(Latin Jazz) Chembo Corniel & Andrea Brachfeld - Beyond Standards - 2006, FLAC (image+.cue), lossless

Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 23. December 2011, 3:34
Chembo Corniel & Andrea Brachfeld / Beyond Standards
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Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
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        2  |  6:48.38 |  7:43.48 |     30638    |    65410
        3  | 14:32.11 |  7:04.68 |     65411    |    97278
        4  | 21:37.04 |  4:56.25 |     97279    |   119503
        5  | 26:33.29 |  7:17.47 |    119504    |   152325
        6  | 33:51.01 |  4:50.00 |    152326    |   174075
        7  | 38:41.01 |  6:37.53 |    174076    |   203903
        8  | 45:18.54 |  5:30.69 |    203904    |   228722
        9  | 50:49.48 |  4:08.32 |    228723    |   247354
       10  | 54:58.05 |  1:32.50 |    247355    |   254304
       11  | 56:30.55 |  2:52.23 |    254305    |   267227
Range status and errors
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     Filename F:\audio\Chembo Corniel & Andrea Brachfeld - Beyond Standards.wav
     Peak level 90.5 %
     Extraction speed 0.2 X
     Range quality 99.9 %
     Test CRC 8FDB3021
     Copy CRC 8FDB3021
     Copy OK
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==== Log checksum E190C8E5DD44C772B019619F60BDFF1BB63DF457A8018CE2717C06C8FB858F42 ====

REM GENRE "Latin Jazz"
REM DATE 2006
REM DISCID 800DEB0B
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "Chembo Corniel & Andrea Brachfeld"
TITLE "Beyond Standards"
FILE "Chembo Corniel & Andrea Brachfeld - Beyond Standards.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Flor de Zampona"
    PERFORMER "Chembo Corniel & Andrea Brachfeld"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Transition"
    PERFORMER "Chembo Corniel & Andrea Brachfeld"
    INDEX 00 06:46:38
    INDEX 01 06:48:38
  TRACK 03 AUDIO
    TITLE "Naima"
    PERFORMER "Chembo Corniel & Andrea Brachfeld"
    INDEX 00 14:29:11
    INDEX 01 14:32:11
  TRACK 04 AUDIO
    TITLE "Conception"
    PERFORMER "Chembo Corniel & Andrea Brachfeld"
    INDEX 00 21:33:04
    INDEX 01 21:37:04
  TRACK 05 AUDIO
    TITLE "Chelsea Bridge"
    PERFORMER "Chembo Corniel & Andrea Brachfeld"
    INDEX 00 26:31:29
    INDEX 01 26:33:29
  TRACK 06 AUDIO
    TITLE "E. S. P."
    PERFORMER "Chembo Corniel & Andrea Brachfeld"
    INDEX 00 33:49:01
    INDEX 01 33:51:01
  TRACK 07 AUDIO
    TITLE "African Flower"
    PERFORMER "Chembo Corniel & Andrea Brachfeld"
    INDEX 00 38:39:01
    INDEX 01 38:41:01
  TRACK 08 AUDIO
    TITLE "Freedom Jazz Dance"
    PERFORMER "Chembo Corniel & Andrea Brachfeld"
    INDEX 00 45:16:54
    INDEX 01 45:18:54
  TRACK 09 AUDIO
    TITLE "My Little Suede Shoes"
    PERFORMER "Chembo Corniel & Andrea Brachfeld"
    INDEX 00 50:45:48
    INDEX 01 50:49:48
  TRACK 10 AUDIO
    TITLE "Interlude"
    PERFORMER "Chembo Corniel & Andrea Brachfeld"
    INDEX 00 54:56:05
    INDEX 01 54:58:05
  TRACK 11 AUDIO
    TITLE "Oddudua"
    PERFORMER "Chembo Corniel & Andrea Brachfeld"
    INDEX 00 56:28:55
    INDEX 01 56:30:55

Brachfeld returned to Latin jazz in a session entitled Beyond Standards, co-led by conguero Wilson "Chembo" Corniel, where they give the Hispanic musical treatment to various jazz standards, accompanied by pianist Hilton Ruiz and trombonist Steve Turre among others of various note. They turned out a decidedly solid recording with many bright areas.
As expected, Ruiz and Turre fulfilled their duties impeccably as soloists and ensemble members in what might have been Ruiz's last recording before dying. They supported the writing with their characteristic encyclopedic panache and meshed superbly with the flutist. Their bolero interpretation of Billy Strayhorn's "Chelsea Bridge" is lusty lushness itself with muted trombone, violins, piano and flute oozing deeply felt emotion.
"E.S.P.," on the other hand, becomes a dashing and jamming conga. "African Flower" is much more Africanized than it could ever hope to be in Duke Ellington's privileged hands. "My Little Suede Shoes" affords the rare opportunity to hear the flutist dealing with a Puerto Rican bomba, and she jazzes her way through rather well.
The co-leader's conga playing is a welcome respite from the dominant trap drum rudiments-influenced, rapid fire diarrhea-of-the-hands style still in vogue among many contemporary conga players, perhaps best exemplified in "Freedom Jazz Dance," "Interlude" and his marcha ethic.