(Jazz / Cool) Michel Legrand - Legrand Jazz - (1958) 2003, FLAC (image+.cue) lossless

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 4. December 2010, 1:00
Michel Legrand / Legrand Jazz
Used drive  : HL-DT-STDVD-RAM GSA-H54N   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 102
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 320 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V %s
TOC of the extracted CD
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        1  |  0:00.00 |  5:19.08 |         0    |    23932
        2  |  5:19.08 |  3:48.37 |     23933    |    41069
        3  |  9:07.45 |  3:00.00 |     41070    |    54569
        4  | 12:07.45 |  4:14.29 |     54570    |    73648
        5  | 16:21.74 |  5:53.38 |     73649    |   100161
        6  | 22:15.37 |  3:20.55 |    100162    |   115216
        7  | 25:36.17 |  3:24.58 |    115217    |   130574
        8  | 29:01.00 |  2:35.31 |    130575    |   142230
        9  | 31:36.31 |  3:23.69 |    142231    |   157524
       10  | 35:00.25 |  2:24.30 |    157525    |   168354
       11  | 37:24.55 |  7:16.31 |    168355    |   201085
Range status and errors
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     Filename C:\EAC\Michel Legrand - Legrand Jazz.wav
     Peak level 98.1 %
     Range quality 100.0 %
     Test CRC 98C2AEED
     Copy CRC 98C2AEED
     Copy OK
No errors occurred
AccurateRip summary
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Track  2  accurately ripped (confidence 6)  [1B6F9E5A]
Track  3  accurately ripped (confidence 6)  [834B6DE6]
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Track 10  accurately ripped (confidence 6)  [B3B39636]
Track 11  accurately ripped (confidence 6)  [D4D5B9E4]
All tracks accurately ripped
End of status report

5.0 out of 5 stars - The Test of the Best, September 21, 2000
By: TUCO H. "H. TUCO" (Los Angeles, CA)
This is my favorite jazz record from the 1950s. Legrand's orchestrations have a subtle mixture of romantic understantement and Stravinskian modernity that is absolutely fantastic; they truly add some incredible complexity to what the soloists are doing without in any way hampering them, in fact, they inspire them to new heights of expressive purity.
Legrand is famous for his 'romantic' jazz-influenced soundtracks for "The Thomas Crown Affair," "Umbrellas of Cherbourg" and other flicks, which can often get too schmaltzy and nauseating. On Legrand Jazz, however, he tried to make his ultimate artistic statement without any commercial compromise, and man did it work! Everything is just right and there isn't a touch of mawkishness anywhere---just sophisticated, transcendent music. All the tracks are super-sublime and fancy-fine, and the more you listen to them the better they get.
Each of these three 1958 dates featured a different band: a 10 piece, an 11, and 15. The players? Ben Webster, Miles Davis, John Coltrane, Bill Evans, Phil Woods, Hank Jones, Jimmy Cleveland, Art Farmer, Ernie Royal, Donald Byrd, Herbie Mann, Eddie Costa, Paul Chambers, just to name a few of the more famous honchos. There are plenty of solos but they weave themselves in and out of the arrangements in a way that synergizes the music and lifts it to a higher plane. Especially choice among a record full of choice solos are Ben Webster's super-creamy lines on "Blue and Sentimental," and, of course, Miles Davis' immortal poetry on "Round Midnight," "Django" and "Jitterbug Waltz."
5.0 out of 5 stars - EASILY ONE OF THE BEST JAZZ RECORDS OF ALL TIME, March 6, 2000
By: A Customer
I can't believe nobody's written a review for this one of a kind masterpiece of a record. Legrand's awesome and beautifully subtle orchestrations provide the perfect balance and sophistication for the cream (and I mean cream) of jazz players circa 1959. The unique combination of top soloists on some of these tracks alone make this a great disc. These particular guys would've never played on these particular tracks if not for Legrand's suggestion (and never had before excepting Miles on "Round Midnight.")Where else can you hear John Coltrane and Phil Woods in the same group? But this is far more than an "all-star" blow out. Legrand retained but toned down his famous "romantic" side and added thoroughly modern Stravinskiesque touches providing all the virtues of the best orchestral music while leaving the soloists room to breath. Just compare this to some of the garbage orchestras Wes Montgomery was backed with! All the tracks are excellent--timeless--any one of them worth the price of the CD many times over. Miles Davis' playing on "Django,""Round Midnight," and "Jitterbug Waltz" is heartbreakingly beautiful, some his best playing. Do your soul justice and buy this album.
5.0 out of 5 stars - An absolutely unique experience!, May 8, 2003
By: J. C. Danko (North St. Paul, MN USA)
My vinyl copy of Legrand Jazz bought in 1961 is a much worn and treasured audio treat. The availability of the same on CD was a great relief. In the 50 years I have been seriously listening to music I keep returning to this brilliant and unique collection. There is just nothing else like it for comparison. The tune selection covers the spectrum of jazz styles from Fats Waller to John Lewis. The muscians were all obviously selected for their individualistic solo styles and yet they blend into wonderful ensembles thanks to Legrand's quirky and surprising arrangments. The arrangements are complex but direct and the musicians' enthusiasm for the material is obvious...nobody was sleep-walking at these sessions. Some of the combinations are genius. Nuages has a trombone choir with one of Ben Webster's breathy solos. Django has Miles in front of vibes and a harp. This is serious music that shows the possibilities of jazz in the right hands.