(Mainstream Jazz | Swing) Wild Bill Davis - The Swinging Organ Of Wild Bill Davis - In A Mellow Tone - 1999, APE (image+.cue), lossless

Exact Audio Copy V1.0 beta 2 from 29. April 2011
Отчёт EAC об извлечении, выполненном 17. ноября 2012, 13:29
Wild Bill Davis / In The Mellow Tone
Дисковод: _NEC    DV-5800C   Adapter: 3  ID: 1
Режим чтения                 : Достоверность
Использование точного потока : Да
Отключение кэша аудио        : Да
Использование указателей C2  : Нет
Коррекция смещения при чтении                     : 12
Способность читать области Lead-in и Lead-out     : Нет
Заполнение пропущенных сэмплов тишиной            : Да
Удаление блоков с тишиной в начале и конце        : Нет
При вычислениях CRC использовались нулевые сэмплы : Нет
Интерфейс                                         : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Внутренние WAV-операции
Формат сэмплов  : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
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       6  | 15:21.15 |    4:04.65   |       69090      |      87454
       7  | 19:26.05 |    2:59.05   |       87455      |     100884
       8  | 22:25.10 |    3:57.25   |      100885      |     118684
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      10  | 30:36.25 |    3:36.60   |      137725      |     153984
      11  | 34:13.10 |    4:17.05   |      153985      |     173264
      12  | 38:30.15 |    3:26.20   |      173265      |     188734
      13  | 41:56.35 |    2:13.50   |      188735      |     198759
      14  | 44:10.10 |    2:37.60   |      198760      |     210594
      15  | 46:47.70 |    2:47.20   |      210595      |     223139
      16  | 49:35.15 |    2:45.55   |      223140      |     235569
      17  | 52:20.70 |    2:27.35   |      235570      |     246629
      18  | 54:48.30 |    2:47.20   |      246630      |     259174
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
     Имя файла D:\Wild Bill Davis - In The Mellow Tone.wav
     Пиковый уровень 100.0 %
     Скорость извлечения 8.5 X
     Качество диапазона 100.0 %
     CRC копии BC957652
     Копирование... OK
Ошибок не произошло
AccurateRip: сводка
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Все треки извлечены точно
Конец отчёта

REM GENRE Jazz
REM DATE 1960
REM DISCID F10D7F12
REM COMMENT "ExactAudioCopy v1.0b2"
PERFORMER "Wild Bill Davis"
TITLE "In The Mellow Tone"
FILE "Wild Bill Davis - In The Mellow Tone.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Satin Doll"
    PERFORMER "Wild Bill Davis"
    INDEX 00 00:00:00
    INDEX 01 00:00:30
  TRACK 02 AUDIO
    TITLE "It's All Right With Me"
    PERFORMER "Wild Bill Davis"
    INDEX 01 02:41:50
  TRACK 03 AUDIO
    TITLE "But Not For Me"
    PERFORMER "Wild Bill Davis"
    INDEX 00 06:51:72
    INDEX 01 06:52:00
  TRACK 04 AUDIO
    TITLE "The Nearness Of You"
    PERFORMER "Wild Bill Davis"
    INDEX 00 08:58:50
    INDEX 01 08:58:55
  TRACK 05 AUDIO
    TITLE "Wenkie"
    PERFORMER "Wild Bill Davis"
    INDEX 00 11:48:70
    INDEX 01 11:49:00
  TRACK 06 AUDIO
    TITLE "In A Mellotone"
    PERFORMER "Wild Bill Davis"
    INDEX 00 15:21:10
    INDEX 01 15:21:15
  TRACK 07 AUDIO
    TITLE "Theme From Mr.Lucky"
    PERFORMER "Wild Bill Davis"
    INDEX 00 19:26:00
    INDEX 01 19:26:05
  TRACK 08 AUDIO
    TITLE "Cherokee"
    PERFORMER "Wild Bill Davis"
    INDEX 00 22:25:05
    INDEX 01 22:25:10
  TRACK 09 AUDIO
    TITLE "Organ Grinder's Swing"
    PERFORMER "Wild Bill Davis"
    INDEX 01 26:22:35
  TRACK 10 AUDIO
    TITLE "EBB Tide"
    PERFORMER "Wild Bill Davis"
    INDEX 01 30:36:25
  TRACK 11 AUDIO
    TITLE "Flying Home"
    PERFORMER "Wild Bill Davis"
    INDEX 01 34:13:10
  TRACK 12 AUDIO
    TITLE "Angel Eyes"
    PERFORMER "Wild Bill Davis"
    INDEX 01 38:30:15
  TRACK 13 AUDIO
    TITLE "Blue Skies"
    PERFORMER "Wild Bill Davis"
    INDEX 01 41:56:35
  TRACK 14 AUDIO
    TITLE "Tea For Two"
    PERFORMER "Wild Bill Davis"
    INDEX 01 44:10:10
  TRACK 15 AUDIO
    TITLE "I've Got The World On A String"
    PERFORMER "Wild Bill Davis"
    INDEX 01 46:47:70
  TRACK 16 AUDIO
    TITLE "What's New"
    PERFORMER "Wild Bill Davis"
    INDEX 00 49:35:10
    INDEX 01 49:35:15
  TRACK 17 AUDIO
    TITLE "Always"
    PERFORMER "Wild Bill Davis"
    INDEX 00 52:20:65
    INDEX 01 52:20:70
  TRACK 18 AUDIO
    TITLE "Love For Sale"
    PERFORMER "Wild Bill Davis"
    INDEX 01 54:48:30

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FILE: Wild Bill Davis - In The Mellow Tone.ape
  Size: 344859504 Hash: 36B937876A8B63E86E1F0EDA4D1FC468 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: ACC3E0A79F268E140B280F010E17D2D56D4DD628

With the dynamic, swirling sounds of his Hammond B-3 organ, Wild Bill Davis provided a bridge from the big band swing of the 1930s and '40s to the organ-driven R&B of the 1950s and early '60s. Together with guitarist Floyd Smith and drummer Chris Columbus, Davis set the framework for the jazz organ combo sound. Initially a guitarist, Davis made his debut with Milt Larkin's band in 1939. The group is remembered for the double-saxophone attack of Eddie "Cleanhead" Vinson and Arnett Cobb. Davis, who was inspired by the guitar playing of Freddie Green, remained with the band until 1942. Moving to the piano, Davis joined Louis Jordan & His Tympany 5 in 1945. By then, he had already attracted attention as a skilled writer and arranger. He later furnished original material and arrangements for both Duke Ellington and Count Basie. He was scheduled to record his arrangement of "April in Paris" with the Count Basie Orchestra in 1955, but was unable to make it to the recording sessions. Recorded without his participation, the tune went on to be a Top 30 pop hit. Intrigued by the organ playing of Fats Waller and Count Basie, Davis began to experiment with the Hammond B-3. He soon developed his unique approach. "I thought of (the organ) as a replacement in clubs for a big band," he said during a late-'80s interview. Although he left Jordan's band after five years to form his own trio, Davis periodically returned to play special engagements. Although eclipsed by succeeding jazz organists, including Jimmy Smith and Bill Doggett in the late '50s, and Booker T. Jones in the '60s, Davis remained active until his death from a heart attack in August 1995. His summer appearances in Atlantic City, New Jersey were an annual treat for almost three decades.
A native of Moorestown, New Jersey, Davis studied music at Tuskegee University and Wiley College in Texas.

Recorded in New York City, 1959-1960
With the dynamic, swirling, sounds of his Hammond B-3 organ, Wild" Bill Davis provided a bridge from the big band swing of the 1930s and ‘40s to the organ-driven R&B of the 1950s and early-60s. Together with guitarist Floyd Smith and drummer Chris Columbus, Davis set the framework for the jazz organ combo sound.
Initially a guitarist, Davis made his debut with Milt Larkin's band in 1939. The group is remembered for the double saxophone attack of Eddie “Cleanhead Vinson and Arnett Cobb. Davis, who was inspired by the guitar playing of Freddie Green, remained with the band until 1942.
Moving to the piano, Davis joined Louis Jordan's Symphony Five in 1945. By then, he had already attracted attention as a skilled writer and arranger. He later furnished original material and arrangements for both Duke Ellington and Count Basie. He was scheduled to record his arrangement of "April In Paris", with the Count Basie Orchestra, in 1955 but was unable to make it to the recording sessions. Recorded without his participation, the tune wen on to be a top thirty pop hit.
Intrigued by the organ playing of Fats Waller and Count Basie, Davis began to experiment with the Hammond B-3. He soon developed his unique approach. “I thought of (the organ) as a replacement in clubs for a big band," he said during a late-1980s interview.
Although he left Jordan's band, after five years, to form his own trio, Davis periodically returned to play special engagements.
Although eclipsed by succeeding jazz organists, including Jimmy Smith and Bill Doggett in the late-1950s and Booker T. Jones in the 1960s, Davis remained active until his death, from a heart attack, in August 1995. His summer appearances in Atlantic City, New Jersey were an annual treat for almost three decades.
A native of Moorestown, New Jersey, Davis studied music at Tuskogee University and Wiley College in Texas.
- Craig Harris.

Wild Bill Davis (organ),
George Clarke (ts),
Bill Jennings (g),
Grady Tate (d)