(Jazz/ECM) Kenny Wheeler - Around 6 (ECM 1156) - 1979, FLAC (image+.cue), lossless

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 12. October 2008, 14:56
Kenny Wheeler / Around 6
Used drive : Optiarc DVD RW AD-7200A Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : No
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.33 | 10:33.00 | 33 | 47507
2 | 10:33.33 | 3:33.45 | 47508 | 63527
3 | 14:07.03 | 7:29.30 | 63528 | 97232
4 | 21:36.33 | 11:41.15 | 97233 | 149822
5 | 33:17.48 | 7:38.60 | 149823 | 184232
6 | 40:56.33 | 5:24.00 | 184233 | 208532
Range status and errors
Selected range
Filename C:\Kenny Wheeler - Around 6\Kenny Wheeler - Around 6.wav
Peak level 99.9 %
Range quality 100.0 %
Copy CRC 6253BDA7
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
None of the tracks are present in the AccurateRip database
End of status report

Review by Scott Yanow
Kenny Wheeler's third ECM album as a leader is most notable for teaming his trumpet with the innovative tenor and soprano of Evan Parker, a brilliant British avant-garde player who is often overlooked in the U.S. With fine playing from trombonist Eje Thelin, vibraphonist Tom Van Der Geld, bassist J.F. Jenny-Clark and drummer Edward Vesala, the sextet performs six Wheeler originals that combine together advanced swinging with fairly free explorations. Stimulating music.

Biography by Steve Huey
Veteran trumpeter/flugelhornist Kenny Wheeler has long been one of the most advanced voices on his instrument. Blessed with a full, lovely tone and an astounding range, Wheeler sounds equally at home in fiery free jazz explorations or softer, more lyrical post-bop meditations. Wheeler was born in 1930 in St. Catherine's (near Toronto), Ontario, and began playing trumpet at age 12. After studying at Toronto's Royal Conservatory, he moved to London in 1952, where he gigged with swing and dance bands. He appeared with John Dankworth's orchestra at the 1959 Newport Festival and remained with that group until 1965. In 1966, Wheeler discovered free jazz, and, fascinated, joined John Stevens' Spontaneous Music Ensemble for the next four years. In addition, he played jazz-rock fusion with the Mike Gibbs Orchestra from 1969-1975, and joined Tony Oxley's sextet (along with free jazz giants like Derek Bailey and Evan Parker) from 1969-1972. Through the latter, Wheeler was invited to join German pianist Alexander von Schlippenbach's groundbreaking free jazz big band the Globe Unity Orchestra in 1970, an association Wheeler maintained for years to come. During the first half of the '70s, Wheeler played with Anthony Braxton, which became his primary focus. In 1975, he signed with the ECM label and recorded the well-received Gnu High, which established him as a solo artist of note; the following year, he left Braxton and joined the trio Azimuth. Wheeler turned out a series of excellent ECM albums, including 1977's Deer Wan and 1983's Double, Double You (that year, Wheeler also began a four-year run with the Dave Holland Quintet). Several more generally fine outings followed in the '90s, including the ECM dates Music for Large and Small Ensembles and The Widow in the Window (both recorded in 1990), plus other recordings for Justin Time and Soul Note later in the decade.