Poets at Dawn.wav" WAVE
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    PERFORMER "Geri Allen"
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FILE "08 - Flying Toward the Sound (Reprise).wav" WAVE
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  TRACK 09 AUDIO
    TITLE "Your Pure Self (Mother to Son)"
    PERFORMER "Geri Allen"
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Pianist and composer Geri Allen is an artist who has never been complacent or self-deceiving. She has always listened deeply, and in the process has pushed her own envelope of expression and creativity, looking toward a horizon as eternally on the move as she is. Flying Toward the Sound, subtitled “A Solo Piano Excursion Inspired by Cecil Taylor, McCoy Tyner and Herbie Hancock,” features an eight-part suite called “Refractions: Flying Toward the Sound.” Allen doesn’t play the music of her muses. Rather, she invokes their very spirits in her own utterly unique compositional method. On the opening title track it's Tyner, with his open-ended lyricism, extended chord voicings, and use of space. But Allen builds on his use of modes by adding her masterful large chord rumblings with the left hand in the deep registers of the piano while using the middle ones for a series of elegantly voiced melodic statements. On “Red Velvet in Winter,” for Hancock, she employs her inspiration’s method of composition as orchestration. Themes are inviting; she blends left-handed constructions, soulful lyric notions, and right-hand technique to evoke the timbral voices of many other instruments. But it is on “Dancing Mystic Poets at Midnight,” for Taylor, where the work really begins to sing. She reads through not only Taylor's use of rhythm and harmonics but his declared debt to Duke Ellington as a cornerstone. Playing two-handed melodies in high and middle registers that create a pulsing palette, she begins to improvise by alternating melodies and creating a third that, while percussive, is fluid and evocative of the space and distance a dancer must travel in a leap. The 16-minute centerpiece of the album is “God’s Ancient Sky.” It denotes the spiritual nature of this recording. Allen arrives in new territory after her muses, in order to create a set of sonic wings with which to fly from them toward the unknown. Its use of density and space, elegance and force, and its conscious engagement with the elliptical, both harmonically and rhythmically, is literally breathtaking. It walks a labyrinthine path between jazz and classical music in the musical world, and between earth, sky, and underworld in the spiritual realm. “Dancing Midnight Poets at Twylight” (sic) employs Taylor’s interpretation of Ellingtonian swing dramatically. The pulse here dances between rhythm and harmony with her signature lyricism ever at the forefront. The work reprises its opening theme in summary, but with noted harmonic extensions from a new musical terrain. She closes with “Your Pure Self (Mother to Son),” a gorgeous personal ballad outside this suite. Flying Toward the Sound is a major work for solo piano: courageous, vulnerable, poetically articulated, and technically awe-inspiring in form and execution.