(Jazz/Post-Bop/Hard Bop) Tommy Smith - Peeping Tom - 1990, FLAC (image+.cue), lossless

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 22. September 2008, 11:30
Tommy Smith / Peeping Tom
Used drive : LITE-ON DVDRW SOHW-1213S Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 12
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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : No
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Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
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2 | 7:07.10 | 6:34.70 | 32035 | 61654
3 | 13:42.05 | 6:13.03 | 61655 | 89632
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7 | 37:57.28 | 8:46.50 | 170803 | 210302
8 | 46:44.03 | 4:07.10 | 210303 | 228837
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11 | 62:46.25 | 4:24.43 | 282475 | 302317
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13 | 72:56.15 | 4:24.40 | 328215 | 348054
Range status and errors
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Filename C:\Tommy Smith - Peeping Tom\Tommy Smith - Peeping Tom.wav
Peak level 99.9 %
Range quality 99.9 %
Copy CRC C47CF9D6
Copy OK
No errors occurred
AccurateRip summary
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Tommy Smith Sax (Tenor)
Ian Froman Cymbals, Drums
Terje Gewelt Bass
Jason Rebello Piano
Paul Stacey Guitar (Acoustic), Guitar, Guitar (Electric)
Jan Erik Kongshaug Engineer, Mixing
Gary Burton Producer
Tobi Corney Photography

Biography by Alex Henderson
Born and raised in Edinburgh, Scotland, Tommy Smith is a big-toned tenor saxophonist who has played both straight-ahead jazz and fusion. It was in Edinburgh that Smith became seriously interested in jazz as a teenager, and he was only 15 when he was accepted to the renowned Berklee College of Music. In 1984, the saxman moved to Boston to attend Berklee, and, in 1986, an 18-year-old Smith was hired as a sideman by Gary Burton at the recommendation of Chick Corea. Smith signed with Blue Note in 1989, recording 1990's Burton-produced fusion/post-bop date Peeping Tom and 1991's straight-ahead Standards. After finishing up at Berklee, Smith returned to Scotland, where he signed with the Glasgow-based Linn label and recorded several albums in the mid- to late '90s: Misty Morning & No Time, Reminiscence, Beasts of Scotland, Azure, and the Duke Ellington/Billy Strayhorn tribute The Sound of Love. Blue Smith, his first release of the new century, followed in the spring of 2000.

Review by Scott Yanow
In the early '90s tenor saxophonist Tommy Smith based his style on John Coltrane (circa 1964-65) but he placed his solos in more contemporary settings and his own individuality was gradually emerging. Certainly Smith's introduction to "The New Road," played on the WX7, sounds unlike anyone else. He cooks on "Slip of the Tongue," does well on the introspective ballad "Follow Your Heart" and thinks fast on his feet during the titel cut. Some of the original music on this CD is a bit dry and guitarist Paul Stacey (who is quite intense on "The New Road") should have had more opportunities to stretch out. But plenty of chances are taken overall and this early effort by Tommy Smith (with a quintet also including pianist Jason Rebello) is generally memorable.