(Latin Jazz) Wayne Wallace - To Hear From There - 2011, APE (image+.cue) lossless
![(Latin Jazz) Wayne Wallace - To Hear From There - 2011, APE (image+.cue) lossless (Latin Jazz) Wayne Wallace - To Hear From There - 2011, APE (image+.cue) lossless](/upload/000/u2/17/0f/latin-jazz-wayne-wallace-to-hear-from-there-2011-ape-ima.jpg)
Wayne Wallace / To Hear From There
Жанр: Latin Jazz
Год издания диска: 2011
Издатель (лейбл): Patois Records
Аудио кодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 63:31
Источник (релизер): dreadbull
Наличие сканов в содержимом раздачи: да
Треклист:
1. La Escuela [Jazz-Timba] /Wallace/ 5:35
2. Serafina Del Caribe [Jazz-Tropcal] /Wallace/ 4:49
3. Perdido [Jazz Mambo] /Tizol/ 6:47
4. Los Gatos [Cha-Cha-Chá] /Wallace/ 6:16
5. Descarga En Blue [Jazz Mambo] /Wallace/ 5:22
6. Ogguere [Soul Of The Earth] [Afro-6/8] /Valdes/ 5:59
7. Lament [Jazz-Bolero] /Johnson/ 5:51
8. The Peanut Vendor [El Manicero] [Cuban Son-Jazz] /Simons/ 5:37
9. Yemaya [The Seven Seas] [Latin-Funk] /Wallace/ 5:43
10. ¡Bebo Ya Llego! [Cuban Son-Jazz] /Wallace/ 4:59
11. Philadelphia Mambo [Jazz Mambo] /Puente/ 6:33
Мамба, румба, ча-ча-ча! А у нас фиеста! Прям отсюдова дотудова...
Ещё один заряд бодрости и хорошего настроения перед рабочей неделей.
Приятных впечатлений!
Год издания диска: 2011
Издатель (лейбл): Patois Records
Аудио кодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 63:31
Источник (релизер): dreadbull
Наличие сканов в содержимом раздачи: да
Треклист:
1. La Escuela [Jazz-Timba] /Wallace/ 5:35
2. Serafina Del Caribe [Jazz-Tropcal] /Wallace/ 4:49
3. Perdido [Jazz Mambo] /Tizol/ 6:47
4. Los Gatos [Cha-Cha-Chá] /Wallace/ 6:16
5. Descarga En Blue [Jazz Mambo] /Wallace/ 5:22
6. Ogguere [Soul Of The Earth] [Afro-6/8] /Valdes/ 5:59
7. Lament [Jazz-Bolero] /Johnson/ 5:51
8. The Peanut Vendor [El Manicero] [Cuban Son-Jazz] /Simons/ 5:37
9. Yemaya [The Seven Seas] [Latin-Funk] /Wallace/ 5:43
10. ¡Bebo Ya Llego! [Cuban Son-Jazz] /Wallace/ 4:59
11. Philadelphia Mambo [Jazz Mambo] /Puente/ 6:33
Мамба, румба, ча-ча-ча! А у нас фиеста! Прям отсюдова дотудова...
Ещё один заряд бодрости и хорошего настроения перед рабочей неделей.
Лог создания рипа
EAC extraction logfile from 30. March 2011, 20:47 for CD
Wayne Wallace Latin Jazz Quintet / To Here from There
Used drive : ASUS DRW-22B2L Adapter: 0 ID: 1
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface
Range status and errors
Selected range
Filename D:\Donkey Files\Wayne Wallace - To Hear From There (2011, Patois) [eac-ape-scans] byDrBull\CDImage.wav
Peak level 100.0 %
Range quality 100.0 %
CRC 27C33969
Copy OK
No errors occured
End of status report
Содержание индексной карты (.CUE)
PERFORMER "Wayne Wallace Latin Jazz Quintet"
TITLE "To Here from There"
FILE "CDImage.wav" WAVE
TRACK 01 AUDIO
TITLE "La Escuela [jazz-timba]"
PERFORMER "Wayne Wallace Latin Jazz Quintet"
FLAGS DCP
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Serafina del Caribe [jazz-tropical]"
PERFORMER "Wayne Wallace Latin Jazz Quintet"
FLAGS DCP
INDEX 00 05:34:02
INDEX 01 05:35:02
TRACK 03 AUDIO
TITLE "Perdido [jazz mambo]"
PERFORMER "Wayne Wallace Latin Jazz Quintet"
FLAGS DCP
INDEX 00 10:23:34
INDEX 01 10:24:71
TRACK 04 AUDIO
TITLE "Los Gatos [cha]"
PERFORMER "Wayne Wallace Latin Jazz Quintet"
FLAGS DCP
INDEX 00 17:11:16
INDEX 01 17:12:16
TRACK 05 AUDIO
TITLE "Descarga en Blue [jazz mambo]"
PERFORMER "Wayne Wallace Latin Jazz Quintet"
FLAGS DCP
INDEX 00 23:26:70
INDEX 01 23:28:32
TRACK 06 AUDIO
TITLE "Ogguere (Soul ot the Earth) [Afro-6to8]"
PERFORMER "Wayne Wallace Latin Jazz Quintet"
FLAGS DCP
INDEX 00 28:49:49
INDEX 01 28:50:68
TRACK 07 AUDIO
TITLE "Lament [jazz-bolero]"
PERFORMER "Wayne Wallace Latin Jazz Quintet"
FLAGS DCP
INDEX 00 34:48:61
INDEX 01 34:50:23
TRACK 08 AUDIO
TITLE "The Peanut Vendor (El Manicero) [son-jazz]"
PERFORMER "Wayne Wallace Latin Jazz Quintet"
FLAGS DCP
INDEX 00 40:39:54
INDEX 01 40:41:54
TRACK 09 AUDIO
TITLE "Yemaya (The Seven Seas) [Latin-funk]"
PERFORMER "Wayne Wallace Latin Jazz Quintet"
FLAGS DCP
INDEX 00 46:17:14
INDEX 01 46:19:14
TRACK 10 AUDIO
TITLE "Bebo Ya Llego! [son-jazz]"
PERFORMER "Wayne Wallace Latin Jazz Quintet"
FLAGS DCP
INDEX 00 52:00:20
INDEX 01 52:02:20
TRACK 11 AUDIO
TITLE "Philadelphia Mambo [jazz mambo]"
PERFORMER "Wayne Wallace Latin Jazz Quintet"
FLAGS DCP
INDEX 00 57:00:07
INDEX 01 57:02:07
Лог проверки качества
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: ...\Wayne Wallace - To Hear From There (2011, Patois) [eac-ape-scans] byDrBull
1 -=- CDImage.ape -=- CDDA (100%)
2629300
Об альбоме (сборнике)
San Francisco-area trombonist Wayne Wallace is known for his Grammy-nominated forays into Afro-Cuban music, and on the surface, To Hear From There is another Latin jazz album. But mixed with the danceable, percussion-heavy rhythms and exuberant melodies, with a touch of melancholy, are complex, improvised solos that would delight even a jazz purist.
The improvised give-and-take between pianist Murray Low and percussionist Michael Spiro, at the beginning of Tito Puente's classic "Philadelphia Mambo," is as angular and free-sounding as any advanced bop solo, while Wallace's growling, bottom-heavy yet quite melodic improvisations on most of the tracks—particularly his own "Descarga en Blue" and J.J. Johnson's "Lament"—are like tone poems that wind around the main melody with the facility of any bop trombone master. His own unique sound is a cross between such Cuban masters of the instrument as Generoso Jimenez and modern day proponents like Curtis Fuller.
Bassist David Belove's imaginative yet logical flights bring a modern sensibility to traditional folk tunes like "Ogguere," and a tinge of rock to originals like "Le Escuela." Meanwhile, Low, with his Jaki Byard-like genre-crossing and cerebral playing, shines on "Bebo Ya Liego" and the trombone-heavy "Serafina Del Caribe," where Wallace is joined by three other practitioners of the horn.
Having penned six out of the eleven pieces, Wallace's compositional skill is also on display, although it is sub-par to his superior instrumental musicianship as his melodies, despite differences in time signatures, are somewhat similar, tending to blend into one another.
The quintet's heartbeat is the dual percussion of Spiro and drummer Paul van Wageningen, who provide flawless rhythmic support, occasionally taking solo honors. Cuban vocalist Bobi Cespedes adds flavor of authenticity, with her song "El Manicero" [not her own song in fact, but classic Cuban son-pregón by Moisés Simons - DrB] accompanied by Low's classically influenced piano, while Kenny Washington's scatting and smooth tenor bring a swinging touch to Juan Tizol's "Perdido."
With its handsomely designed mini LP package, immaculately mastered sound and combination of Latin rhythms and creative improvisations Wallace has created a delightful album of Afro-Cuban music that, despite its occasional compositional monotony, is a highly enjoyable and rewarding record.
~Hrayr Attarian, AAJ
The improvised give-and-take between pianist Murray Low and percussionist Michael Spiro, at the beginning of Tito Puente's classic "Philadelphia Mambo," is as angular and free-sounding as any advanced bop solo, while Wallace's growling, bottom-heavy yet quite melodic improvisations on most of the tracks—particularly his own "Descarga en Blue" and J.J. Johnson's "Lament"—are like tone poems that wind around the main melody with the facility of any bop trombone master. His own unique sound is a cross between such Cuban masters of the instrument as Generoso Jimenez and modern day proponents like Curtis Fuller.
Bassist David Belove's imaginative yet logical flights bring a modern sensibility to traditional folk tunes like "Ogguere," and a tinge of rock to originals like "Le Escuela." Meanwhile, Low, with his Jaki Byard-like genre-crossing and cerebral playing, shines on "Bebo Ya Liego" and the trombone-heavy "Serafina Del Caribe," where Wallace is joined by three other practitioners of the horn.
Having penned six out of the eleven pieces, Wallace's compositional skill is also on display, although it is sub-par to his superior instrumental musicianship as his melodies, despite differences in time signatures, are somewhat similar, tending to blend into one another.
The quintet's heartbeat is the dual percussion of Spiro and drummer Paul van Wageningen, who provide flawless rhythmic support, occasionally taking solo honors. Cuban vocalist Bobi Cespedes adds flavor of authenticity, with her song "El Manicero" [not her own song in fact, but classic Cuban son-pregón by Moisés Simons - DrB] accompanied by Low's classically influenced piano, while Kenny Washington's scatting and smooth tenor bring a swinging touch to Juan Tizol's "Perdido."
With its handsomely designed mini LP package, immaculately mastered sound and combination of Latin rhythms and creative improvisations Wallace has created a delightful album of Afro-Cuban music that, despite its occasional compositional monotony, is a highly enjoyable and rewarding record.
~Hrayr Attarian, AAJ
Состав
Wayne Wallace - arranger, trombone, tuba, vocals;
Murray Low - piano, vocals;
David Belove - bass, vocals;
Paul van Wageningen - drums, vocals;
Michael Spiro - arranger, percussion, vocals.
Guests:
Kenny Washington - vocals (#3);
Bobi Céspedes - vocals (#8);
Jeff Cressman - trombone;
Natalie Cressman - trombone;
Dave Martell - trombone.
Murray Low - piano, vocals;
David Belove - bass, vocals;
Paul van Wageningen - drums, vocals;
Michael Spiro - arranger, percussion, vocals.
Guests:
Kenny Washington - vocals (#3);
Bobi Céspedes - vocals (#8);
Jeff Cressman - trombone;
Natalie Cressman - trombone;
Dave Martell - trombone.