(Modern Classical, Minimal, Ambient) [CD] Bang On A Can - Music For Airports: Brian Eno - 1998, FLAC (tracks+.cue), lossless
![(Modern Classical, Minimal, Ambient) [CD] Bang On A Can - Music For Airports: Brian Eno - 1998, FLAC (tracks+.cue), lossless (Modern Classical, Minimal, Ambient) [CD] Bang On A Can - Music For Airports: Brian Eno - 1998, FLAC (tracks+.cue), lossless](/upload/000/u2/b3/f1/modern-classical-minimal-ambient-cd-bang-on-a-can-music.jpg)
Битрейт аудио:
lossless
Bang On A Can / Music For Airports: Brian Eno
Жанр: Modern Classical, Minimal, Ambient
Носитель: CD
Страна-производитель диска: UK
Год издания: 1998
Издатель (лейбл): Point Music
Номер по каталогу: 536 847-2
Страна: US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 49:19
Источник (релизер): alsash.shu
Наличие сканов в содержимом раздачи:
Треклист:
1 1/1 16:30
2 1/2 8:55
3 2/1 11:45
4 2/2 12:20
Лог создания рипа
Содержание индексной карты (.CUE)
Лог проверки качества
Доп. информация:
AMG Review
Состав
Жанр: Modern Classical, Minimal, Ambient
Носитель: CD
Страна-производитель диска: UK
Год издания: 1998
Издатель (лейбл): Point Music
Номер по каталогу: 536 847-2
Страна: US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 49:19
Источник (релизер): alsash.shu
Наличие сканов в содержимом раздачи:

Треклист:
1 1/1 16:30
2 1/2 8:55
3 2/1 11:45
4 2/2 12:20
Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 4. March 2014, 20:37 Bang On A Can / Music For Airports Brian Eno Used drive : ASUS DRW-2014S1 Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 128 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.32 | 16:33.00 | 32 | 74506 2 | 16:33.32 | 8:59.00 | 74507 | 114931 3 | 25:32.32 | 11:43.00 | 114932 | 167656 4 | 37:15.32 | 12:04.00 | 167657 | 221956 Track 1 Filename E:\ZXX\Bang On A Can 1998 - Music For Airports - Brian Eno\01 - 1,1.wav Pre-gap length 0:00:02.32 Peak level 93.6 % Extraction speed 5.9 X Track quality 99.9 % Test CRC 9B3461DD Copy CRC 9B3461DD Copy OK Track 2 Filename E:\ZXX\Bang On A Can 1998 - Music For Airports - Brian Eno\02 - 1,2.wav Peak level 55.5 % Extraction speed 7.2 X Track quality 100.0 % Test CRC 2578A25E Copy CRC 2578A25E Copy OK Track 3 Filename E:\ZXX\Bang On A Can 1998 - Music For Airports - Brian Eno\03 - 2,1.wav Peak level 73.3 % Extraction speed 8.2 X Track quality 100.0 % Test CRC 00F0E25E Copy CRC 00F0E25E Copy OK Track 4 Filename E:\ZXX\Bang On A Can 1998 - Music For Airports - Brian Eno\04 - 2,2.wav Peak level 89.1 % Extraction speed 9.0 X Track quality 100.0 % Test CRC E89D2C00 Copy CRC E89D2C00 Copy OK No errors occurred End of status report ==== Log checksum 6F8AF57DFE6DCE6FF473C8571FD01C34DC81B73FC48DC09AE4AE6563EB5AAEAE ====
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d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [01. 1-1.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [02. 1-2.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [03. 2-1.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [04. 2-2.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Final Conclusion: ------------------------------------------------------------ These tracks looks like CDDA with probability 100%
Brian Eno's 1979 milestone Music for Airports was the first album to feature his term "ambient music," although 1975's Discreet Music and 1978's Music for Films had already been exploratory steps in that direction. It's entirely possible that Eno knew at the time that he was inventing a new form of music, but he might not have known just what a milestone Music for Airports would turn out to be, or that it would be the first ambient work to get its own tribute album. The New York-based new music collective Bang on a Can celebrated Music for Airports' 20th anniversary by writing new transcriptions of the album's four lengthy pieces. It's incorrect to say that the group orchestrated the album, because these pieces take care to replicate Eno's originals exactly, down to each piece being precisely the same length its original. The only difference is that Eno's original Music for Airports was constructed out of tape loops and this version uses live musicians. That one change makes all the difference in the world. The use of live musicians, especially on "2/1," which is a vocal work for female chorus, opens up the pieces sonically; what had felt squashed and artificial on Eno's original now breathes. This tribute doesn't replace Eno's essential original, but it's fascinating listening for any fan of the artist's ambient work.
Bass – Robert Black
Cello – Greg Hesselink, Matt Goeke, Maya Beiser
Electric Guitar, Cello, Mandolin, Mandolin [Mandocello] – Mark Stewart
Flute – David Fedele, Liz Mann
Horn – Chris Komer
Keyboards, Piano – Lisa Moore
Percussion – Steven Schick
Pipa – Wu Man
Producer, Mixed By, Clarinet, Clarinet [Bass] – Evan Ziporyn
Trombone – Christopher Washburne, Julie Josephson
Trumpet – Tom Hoyt, Wayne Du Maine
Violin – Todd Reynolds
Voice [Women's Voices] – Alexandra Montano, Katie Geissinger, Mary Runyan Marathe, Phyllis Jo Kubey
Cello – Greg Hesselink, Matt Goeke, Maya Beiser
Electric Guitar, Cello, Mandolin, Mandolin [Mandocello] – Mark Stewart
Flute – David Fedele, Liz Mann
Horn – Chris Komer
Keyboards, Piano – Lisa Moore
Percussion – Steven Schick
Pipa – Wu Man
Producer, Mixed By, Clarinet, Clarinet [Bass] – Evan Ziporyn
Trombone – Christopher Washburne, Julie Josephson
Trumpet – Tom Hoyt, Wayne Du Maine
Violin – Todd Reynolds
Voice [Women's Voices] – Alexandra Montano, Katie Geissinger, Mary Runyan Marathe, Phyllis Jo Kubey
Any questions - [email protected]
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777