(Jazz, Hard Bop) [LP] [24/96] The Dave Brubeck Quartet - Time Further Out. Miro Reflections (1961) - 2011, FLAC (tracks+.cue)
![(Jazz, Hard Bop) [LP] [24/96] The Dave Brubeck Quartet - Time Further Out. Miro Reflections (1961) - 2011, FLAC (tracks+.cue)](/upload/000/u2/e3/55/96-the-dave-brubeck-quartet-time-fu.jpg "(Jazz, Hard Bop) [LP] [24/96] The Dave Brubeck Quartet - Time Further Out. Miro Reflections (1961) - 2011, FLAC (tracks+.cue)")
Треклист:
The Dave Brubeck Quartet - Time Further Out. Miro Reflections (1961)
Жанр: Jazz, Hard Bop
Год выпуска: 2011
Лейбл: Columbia - CS 8490, Impex Rec. - IMP6002-1
Страна-производитель: USA
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 24/192
Формат раздачи: 24/96
Продолжительность: 00:37:17
Треклист:
Side 1
A1 - It's A Raggy Waltz 5:15
A2 - Bluette 5:23
A3 - Charles Matthew Hallelujah 2:52
A4 - Far More Blue 4:38
Side 2
B1 - Far More Drums 4:00
B2 - Maori Blues 3:55
B3 - Unsquare Dance 2:02
B4 - Bru's Boogie Woogie 2:26
B5 - Blue Shadows In The Street 6:33
All pieces were composed by Dave Brubeck
Источник оцифровки: aksman, AvaxHome
Код класса состояния винила: Ex
Устройство воспроизведения: Music Hall MMF 9.1
Головка звукоснимателя: Nagaoka MP-500
Предварительный усилитель: Brocksieper Phonomax (Tube Phono-PreAmp)
АЦП: E-MU 0404 external USB 2.0
Программа-оцифровщик: Wavelab 6.1
Обработка: В технической информации
Жанр: Jazz, Hard Bop
Год выпуска: 2011
Лейбл: Columbia - CS 8490, Impex Rec. - IMP6002-1
Страна-производитель: USA
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 24/192
Формат раздачи: 24/96
Продолжительность: 00:37:17
Треклист:
Side 1
A1 - It's A Raggy Waltz 5:15
A2 - Bluette 5:23
A3 - Charles Matthew Hallelujah 2:52
A4 - Far More Blue 4:38
Side 2
B1 - Far More Drums 4:00
B2 - Maori Blues 3:55
B3 - Unsquare Dance 2:02
B4 - Bru's Boogie Woogie 2:26
B5 - Blue Shadows In The Street 6:33
All pieces were composed by Dave Brubeck
Credits & Notes
Credits▼
Bass - Eugene Wright
Drums - Joe Morello
Piano - Dave Brubeck
Saxophone - Paul Desmond
Artwork By [Cover Painting] - Joan Miro
Mastered by George Marino @ Sterling Sound; NY
Notes▼
Reissue by Impex Records
Serial No. x/3000 on cover (not shown on image)
Bass - Eugene Wright
Drums - Joe Morello
Piano - Dave Brubeck
Saxophone - Paul Desmond
Artwork By [Cover Painting] - Joan Miro
Mastered by George Marino @ Sterling Sound; NY
Notes▼
Reissue by Impex Records
Serial No. x/3000 on cover (not shown on image)
Код класса состояния винила: Ex
Устройство воспроизведения: Music Hall MMF 9.1
Головка звукоснимателя: Nagaoka MP-500
Предварительный усилитель: Brocksieper Phonomax (Tube Phono-PreAmp)
АЦП: E-MU 0404 external USB 2.0
Программа-оцифровщик: Wavelab 6.1
Обработка: В технической информации
Техническая информация
Technical Informations
Hannl"limited" Record Cleaning Machine with Rotating Brush
Music Hall MMF 9.1 Turntable
Tonearm Pro-Ject 9cc Evo with Pure Silver Wires
Nagaoka MP-500
Brocksieper Phonomax (Tube Phono-PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Silent Wire NF 5
Wavelab 6.1 recording software
iZotope RX Advanced for 16-bit/44.1kHz conversion
Vacuum Cleaning > TT > Brocksieper Phonomax > Laptop > Wavelab 6.1 (24/192) > manual click removal
analyze (no clipping, no DC Bias offset) > resampling and dithering to 24/96 with iZotope RX Advanced >
split into individual Tracks > FLAC encoded (Vers. 1.21)
No silence been removed, please burn gapless to match original tracklayout.
Personal Note (from aksman)
With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.
DR
----------------------------------------------------------------------------------------------
Analyzed folder: D:\Recording\16-44 (redbook)\Dave Brubeck Quartet - Time Furter Out (Micro Reflections) (1961) [flac] {Impex 180g; 16-44}\
----------------------------------------------------------------------------------------------
DR Peak RMS Filename
----------------------------------------------------------------------------------------------
DR12 -0.83 dB -16.31 dB A1 - It's a Raggy Waltz.wav
DR12 -3.58 dB -19.44 dB A2 - Bluette.wav
DR13 -0.51 dB -18.00 dB A3 - Charles Matthew Hallelujah.wav
DR12 -3.25 dB -18.32 dB A4 - Far More Blue.wav
DR13 -1.00 dB -17.29 dB B1 - Far More Drums.wav
DR13 -2.02 dB -18.40 dB B2 - Maori Blues.wav
DR13 -1.13 dB -16.72 dB B3 - Unsquare Dance.wav
DR12 -1.14 dB -16.43 dB B4 - Bru's Boogie Woogie.wav
DR13 -1.71 dB -19.93 dB B5 - Blue Shadows in the Street.wav
----------------------------------------------------------------------------------------------
Number of files: 9
Official DR value: DR13
======================================================
Hannl"limited" Record Cleaning Machine with Rotating Brush
Music Hall MMF 9.1 Turntable
Tonearm Pro-Ject 9cc Evo with Pure Silver Wires
Nagaoka MP-500
Brocksieper Phonomax (Tube Phono-PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Silent Wire NF 5
Wavelab 6.1 recording software
iZotope RX Advanced for 16-bit/44.1kHz conversion
Vacuum Cleaning > TT > Brocksieper Phonomax > Laptop > Wavelab 6.1 (24/192) > manual click removal
analyze (no clipping, no DC Bias offset) > resampling and dithering to 24/96 with iZotope RX Advanced >
split into individual Tracks > FLAC encoded (Vers. 1.21)
No silence been removed, please burn gapless to match original tracklayout.
Personal Note (from aksman)
With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.
DR
----------------------------------------------------------------------------------------------
Analyzed folder: D:\Recording\16-44 (redbook)\Dave Brubeck Quartet - Time Furter Out (Micro Reflections) (1961) [flac] {Impex 180g; 16-44}\
----------------------------------------------------------------------------------------------
DR Peak RMS Filename
----------------------------------------------------------------------------------------------
DR12 -0.83 dB -16.31 dB A1 - It's a Raggy Waltz.wav
DR12 -3.58 dB -19.44 dB A2 - Bluette.wav
DR13 -0.51 dB -18.00 dB A3 - Charles Matthew Hallelujah.wav
DR12 -3.25 dB -18.32 dB A4 - Far More Blue.wav
DR13 -1.00 dB -17.29 dB B1 - Far More Drums.wav
DR13 -2.02 dB -18.40 dB B2 - Maori Blues.wav
DR13 -1.13 dB -16.72 dB B3 - Unsquare Dance.wav
DR12 -1.14 dB -16.43 dB B4 - Bru's Boogie Woogie.wav
DR13 -1.71 dB -19.93 dB B5 - Blue Shadows in the Street.wav
----------------------------------------------------------------------------------------------
Number of files: 9
Official DR value: DR13
======================================================