(Jazz'n'Blues / Vocal) Ella Fitzgerald - These Are The Blues - 1963, FLAC (image+.cue), lossless
Ella Fitzgerald - These Are The Blues
Жанр: Jazz'n'Blues / Vocal
Audio CD (October 25, 1990) - Original Release Date: October 28, 1963
Производитель диска: Polygram Records
Аудио кодек: FLAC, image+.cue, lossless
Продолжительность: 41'45''
1. Jailhouse Blues (Bessie Smith, Clarence Williams) – 5:25
2. In the Evening (When the Sun Goes Down) (Leroy Carr, Don Raye) – 4:27
3. See See Rider (Ma Rainey) – 2:39
4. You Don't Know My Mind (Henry Gray, Virginia Liston, Williams) – 4:49
5. Trouble in Mind (Richard M. Jones) – 3:31
6. How Long, How Long Blues (Leroy Carr) – 3:57
7. Cherry Red (Pete Johnson, Big Joe Turner) – 4:09
8. Downhearted Blues (Lovie Austin, Alberta Hunter) – 3:08
9. St. Louis Blues (W.C Handy) – 6:28
10. Hear Me Talkin' to Ya (Louis Armstrong) – 3:01
Source: blues.at.ua -- Author: dmitrych2
Жанр: Jazz'n'Blues / Vocal
Audio CD (October 25, 1990) - Original Release Date: October 28, 1963
Производитель диска: Polygram Records
Аудио кодек: FLAC, image+.cue, lossless
Продолжительность: 41'45''
1. Jailhouse Blues (Bessie Smith, Clarence Williams) – 5:25
2. In the Evening (When the Sun Goes Down) (Leroy Carr, Don Raye) – 4:27
3. See See Rider (Ma Rainey) – 2:39
4. You Don't Know My Mind (Henry Gray, Virginia Liston, Williams) – 4:49
5. Trouble in Mind (Richard M. Jones) – 3:31
6. How Long, How Long Blues (Leroy Carr) – 3:57
7. Cherry Red (Pete Johnson, Big Joe Turner) – 4:09
8. Downhearted Blues (Lovie Austin, Alberta Hunter) – 3:08
9. St. Louis Blues (W.C Handy) – 6:28
10. Hear Me Talkin' to Ya (Louis Armstrong) – 3:01
Source: blues.at.ua -- Author: dmitrych2
Personnel
Ella Fitzgerald - Vocals
Roy Eldridge - Trumpet (Roy David Eldridge (January 30, 1911 – February 26, 1989), nicknamed "Little Jazz" was an American jazz trumpet player. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos and his strong influence on Dizzy Gillespie mark him as one of the most exciting musicians of the swing era and a precursor of bebop...)
"Wild" Bill Davis - Organ (Wild Bill Davis - Hammond organ, piano, arranger (November 24, 1918 - 1995), was the top cat among organists prior to the rise of Jimmy Smith in 1956. He could be credited for taking the instrument from the swing era into the R&B infected jazz of the early ‘50’s, and was a pioneer in the organ trio format. He could swing like crazy, grind out dirty blues, or could play in a laid back easy listening style...)
Herb Ellis - Guitar (Mitchell Herbert (Herb) Ellis (born August 4, 1921) is an American jazz guitarist. Growing up just outdside of Dallas, Texas, Ellis first heard the electric guitar performed by George Barnes on a radio show. This experience inspired him to take up the guitar, and he became proficient on the instrument by the time he entered North Texas State University as a music major. While in college Ellis heard recordings of Charlie Christian, his main jazz influence. After dropping out of college Ellis spent time on the road with Glen Gray and the Casa Loma Orchestra, Jimmy Dorsey, and Soft Winds...)
Ray Brown - Bass (Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist. He is considered by many to be one of the masters of his instrument, with an excellent sense of time and had a hard swing feel to his lines..)
Gus Johnson - Drums (Gus Johnson (Born: November 15, 1913 in Tyler, Texas Died: February 6, 2000 in Denver, Colorado) Gus Johnson proved the vital drum impetus for a succession of the most famous names in jazz over a long career in the music. His satisfied employers included Count Basie, Woody Herman, Gerry Mulligan, Ella Fitzgerald and Lena Horne, but his resourceful, swinging style was entirely at home in any setting in which he was featured...)
Roy Eldridge - Trumpet (Roy David Eldridge (January 30, 1911 – February 26, 1989), nicknamed "Little Jazz" was an American jazz trumpet player. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos and his strong influence on Dizzy Gillespie mark him as one of the most exciting musicians of the swing era and a precursor of bebop...)
"Wild" Bill Davis - Organ (Wild Bill Davis - Hammond organ, piano, arranger (November 24, 1918 - 1995), was the top cat among organists prior to the rise of Jimmy Smith in 1956. He could be credited for taking the instrument from the swing era into the R&B infected jazz of the early ‘50’s, and was a pioneer in the organ trio format. He could swing like crazy, grind out dirty blues, or could play in a laid back easy listening style...)
Herb Ellis - Guitar (Mitchell Herbert (Herb) Ellis (born August 4, 1921) is an American jazz guitarist. Growing up just outdside of Dallas, Texas, Ellis first heard the electric guitar performed by George Barnes on a radio show. This experience inspired him to take up the guitar, and he became proficient on the instrument by the time he entered North Texas State University as a music major. While in college Ellis heard recordings of Charlie Christian, his main jazz influence. After dropping out of college Ellis spent time on the road with Glen Gray and the Casa Loma Orchestra, Jimmy Dorsey, and Soft Winds...)
Ray Brown - Bass (Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist. He is considered by many to be one of the masters of his instrument, with an excellent sense of time and had a hard swing feel to his lines..)
Gus Johnson - Drums (Gus Johnson (Born: November 15, 1913 in Tyler, Texas Died: February 6, 2000 in Denver, Colorado) Gus Johnson proved the vital drum impetus for a succession of the most famous names in jazz over a long career in the music. His satisfied employers included Count Basie, Woody Herman, Gerry Mulligan, Ella Fitzgerald and Lena Horne, but his resourceful, swinging style was entirely at home in any setting in which he was featured...)
Log EAC
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
Отчёт EAC об извлечении, выполненном 26. июля 2009, 14:17
Ella Fitzgerald / These Are The Blues
Дисковод: PLEXTOR CD-R PX-W5224A Adapter: 0 ID: 1
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 30
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс
Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 768 kBit/s
Качество : Высокий
Добавление ID3-тэга : Нет
Утилита сжатия : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Дополнительные параметры : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
---------------------------------------------------------------------
1 | 0:00.00 | 5:26.27 | 0 | 24476
2 | 5:26.27 | 4:27.57 | 24477 | 44558
3 | 9:54.09 | 2:40.26 | 44559 | 56584
4 | 12:34.35 | 4:49.39 | 56585 | 78298
5 | 17:23.74 | 3:32.24 | 78299 | 94222
6 | 20:56.23 | 3:58.15 | 94223 | 112087
7 | 24:54.38 | 4:10.19 | 112088 | 130856
8 | 29:04.57 | 3:09.04 | 130857 | 145035
9 | 32:13.61 | 6:29.19 | 145036 | 174229
10 | 38:43.05 | 3:02.27 | 174230 | 187906
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла D:\My MusicLarry\Ella Fitzgerald - These Are The Blues\Ella Fitzgerald - These Are The Blues.wav
Пиковый уровень 98.7 %
Качество диапазона 99.9 %
CRC копии AD4B3808
Копирование... OK
Ошибок не произошло
Конец отчёта
Отчёт EAC об извлечении, выполненном 26. июля 2009, 14:17
Ella Fitzgerald / These Are The Blues
Дисковод: PLEXTOR CD-R PX-W5224A Adapter: 0 ID: 1
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 30
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс
Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 768 kBit/s
Качество : Высокий
Добавление ID3-тэга : Нет
Утилита сжатия : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Дополнительные параметры : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
---------------------------------------------------------------------
1 | 0:00.00 | 5:26.27 | 0 | 24476
2 | 5:26.27 | 4:27.57 | 24477 | 44558
3 | 9:54.09 | 2:40.26 | 44559 | 56584
4 | 12:34.35 | 4:49.39 | 56585 | 78298
5 | 17:23.74 | 3:32.24 | 78299 | 94222
6 | 20:56.23 | 3:58.15 | 94223 | 112087
7 | 24:54.38 | 4:10.19 | 112088 | 130856
8 | 29:04.57 | 3:09.04 | 130857 | 145035
9 | 32:13.61 | 6:29.19 | 145036 | 174229
10 | 38:43.05 | 3:02.27 | 174230 | 187906
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла D:\My MusicLarry\Ella Fitzgerald - These Are The Blues\Ella Fitzgerald - These Are The Blues.wav
Пиковый уровень 98.7 %
Качество диапазона 99.9 %
CRC копии AD4B3808
Копирование... OK
Ошибок не произошло
Конец отчёта
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777