(Jazz-Funk, Post-Bop, Avant-Garde) [CD] Buddy Terry - Pure Dynamite - 1972 (2007 Japan Edition), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 4. August 2017, 20:22
Buddy Terry / Pure Dynamite
Used drive  : ASUS    DRW-24B1ST   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\FLAC 1.3.1\win64\flac.exe
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TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
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        1  |  0:00.00 | 10:11.61 |         0    |    45885
        2  | 10:11.61 | 10:49.48 |     45886    |    94608
        3  | 21:01.34 | 17:32.14 |     94609    |   173522
        4  | 38:33.48 |  7:07.17 |    173523    |   205564
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     Track quality 100.0 %
     Test CRC EE69B627
     Copy CRC EE69B627
     Accurately ripped (confidence 1)  [596B1F89]  (AR v1)
     Copy OK
Track  2
     Filename C:\EAC Rips\02 - Paranoia.wav
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     Track quality 100.0 %
     Test CRC 6CA854F2
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     Copy OK
Track  3
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     Track quality 100.0 %
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     Accurately ripped (confidence 1)  [B268F5BF]  (AR v1)
     Copy OK
Track  4
     Filename C:\EAC Rips\04 - Miscegenation.wav
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 3 track(s) accurately ripped
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No errors occurred
End of status report
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[CTDB TOCID: KN5id6_R9wNC0JdJH8AMXfCLXGk-] disk not present in database
Submit result: KN5id6_R9wNC0JdJH8AMXfCLXGk- has been uploaded
==== Log checksum FA1BAB6B33E6CAE4E9B92989B854B12296CE51285CDC7E627193FA929B141CCE ====

REM GENRE Jazz
REM DATE 1972
REM DISCID 230AB404
REM COMMENT "ExactAudioCopy v1.3"
CATALOG 4995879239353
PERFORMER "Buddy Terry"
TITLE "Pure Dynamite"
FILE "01 - Quiet Afternoon.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Quiet Afternoon"
    PERFORMER "Buddy Terry"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Paranoia"
    PERFORMER "Buddy Terry"
    INDEX 00 10:09:31
FILE "02 - Paranoia.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Baba Hengates"
    PERFORMER "Buddy Terry"
    INDEX 00 10:46:48
FILE "03 - Baba Hengates.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Miscegenation"
    PERFORMER "Buddy Terry"
    INDEX 00 17:29:14
FILE "04 - Miscegenation.wav" WAVE
    INDEX 01 00:00:00

An overlooked gem from the early 70s, Buddy Terry’s “Pure Dynamite” mixes post bop and fusion in a style somewhat similar to what Freddie Hubbard and Sonny Rollins were doing at the same time, but Terry also dips into some psychedelic sounds and ensemble freedom that pushes his music a little closer to Herbie Hancock’s excellent Sextet. The connection to the Sextet is furthered by the appearance of the Sextet’s Eddie Henderson and Billy Hart. Meanwhile, the new Return to Forever was also playing with post bop that bordered on the avant-garde on their first album, so its no big surprise to see RTF’s Lenny White, Airto and Stanley Clarke on here as well. The rest of this album’s all-star cast also includes Joanne Brackeen, Mtume, Woody Shaw and Kenny Barron, its hard to go wrong with a cast like that and there is certainly very little wrong with this album.
The album opens with “Quiet Afternoon”, which starts off like a mellow psychedelic fusion version of “All Blues”, before Stanley kicks the bass line into double time and the soloists unleash their fire. All through this album the soloists don’t necessarily go it alone as other players might add counter melodies or even occasional competing solos. This busy complicated texture is pushed further with occasional tape echo and a rich tapestry of percussion and sound effects. The early 70s was a very creative time in music and this album is very much a product of that culture. If you enjoy post bop that borders on fusion and the avant-garde, you probably will not be disappointed by this one. Buddy Terry certainly deserves way more recognition than he has received.
-- js