(Modern Creative, Contemporary Jazz) [CD] Chris Lightcap Quartet (Bill McHenry, Tony Malaby, Gerald Cleaver) - Lay-Up - 1999, FLAC (tracks), lossless
![(Modern Creative, Contemporary Jazz) [CD] Chris Lightcap Quartet (Bill McHenry, Tony Malaby, Gerald Cleaver) - Lay-Up - 1999, FLAC (tracks), lossless (Modern Creative, Contemporary Jazz) [CD] Chris Lightcap Quartet (Bill McHenry, Tony Malaby, Gerald Cleaver) - Lay-Up - 1999, FLAC (tracks), lossless](/upload/000/u2/46/2b/modern-creative-contemporary-jazz-cd-chris-lightcap-quartet.jpg)
Chris Lightcap Quartet / Lay-Up
Жанр: Modern Creative, Contemporary Jazz
Носитель: CD
Год издания: 1999
Издатель (лейбл): Fresh Sounds New Talent
Номер по каталогу: FSNT 074
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 01:09:01
Источник (релизер): aquaminerale (from ALAC. thanks to jadedlime @ soulseek)
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Lay-Up
2. I Heard It Over The Radio
3. Port-Au-Prince
4. Guinbre
5. All Choked Up
6. Las tijeras
7. Sad Morning
8. Philly's Blount
Жанр: Modern Creative, Contemporary Jazz
Носитель: CD
Год издания: 1999
Издатель (лейбл): Fresh Sounds New Talent
Номер по каталогу: FSNT 074
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 01:09:01
Источник (релизер): aquaminerale (from ALAC. thanks to jadedlime @ soulseek)
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Lay-Up
2. I Heard It Over The Radio
3. Port-Au-Prince
4. Guinbre
5. All Choked Up
6. Las tijeras
7. Sad Morning
8. Philly's Blount
Лог проверки качества
AUDIOCHECKER v2.0 beta (build 457) - by Dester - [email protected]
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: ...\Chris Lightcap - 1999 Lay-Up [FLAC]
1 -=- 01 Lay-Up.flac -=- CDDA (99%)
2 -=- 02 I Heard It Over the Radio.flac -=- CDDA (100%)
3 -=- 03 Port-Au-Prince.flac -=- CDDA (99%)
4 -=- 04 Guinbre.flac -=- CDDA (100%)
5 -=- 05 All Choked Up.flac -=- CDDA (100%)
6 -=- 06 Las Tijeras.flac -=- CDDA (100%)
7 -=- 07 Sad Morning.flac -=- CDDA (85%)
8 -=- 08 Philly's Blount.flac -=- CDDA (100%)
Summary 97,88% CDDA
180243364
Об альбоме (сборнике)
freshsoundrecords.com
Bassist Chris Lightcap heads a powerful ensemble, fronted by the twin tenor saxophones of Bill McHenry and Tony Malaby. Lightcap's favored approach is to loop syncopated, funky bass ostinatos, lock in tightly with drummer Gerald Cleaver, and let the two tenors loose. "Guinbre" and "Las Tijeras" are animated by an African- or Latin-inspired feel, while the title track and "Philly's Blount" (the latter recorded live) draw the listener in with two very different kinds of funk. Cleaver tears it up with a solo toward the end of the fiercely up-tempo "Port-Au-Prince," and also drives the free-jazz madness of "All Choked Up."
On Ornette Coleman's "I Heard It Over the Radio," the only non-original of the set, the quartet skillfully elucidates Coleman's strange brand of plaintiveness. Later, the two tenors guide us through the formless, tempoless, yet invitingly tonal topography of Lightcap's "Sad Morning." Both of these relatively toned-down numbers feature placid, heartfelt solos by Lightcap.
The absence of piano or guitar and the presence of two horns gives this group a decidedly left-of-center sound that is quite reminiscent of Ornette Coleman's classic quartet. McHenry and Malaby are taking that vocabulary in a multiplicity of new directions, however, and their work on this record is representative of contemporary tenor sax at its exploratory best. Lightcap has chosen his players wisely, and his memorable compositions provide fertile soil for inspired collective improvisation.
Bassist Chris Lightcap heads a powerful ensemble, fronted by the twin tenor saxophones of Bill McHenry and Tony Malaby. Lightcap's favored approach is to loop syncopated, funky bass ostinatos, lock in tightly with drummer Gerald Cleaver, and let the two tenors loose. "Guinbre" and "Las Tijeras" are animated by an African- or Latin-inspired feel, while the title track and "Philly's Blount" (the latter recorded live) draw the listener in with two very different kinds of funk. Cleaver tears it up with a solo toward the end of the fiercely up-tempo "Port-Au-Prince," and also drives the free-jazz madness of "All Choked Up."
On Ornette Coleman's "I Heard It Over the Radio," the only non-original of the set, the quartet skillfully elucidates Coleman's strange brand of plaintiveness. Later, the two tenors guide us through the formless, tempoless, yet invitingly tonal topography of Lightcap's "Sad Morning." Both of these relatively toned-down numbers feature placid, heartfelt solos by Lightcap.
The absence of piano or guitar and the presence of two horns gives this group a decidedly left-of-center sound that is quite reminiscent of Ornette Coleman's classic quartet. McHenry and Malaby are taking that vocabulary in a multiplicity of new directions, however, and their work on this record is representative of contemporary tenor sax at its exploratory best. Lightcap has chosen his players wisely, and his memorable compositions provide fertile soil for inspired collective improvisation.
Состав
Chris Lightcap - bass;
Tony Malaby - tenor sax;
Bill McHenry - tenor sax;
Gerald Cleaver - drums
Tony Malaby - tenor sax;
Bill McHenry - tenor sax;
Gerald Cleaver - drums
Any questions - [email protected]
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777