(Mainstream Jazz, Cool) [CD] Art Pepper - Meets The Rhythm Section (1957), FLAC (tracks+.cue), lossless

EAC extraction logfile from 17. June 2007, 1:22 for CD
Art Pepper / Meets The Rhythm Section
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Track  1
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Track  2
     Filename g:\temp\Jazz\Art Pepper\Meets The Rhythm Section\02-Red Pepper Blues.wav
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Track  3
     Filename g:\temp\Jazz\Art Pepper\Meets The Rhythm Section\03-Imagination.wav
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Track  4
     Filename g:\temp\Jazz\Art Pepper\Meets The Rhythm Section\04-Waltz Me Blues.wav
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Track  5
     Filename g:\temp\Jazz\Art Pepper\Meets The Rhythm Section\05-Straight Life.wav
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Track  6
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Track  7
     Filename g:\temp\Jazz\Art Pepper\Meets The Rhythm Section\07-Tin Tin Deo.wav
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Track  8
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Track  9
     Filename g:\temp\Jazz\Art Pepper\Meets The Rhythm Section\09-Birks Works.wav
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REM GENRE Jazz
REM DATE 1957
REM DISCID 6B0A5B09
REM COMMENT "ExactAudioCopy v0.95b4"
PERFORMER "Art Pepper"
TITLE "Meets The Rhythm Section"
FILE "01-You'd Be So Nice To Come Home To.flac" WAVE
  TRACK 01 AUDIO
    TITLE "You'd Be So Nice To Come Home To"
    PERFORMER "Art Pepper"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Red Pepper Blues"
    PERFORMER "Art Pepper"
    INDEX 00 05:24:00
FILE "02-Red Pepper Blues.flac" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Imagination"
    PERFORMER "Art Pepper"
    INDEX 00 03:36:57
FILE "03-Imagination.flac" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Waltz Me Blues"
    PERFORMER "Art Pepper"
    INDEX 00 05:51:40
FILE "04-Waltz Me Blues.flac" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Straight Life"
    PERFORMER "Art Pepper"
    INDEX 00 02:55:60
FILE "05-Straight Life.flac" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Jazz Me Blues"
    PERFORMER "Art Pepper"
    INDEX 00 03:58:63
FILE "06-Jazz Me Blues.flac" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Tin Tin Deo"
    PERFORMER "Art Pepper"
    INDEX 00 04:46:56
FILE "07-Tin Tin Deo.flac" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Star Eyes"
    PERFORMER "Art Pepper"
    INDEX 00 07:41:61
FILE "08-Star Eyes.flac" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Birks Works"
    PERFORMER "Art Pepper"
    INDEX 00 05:11:65
FILE "09-Birks Works.flac" WAVE
    INDEX 01 00:00:00

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foobar2000 1.3.1 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2015-01-05 18:01:00
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Анализ:   Art Pepper / Meets The Rhythm Section
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DR         Пики          RMS        Продолжительность трека
--------------------------------------------------------------------------------
DR16      -4.13 дБ   -24.87 дБ      5:28 01-You'd Be So Nice To Come Home To
DR16      -3.09 дБ   -25.11 дБ      3:40 02-Red Pepper Blues
DR16      -4.08 дБ   -26.62 дБ      5:55 03-Imagination
DR17      -2.12 дБ   -26.40 дБ      2:59 04-Waltz Me Blues
DR15      -3.92 дБ   -23.89 дБ      4:01 05-Straight Life
DR16      -2.89 дБ   -24.81 дБ      4:50 06-Jazz Me Blues
DR17      -3.74 дБ   -25.76 дБ      7:45 07-Tin Tin Deo
DR15      -4.76 дБ   -25.47 дБ      5:15 08-Star Eyes
DR17      -4.00 дБ   -25.94 дБ      4:18 09-Birks Works
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Количество треков:  9
Реальные значения DR:  DR16
Частота:  44100 гц
Каналов:  2
Бит на сэмпл:    16
Битрейт:  809 кбит/с
Кодек:   FLAC
================================================================================

 

Discogs
Discogs

Quote:
Packing a dried-out cork taped to his sax with a Band-Aid, Art Pepper appeared at
L.A.'s Contemporary Studios to jam with guys he idolized, had never met, and had no idea
he'd meet until that morning in January of 1957. No one had discussed which songs to play,
but as soon as Pepper arrived (late), Philly Joe Jones of the Miles Davis rhythm section
suggested Cole Porter's "You'd Be So Nice to Come Home To." No one objected, and after a
single rehearsal, the historic collaboration was in full swing. Widely accepted as a
singular landmark in a career built of singular landmarks, Pepper said he felt as though
this recording convinced him that emotion was the paramount impulse of jazz performance.
Working "fresh" with Jones, Paul Chambers, and Red Garland, Pepper forgave his own
occasional "squawking," saying that in the studio he "...finally realized that in playing
I've got to play exactly as I feel it," adding, "I want the emotion to come out rather
than try to make everything perfect." The unpredictably stunning "Imagination" and
Pepper's signature "Straight Life" are testament to such commitments to impulse, and the
stark dynamics of the battery of percussion in congress with his saxophone are breathtaking.
The knowledge that they play all the songs for the first and only time together, in the
order you hear them on the record, suggests a kind of jazz narrative genius on behalf of
the man behind the plan, Contemporary president Les Koenig. A diamond of recorded jazz
history.
--Becky Byrkit, All Music Guide

Art Pepper (as)
Red Garland (p)
Paul Chambers (b)
Philly Joe Jones (d)